In "touch•me•not", Hara Alonso invites listeners on a sonic journey that dissolves the boundaries between the tactile and the auditory. This album isn't just a collection of tracks; it's an exploration of how sound can evoke the sensation of touch, blurring the lines between the physical and the ephemeral.

Alonso's approach is both innovative and deeply introspective. By integrating field recordings, the nostalgic tones of the Juno 6 synthesizer, and the nuanced timbres of prepared piano, she crafts soundscapes that resonate with the textures of our surroundings. The inclusion of collaborators like percussionist Ryan Packard, double bassist Ville Bromander, and vocalist Ellen Soederhult enriches the album's sonic palette, adding layers of depth and emotion.

Thematically, "touch•me•not" challenges our conventional sensory hierarchies. In a world dominated by visual stimuli, Alonso urges us to reconnect with the haptic - encouraging an auditory experience that feels almost tangible. This perspective aligns with philosophical musings from figures like Emanuel Swedenborg and Charles Baudelaire, who delved into the interconnectedness of the senses and the spiritual realm.

Tracks such as "Meandering" and "Breaths, Pulsations, Murmurs" exemplify this ethos, weaving delicate melodies with ambient textures that seem to caress the listener's consciousness. The album serves as a gentle reminder of the importance of sensorial awareness in our increasingly detached digital age.

Hara Alonso, a Spanish pianist and composer based in Stockholm, has continually pushed the boundaries of contemporary music. Her previous works, including "Somatic Suspension" and "Notions of Hope", showcase her commitment to exploring the intersections of sound, body, and space. With "touch•me•not", Alonso further solidifies her position as a pioneering force in the realm of experimental sound art.

In essence, "touch•me•not" is an invitation to experience music in a profoundly tactile way, reminding us that sometimes, the most impactful touches are the ones we feel with our ears.