Here comes some weird uncontrolled freaky shit! If you think you're prepared, think again! After four years of silence (which is a word I'll never use again when speaking of Controlled Bleeding), Paul Lemos and Joe Papa are back with this new album that opens a new chapter in their evolution. Everything they had so far can probably be found in these fifteen tracks, in some odd way, buried by tons of other noises or clear and out there. Schizophrenia and obscurity alternate, so you won't have enough time to get into the dark moods of songs like "Poisoner pt3" before you're assaulted by the disorienting swing of the free-jazz "Schist" and then the total no-wave freakout improvisation of "Felch Space Scan" (with Ruins drummer Yoshida Tatsuya) and then brought back into the delayed watery honiric dub time of the title track. A highlighted use of electric bass, musique-concrete, experimental, classical, dark, avantgarde rock, free-jazz, no-wave are all mixed together to defy your expectations and remind you of Primus (the male nonsense vocal improvisations in "Felch Space Scan" and the electric bass in some songs remind of Les Claypool), John Zorn, Jacopo Andreini, Post Prandials, Maisie, Klimperei, Parts, Bz Bz Ueu and all these other bands from the no-wave scene. Also present is a Brian Eno cover of "Here Come the Warm Jets" and three bonus tracks after some silence (oooops, I said the s-word again!).