James Rushford offers up a solo piano performance of Catalan composer Federico Mompou’s four-part work “Música Callada” (“Silent music” or “Voices of silence”) put side-by-side with an original composition and ‘companion piece’ to the Mompou work, named “See The Welter”.
“Música Callada” comprises four books, originally published several years apart between 1959 and 1967, with each book split into individual movements and phrases, almost all of which are under three minutes long. This succinctness and frequent stopping gives something of a vignetted feel, with individual chord and arpeggiated explorations allowed to unfold loosely and individually. It’s undeniably sweet, and Rushford’s playing is light and romantic, though at times there’s a slight shortage of the sense of a larger structure at work- it can feel more like a series of thoughtful interludes in sequence. Book I has something of the post-war reclusion into traditional romanticism about it, while Book III was a form of reluctant calm and a touch more avantgardeism. Dynamic moments do appear, such as in Book II’s jumpy “Allegretto”, but often it feels like a musical diary- individual bite-sized introspective chunks of expressive musical mood, with no planned overriding narrative.
“See The Welter” is structurally quite different, comprising seven long ‘pages’, averaging over ten minutes each. Instead of the compact chapters of the Mompou work, this is more meandering, long sustained-note melodic wanderings that are allowed to breathe and roam freely- especially as most pages roll directly into the next, with reverb inbetween, so almost no pauses at all. There’s a definite commonality though, which is found in the mood and tone- that same sense of introspection and space. It isn’t the traditional melancholy that sparse solo piano works sometimes adopt as a kind of default- there’s a certain positivity threaded through it too.
It’s a sweet bit of piano portraiture and Rushford has done an excellent job of presenting and replying to Mompou’s original works. The result is an indulgent two and a half hours of captivatingly small, space-driven solo piano that is very much worth losing yourself in.