Brian McWilliams is back again with another Aperus release, 'Archaic Signal,' his fifth album with this project following 'Lie Symmetry' which I reviewed back in 2018. Revisiting the review and the album (listening), I realize that it was even better than I thought it was at the time, so I urge you to get it. As for the album at hand, let's see what we're in for. McWilliams claim the title ('Archaic Signal') came to him while visiting a petroglyph site near his home in Santa Fe, New Mexico. "It appeared as a mirage....the images felt like viable signals still holding a charge." The resonating signal also occurred again while listening to a birdsong outside his studio, so he recorded it to a handful of cassettes and experimented with compromising the tape by scraping, crumpling, pulling it apart, reassembling it and applying magnets to it. That certainly added a lot of grit, noise and analog color. McWilliams' use of shortwave radio on this album is another key factor (and one used by Aperus often in the past) and that comes up right away in the music.
"New Antenna" features twisty drones interspersed with the aforementioned shortwave samples (foreign voices, possibly Russian) and then some other odd sounds toward the end. For the casual listener, this kind of experimentalism may be off-putting, but give it a chance. The title track perks up one's ears with a whistling quality, beginning as small signals in space to gradually become huge as the noise subtly sweeps in, a spacious environment is formed. At its apex it is nearly overwhelming, but then something happens and it morphs into something...otherworldly. Voices from the past rise and fall, as well as other incidents you're barely aware of. The melodic melancholy of "Phase Shift" is a little reminiscent of some of 'Lie Symmetry,' and although brief at 2:33, it is still poignant. The oddly titled "Newspaper Rock" blends complex ambient drone with various discreet spoken word (possibly radio or shortwave radio) samples, and other electronic zips, zizzes, and miscellaneous sonic artifacts. The broken melody loop that heralds "Canopy of Stars" seems to fade and disappear but actually changes into something more formidable while an at first minimal tapping advances into a bold rhythm, then dissipates. Just when you thought it was all going away, it gradually comes back again, stronger than ever this time. Towards the end it resolves into only two chord changes, but then changes a bit again with subtle supplementary string-like pads. It seems obvious to me that a lot of work went into this piece. You may have been wording what happened to those abused and deconstructed birdsong tapes, so "Birdsong As Mantra" should give you a good idea. It's birdie-chirp with drones and this is the longest track on the album at nearly 17 minutes. Various subtle events come into play at various points in this lengthy piece, but the drones and birdsong are its constant. At the end the soft noise sounds like a vinyl record repeating the last groove in the runout.
I knew sooner or later Brian would bring in some bellish tones (there are lots of them on 'Lie Symmetry') and here they are on "Silver Birds." This may be one of the best bell-drone pieces in recent memory. "Archaeodreaming" has an awful lot going for it- mysterious echoing drone, strange little minimal rhythm, and other nuances. It could have gone on much longer than the nearly five minutes it was. "Afterglow" offers big, rich, complex chordal drone, and a little bird chirping returns as well. The piece ends on a very long fade.
While I can't say that 'Archaic Signal' was as fascinating to me as 'Lie Symmetry' was, it does have some very good things to offer. What puts this into the “must buy” category is the CD packaging. McWilliams is also a photographer, and for the album artwork he used the camera as a sampler and incorporated basic components from his petroglyph photos with visual abstractions (such as the birdsong displayed on the front cover) layered over other photos of weathered metal, tables, rocks, etc. to create a unique composite image. The CD packaging features a 5 x 7 cello sleeve with a striking double sided gatefold cover and five double sided photo cards (10 images) created from weathered surfaces, pictographs and found objects. I have to say it looks pretty cool and makes this a worthy collectible as well.