The signals can be mixed without being confused or confusing. I'd rather say that the sonic sources/sorcerers of this output could have been felt fused or fusing, as they sound deeply amalgamated in the diversified emotional set that these two Mexican forgers of this sonic experience manage to lodge in the listener's mind. The name of one of them at least should be easily recognized by electronic music lovers, as FAX (moniker of Rubén Alonso Tamayo) is maybe the second name that comes to mind after the one of Murcof (both artists got invited to the notorious and prestigious MUTEK festival), if someone tries to talk about Mexican electronic music scene. Those, who have a deeper knowledge of that fascinating scene (mostly concentrated in the borderline region of Tijuana) by following some outpout of FAX's imprint Static Discos, could have met the name of the young producer Braulio Lam as well. Yann Novak - the man behind Dragon's Eye curtains - managed to intercept and embed in his catalogue their highly reverberant signals. The dynamics of each track is pretty similar: washed pads sound ether, but as other entities such as shimmering resonances or thin guitar tones, reverberation gets added and those feathery pads sounds like expanding and get more and more hypnotic. This strategy is particularly clear on the opening "Insomnia" as well as on the fleecy lavishness of the following "Focus", whose sparkle is a sort of jingling sound, which could resemble some of those meditation collective sessions evolving into a track that sound pretty close to some outputs by Christian Fennesz. Those pads evoke a sense of tragedy on "Mute", whose syncopated thumps could be matched to an extremely slowed heartbeat to the point that the whole track could let you think to the sonic representation of a near death experience, whereas a vaguely blessed astral touch crops up from the resounding pond of the title-track "Mixed Signals", which, for some mysterious reason, resembles to me a version of "Starship Melody" by Adam Douglas's Deeper Than Space (who follows ambient since the 90ies could remember that project).