Music Reviews



ATTRITION: 3 Arms & A Dead Cert

 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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Apr 09 2008
cover
Artist: ATTRITION (@)
Title: 3 Arms & A Dead Cert
Format: CD
Label: Two Gods (@)
Distributor: Voiceprint
Rated: *****
Originally released in 1996 by Hyperium (Project took care of the U.S. edition) 3 ARMS & A DEAD CERT has been one of the most successful album for Attrition and for sure it is one that re-defined their sound. Thanks to the collaboration of Franck Dematties of the Paris Opera on viola (check the closing "Prelude" to be pleased by the sound of his instrument), the twelve tracks of the album are sounding particular thanks to different "oppositions": first we have the chants of Julia Waller which are balanced by the deep whispered vocals provided by Martin (this style remembered me a little Adi Newton of the second Clock Dva period started with "Advantage"), then we have the upbeat electronic textures of drums and synth lines which are balanced by the romantic but at the same time sad tunes, performed by the viola. The opposition of dark atmospheres and upbeat rhythms are making of this album a good one where you can find a strong electronic background along with some ambient dark experimentations (see the piano/vocals/viola/samples mix on the cinematic "Predicament"). A really good album which now see the light again with a remastered version available worldwide.

ARKANE: Enraptured Serene Mesmerism

 Posted by Maurizio Pustianaz (@)   Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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Apr 08 2008
cover
Artist: ARKANE
Title: Enraptured Serene Mesmerism
Format: CD
Label: Secution Prod (@)
Rated: *****
ENRAPTURED SERENE MESMERISM is the second Arkane album which has been released six years after "Arcane Elitism" published back then by Fossil Dungeon. This new work contains eight tracks which sound like movements of an opera. Based on the female vocal ability of ArcanumX and on Drg's strings orchestration (with the participation of Stephen Svanholm/Sibelian and Arcanstra M. for some recitative parts), the album create a convincing dark opus. Sounding like mermaids' hypnotic chants, the tracks are composed by few elements (few orchestral parts plus the female vocal performances) but the bravura of the musicians is here evident (because isn't simple at all of being able to catch people's attention which such few minimal elements) and make them succeed into the creation of a magical atmosphere. There's also a recurrent theme which we find since the opening main track that is a sort of link that lead us through the different movements. From Greece, Arkane are here to let you lose your senses by enrapturing your soul with witch like abilities...

MENACE RUINE: Cult Of Ruins

 Posted by Maurizio Pustianaz (@)   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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Apr 07 2008
cover
Artist: MENACE RUINE
Title: Cult Of Ruins
Format: CD
Label: Alien 8 (@)
Rated: *****

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After releasing the demo "In Vulva Infernum", the mysterious duo behind Menace Ruine started to play gigs around Canada. The Montreal band soon caught the attention of the Canadian label Alien 8 which already released other bands which had metal influences on their sound. The first album by Menace Ruine contains seven tracks and despite some black metal influences (see the vocals on the opening "Process of bestialization") and some obsessive percussive parts, the band is capable of creating a convincing mix of dissonant melodies, despair and tension which find its top on "Kill the egregore". On this one we have a razor like sound which seems to come from the sewer where a guitar which sounds like an Farfisa organ duet with a rumbling percussive tambourine and a female chant. "They who enter caves" has a similar scheme but the male vocals are less original because follow the black metal rule of having bleeding sore throats on vocals. If you don't consider that, CULT OF RUINS will sound different to your ears and you'll appreciate the mud which will drip from your speakers...

LYSERGENE: Critical Mass

 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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Apr 04 2008
cover
Artist: LYSERGENE
Title: Critical Mass
Format: CD
Label: Aesthetic Death (@)
Rated: *****
After publishing the Dead Beat Project, Aesthetic Death is releasing another solo album by a member of Esoteric. This time we have Gordon Bicknell, Esoteric's guitarist, who under the Lysergene moniker is bringing us a good album titled CRITICAL MASS. The album has nine tracks which are in balance from ambient industrial, industrial e.b.m. and 70's cosmic ambience. The album opens with the main track and just after one minute of tense ambient sounds it literally explodes proposing a multitude of sounds: on the background we have light industrial percussions, upfront we have a drum machine which duets with distorted horns and synth layers which gone mad. An intricate web of sounds which only apparently is chaotic. "Twisted and evil" is less chaotic and it's a sort of continuum to the opening one. It starts like an ambient track just to turn into a rhythmic tribal electronic dance. "Monolith" is pure industrial e.b.m. while "L.s.d." starts like an ambient track just to turn into a cinematic electronic tune. "Neon flow" and "Network tv" are ideally linked to "Monolith" bringing more instrumental industrial e.b.m. to the menu. With "The groke" the album changes and we have a sort of industrial version of Sunn o))) just to turn again on a more ambient industrial e.b.m. ambience on "The becoming". "Shock treatment" closes the album with a blast, proposing a mix of all the above. If you love cinematic tense atmospheres, ambient industrial CRITICAL MASS and 70's electronic as well as kraut rock, try this one...

Airiel: The Battle Of Sealand

 Posted by Andrea Vercesi (@)   Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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Mar 31 2008
cover
Artist: Airiel (@)
Title: The Battle Of Sealand
Format: CD
Label: Walking Bicycles (@)
Rated: *****
Ariel's new album brings the pop back into shoegaze, while lots of bands of the new generation are more focused on the atmospheres. The comparisons could be sunnier side of Secret Shine and the most accessible Spiritualized (how I miss them...). The opening track is called "Introduction" and is using many layers; it's hard to pigeonhole but it is somehow clichéed and reminds me of a guitar version of Herrmann & Kleine earlier stuff. "The Battle Of Sealand" contains at least two outstanding tracks, the first is "Sugar Crystals" which features Ulrich Schnauss and it's a mind blowing example of nu-gaze - I'm sure this will be a classic in their repertoire; the other one is "Mermaid In A Manhole" (quite strange to find a reference to a very graphic movie of the infamous Guinea Pig series on a record like this). The record is amazingly recorded and there are lots and lots of fuzzes and layers of distorted guitars - but personally I liked Airiel better when they were experimenting with ambiences and drones.


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