Music Reviews

Din-ST: yamu d'din

 Posted by Marc Urselli   Electronics / EBM / Electronica
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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May 30 2004
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Artist: Din-ST
Title: yamu d'din
Format: CD
Label: Schematic / Asphodel (@)
Rated: *****
Din-ST (also known as Dynasty, Din, Dj Maxximus, Fever, F.Stader) is ready to drop his urban-digital-core on us thanks to Asphodel (in San Francisco) and Schematic (in Miami), who teamed up to deliver "yamu d'din", a concentrate of elven tracks of experimental broken-core insanity. It's hard to describe Din-ST's style, as it draws from a tradition of digitalcore that has always been hard, by choice, to identify and categorize. What characterizes his style is the occasional addition of quasi dancehall-style MC-ing and street-style hip hop ministrations (hence I called it urban-digital-core), but most importantly the slice & dice approach to his broken beats and un-even rhythmical constructions. The whole thing flows, but his stylish hiccups don't fail to add that vein of punk-ish uncertainty to the mixture. In other words, don't expect another Atari Teenage Riot offsring just because you heard the words digital hardcore, this goes beyond the scope of hardcore and reaches into the everyday life of street and rave culture, carrying the dark shadow of society around as a gift to expression. Could be even more interesting though...

Ashtool: Electrosoundphrasesinth(ou)gh(t)s

 Posted by Marc Urselli   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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May 30 2004
Artist: Ashtool (@)
Title: Electrosoundphrasesinth(ou)gh(t)s
Format: CD
Label: Into My Bed recordings
Rated: *****
Ashtool is musician Mirco Rizzi, a Turin, Italy based artist whose music is a cross road of experimental, industrial, dark, ambient and noise.The album also features guest collaborations by Daniele Brusaschetto (pretty much the godfather of that local scene), Oscar Mucci, Paul Beauchamp, Micaela Michetti and the saavy engineering skills of the ubiquitous Marco Milanesio.From underneath his loft bed, Mirco's been fishing around his pool of influences and ends up gently plucking the strings of all the above mentioned genres, with leftfield humble minimalistic excursions and louder sonic ministrations. His combination of electric and acoustic sounds generates tension and relaxation, at the same time. Guitar improvisations are blended in with all sort of types of noises, occasionally industrial rhythms (in classical Brusa-style), voices (mostly spoken) and other sounds, resulting in a dynamic and multifaceted album that ranges from beautiful atmospheric tracks ("Meeting a Friend", "Passegiata", or "Sexes3" and "Ridolini/th(ou)gh(t)s" and their gorgeous jazzy treated guitars) to loud attacks on eardrums ("Mu", "Nulla Mi E' Dovuto" or "Cerchireprise", with its interesting quasi orchestral samples), and everything in between (like the sweet Warp-ish sounding "Saleccia5").It is definitely one of those albums you'd have to listen to at an appropriate volume and with the right state of mind, in order to appreciate its nice and hidden subtleties.

MIHA CIGLAR: A piece for two instruments and a saxophone player

 Posted by Eugenio Maggi (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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May 24 2004
Artist: MIHA CIGLAR (@)
Title: A piece for two instruments and a saxophone player
Format: CD EP
Label: self-released
Rated: *****
Young Slovenian composer, musician and sound engineer Miha Ciglar studied saxophone, musical pedagogics and sound engineering in Maribor (Slovenia, his native town too) and Graz (Austria). "A piece for two instruments and a saxophone player" (a contribution to the "Open Cube series", Cube, Institute of electronic music, Graz) is a 26' improvised piece recorded live to two tracks, and is an interesting real-time interaction between the wind instrument and digital manipulation. It begins with a kind of swarming drone, similar to Hafler Trio's use of string samples - then it breaks into a mess of digital crackles, pitch-shifting, loops and (barely recognizable for the most part) sax roars and sputterings. If you wondered how a Peter Broetzmann recording could sound in an glitch-electroacoustic mix, this could be an answer, and this work definitely could appeal to those into radical Japan improv or Nmperign. There are a lot of interesting passages, but at times the performance suffers from repetitiveness or let-down moments: "no overdubs, no mixing" is not always the best choice, especially if we're to hear an improvised session. I still feel this kind of material should be HEAVILY overdubbed. Still, an interesting experiment.

VV.AA.: Sensitive Sampler #1

 Posted by Ferruccio Milanesi   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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May 24 2004
Artist: VV.AA.
Title: Sensitive Sampler #1
Format: CD
Label: Sensitive Records (@)
Rated: *****
SENSITIVE RECORDS is a new label with a real open-minded attitude: from rock to avant-garde, to classical music. This sampler shows 14 tracks taken from four forthcoming albums, whose red line is the high quality of music and the capacity of mixing different styles in a charming way.
About NICK GREY & THE RANDOM ORCHESTRA, the ensemble is an international music collective leaded by the Rumanian artist Nick Grey. In these tracks, taken from "Regal Daylight" album, they continuously combine different influences, using soft drum machine, distorted guitars and classical instruments. I'm totally shocked by the first track "thievesamongthorns": starting with a classical intro, with the collaboration of the famous tenor Vasile Moldoveanu, soon shows a soft, sweet and melancholic atmosphere, with a wonderful clarinet leading to a land of memories. "Intruders" reveals a more strong attitude, alternating a powerful electric guitar with piano and violin, while "Parachutes Drops" is a darker song, gloomy with its strings and glockenspiel-like carillon.
EMPI (L’Eglise du Mouvement Péristaltique Inversé – The Church of Reversed Peristaltic Movement) is another project which involves Nick Grey, a French speaking ensemble now releasing the second album, a totally mad and distorted mix of romantic landscapes and visions of pain. While listening to their "V" I’m submerged by an atmosphere a la Debussy, with a moving and desperate duo piano-violin. "Pression", instead, with a pulsing beat and a repetitive clarinet is like being closed in an asylum, with people whispering everywhere, knocking at the walls and far machinery noise. "Haiku" is a long walk between moist walls and "Pédagogie du tremblement" is your final arrival to Hell, a nightmare on Earth. PINKERTON & GREY is a collaboration between the Nick Grey and the Armenian pianist and soprano Jasmine Pinkerton. The tracks, taken from forthcoming album "Dress Rehearsal" show melodic and really listenable compositions with piano and voice. "Wheelchair lovesong" is a sad song with some Pink Floyd’s "The Wall" echoes, while the wonderful "Song 6" brings you to a sunny and drowsy Spring afternoon, in the last decades of 800, lay down on the grass reading Verlaine’s verses. "Israël" starts softly, bringing me to memory the best songs of Ashram, to increase in a crescendo that involves the listener in a vortex of emotions and passion.
At last, unusual for CHAIN DLK’s readers, are two tracks from VASILE MOLDOVEANU’s "Arias": this is the reissue of an opera arias album by the great Rumanian tenor. Surely I cannot review the music: the two tracks in the sampler are the wonderful Puccini’s "E lucevan le stelle" and Bizet’s "Agnus Dei" and they need no additional words by me. What I can say is that Moldoveanu is a really great interpreter, with a deep and powerful voice, revealing that classical music has not yet lost its charm and that you can find it only in real artists, far from TV-business "Three Tenors" or "Pavarotti and Friends".
It was really a long time I hadn’t listened to a so touching compilation. Every artist is a must and I’ll wait anxiously the release of their albums.

ANDRE HARDANG BORGEN: Barokken (1600-1750)

 Posted by Eugenio Maggi (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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May 23 2004
Title: Barokken (1600-1750)
Format: CD
Label: TIBprod (@)
Rated: *****
Norwegian artist André Hardang Borgen (involved in several other projects, including the Norwegian Noise Orchestra) collects here ten tracks recorded between 1997 and 2003. As the time period is quite relevant, I wonder if they're presented in chronological order. Anyway, Borgen is into glitchy muzak, very often reminding of Oval in its half detached half obsessive use of minimalist loops and clicks. Rhythms are there, though not obtrusively - "sjSkft" sounds like a crazed videogame, "666+888" is almost "regular", and "just a mouse-click away", one of the best tracks, is hypnotic and tribal. The main problem is that there are good ideas but they almost always remain sketches, which can put off the listener after a while. The last track, "Kunst-hus", is definitely the best one, and a promising direction if it's the most recent by Borgen's: a recognizable, nostalgic (guitar?) melody, gentle crackling electronics and a sweet whispered voice. More "song-like" than everything else in the cd, and surely more engaging for the listener.

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