Hemispherica Portalis is the debut collaboration album from the collective imagination of Deborah Martin and Dean De Benedictis. Performing under the moniker “Desensitized”, these two veteran ambient electronic sound explorers have joined forces to craft a thought-provoking work of art that combines ancient and futuristic moods into a captivating world of sound, filling the imagination with illusory images of undiscovered realms. The abstract and alluring music that unfolds across the album’s seven tracks is in many ways just what one would expect when De Benedictis & Martin’s recognizable yet disparate styles are focused into a singular expression.
Martin's long and early association with the Spotted Peccary label and her ability to integrate with similar artists in the soundscape genre position her well as the perfect partner for an album such as Hemispherica Portalis, while her extensive travel throughout Europe, Asia, and the North American continent brings a comprehensive understanding of the diversity of cultures and the historic threads that weave together connecting us all. The varied background and long list of music credentials makes Dean De Benedictis the ideal candidate and partner with Deborah Martin on this outing. Blending the familiar with the unexpected, Hemispherica Portalis not only takes you to some astoundingly exotic regions, but how you end up getting there is also an important part of the journey.
Forget everything you thought you knew about "New Age" music and begin again. While much in that generally maligned genre reeks of clichéd melodic content and easy listening/pseudo-classical bullshit, you'll find none of that here. Yes, there is plenty of melodicism, but nothing you will find yourself involuntarily humming. It weaves in and around the atmospheres, the magical environments your ear produces in your mind's eye. (The album cover by Daniel Pipitone is but a snapshot of a possibility of one of the realms explored here, but an accurate one.) You may even feel as though you've heard much of this before on an initial listening, but the deeper you delve, the more you will realize that you're experiencing something in a way you've never actually heard before. Martin’s signature sounds and digital synth expressions expand and contract as the occasional acoustic flourish or melodic moment briefly bubbles to the surface. Added to that are the nuanced layers of De Benedictis’ remarkable laptop-based sound-sculpting approach and the resulting array of textural, experimental, and at times gritty elements that he expertly swirls into the mix. Together they create a wonderama of a dreamscape that just cannot be easily defined. The tracklist may provide some clues though.
1 Hemispherica Portalis (Portal of 1000 Years) 06:59
2 Concunus Dracus (Dragon of the Heavens) 09:30
3 Formulata Oblivonos (A Complicated Tale) 09:15
4 Ecumenicus Orato (The Umbilical Center) 12:54
5 Saltis Nominus (Floating Seabeds) 11:38
6 Terminus Equitos (Redemption Seeker) 06:09
7 Amphibinatum (Myths and Legends) 09:05
And no, not everything is just drifty/floaty in the world of Desensitized. The rapid motion of "Terminus Equitos" for example, recalls Tangerine Dream's Berlin School sequenced electronics. This is an album to be savored like a fine wine, full of nuance, with great balance, flavor, complexity, and just the right length on the finish.