Music Reviews



Aaron Dilloway / Jason Lescalleet: Grapes and Snakes

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Sep 29 2012
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Artist: Aaron Dilloway / Jason Lescalleet (@)
Title: Grapes and Snakes
Format: 12"
Label: PAN (@)
Rated: *****
I won't start this review with expressions like "once upon a time", but I have to admit I felt tempted to do so while speaking about releases like this one, whose explorations by means of old fashioned analogue synths, recording techniques or tools, including the glorious tape recorder, which could inspire the same enchantment of a well-stocked antique store, could lead some listeners to believe that the apex of sonic research is not the perfect cleanliness of digital sound. I have no precise idea about the explanation of the title "Grapes & Snakes", even if a friend who owns a recording studio told me that he heard the slangy use of both words from some sound engineers - grapes, rhyming with tapes, could allude to green led lights under peak levels on mixer decks (similar to bunches of grapes), while snakes could refer to the typical pattern of soundwaves -, but I don't like puzzling with similar oddities. However I noticed some similaraties of the stereophonic movements of the sounds on the first track "Shattered Capsules" with the ones of water serpents, portrayed on the very elegant silkscreened pvc sleeve, when they wrap around something as well as the amazing and somewhat estranging pricks on sonic patchy fog and other (sometimes primordial, but extremely seducing) ways for interlacing sounds. Whereas the progressions on the above-mentioned "Shattered Capsules" sounds more straight, the second 20-minutes lasting track on B-side, "Burning Nest", sounds like a psychoacoustic storm, which gets gradually drenched with trembling low frequencies and droney dirty injections. The stylistical garment, which might recall some combinations between tape records and primordial industrial - not so far from some experiments by Mika Vainio -, could be explained by the background of the musicians: Aaron Dillaway was one of the most imaginative member of Wolf Eyes and borrowed his mindblowing, highly energetic and emotionally purging climaxes to a plenty of important projects of the experimental and noise electronic scene, while Jason Lescalleet scouted old-fashioned equipment and tactics in order to explore microscopic audio detail and really extreme sonorities. Their collaboration could be better appreciated if listened with close eyes, just like some stuff by Conrad Schnitzler or other forerunners of this sonic researches.

Frank Riggio: Psychexcess - Presentism

 Posted by Marc Urselli   Electronics / EBM / Electronica
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Sep 27 2012
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Artist: Frank Riggio (@)
Title: Psychexcess - Presentism
Format: CD
Label: Hymen records (@)
Distributor: Ant Zen mailroder
Rated: *****
Frank Riggio is an Italian-French artist based near Toulouse, France. He's been making music and releasing records for a long time, but his first official debut release dates back to 2007, shortly after he closed the label he was running (Sagaloops). He then embarked on a more sophisticated musical journey, the effects and results of which we are seeing in "Psychexcess I - Presentism", the first of a three part installment which showcases Riggio's abilities as a composer, sound designer and engineer. The album is masterfully executed and you can tell from the compositional style, the versatility of the sonic palette and the quality of the final mixdown and mastering that Riggio is a talented professional who excels in his field. The low end of this album is just amazing (present, controlled, thought out) and comes through even on smaller speakers and without a subwoofer. You can also tell that he works in sound design and music/sound for film/TV because he uses some of the same techniques and types of sounds that you often hear in that world (a great example of that is the fantastic sounding track "Venusian Philosopher (Future Vision I)", which would make a great Hollywood action-suspense movie trailer sound track).
I really like this album because it finds a great balance between the electronic realm and an organic truthfulness that only real instruments can provide. To describe these textures with classifying words is hard: in a way it has elements of classical composition, but it doesn't have any classical instruments (except for the occasional strings line), obviously it is downtempo electronic music at its core, but it goes way past its purest and simplest form and it also doesn't have a lot of beats or rhythmical patterns that you would expect in that genre. It kind of flows through your life as if it were it's own self-contain sonic universe, taking in elements from a variety of genres and making it own. Sparse elements of glitch, french chanteusisms, dark-ambient soundscapes, sci-fi sounds, There are field recordings, obviously there is a lot of sound manipulation and there is a strong footing in the experimental world too.
Definitely a very mature record that enjoyed listening several times and exploring in depth, both sonically and mentally. Looking forward to part II.

Louis Laurain/Rodolphe Loubatiere/Yoann Durant: Au Dehors

 Posted by Vito Camarretta (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Sep 26 2012
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Artist: Louis Laurain/Rodolphe Loubatiere/Yoann Durant (@)
Title: Au Dehors
Format: CD
Label: Creative Sources (@)
Rated: *****
After I introduced his amazing collaboration with guitarist Olivier Dumont, another interesting release co-signed by creative French percussionist Rodolphe Loubatiere is an outdoor performance recorded with Yoann Durant (trumpet) and Louis Laurain (saxophone). Beyond the typical fuzzy way of playing instruments, one of the funniest aspect of "Au dehors" (French for "outside") is the occasional weird symbiosis between surrounding setting and musicians, who sometimes sound like the copycat of what happens nearby their dais, so that winds seem to talk to the tweeting birds by mocking them (Monsier Laurain manages to imitate even a dove) and percussions look like hacking and sputtering after people's coughs, while the interplay between the musical instruments is really amazing as there are many moments when it seems they exchange their roles. After the initial tuning when Rodolphe sounds like rubbing any trace of musical score out by wiping his metallic objects off while his playmates starts blowing dust off their tools, mikes intercept amazing jokes and really weird sounds which seem to fall faul till the final crumbling. It certainly deserves a listening.

Bisclaveret & Feine Trikers Bei Pinkels Daheim: Both Sides of the Looking Glass

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Sep 25 2012
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Artist: Bisclaveret & Feine Trikers Bei Pinkels Daheim
Title: Both Sides of the Looking Glass
Format: 7"
Label: Zoharum (@)
Rated: *****
This is the first 7" vinyl from this label and is, in fact, a split release. According to the press notes, this is a collaboration from Bremen's FTBPD and Gdansk's BISCLAVERET, and the track from both groups has been wrote exclusively for this release.
"An Introduction to Reading God", the Bisclaveret one, is a strong atmospheric track based upon a soundscape, spoken words and almost industrial beats with a crescendo of cinematic quality. "Unterhose Totalphimose", the track from Feine Trikers Bei Pinkels Daheim, is a well produced track based upon a drone and small noises that puts the track in dark ambient territories truly evocative.
This a release of a short duration (less than 10 minutes) but creates an awaiting of longer releases from this band. It worths a listen.

Gianluca Becuzzi / Luigi Turra: In Winter

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Sep 23 2012
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Artist: Gianluca Becuzzi / Luigi Turra (@)
Title: In Winter
Format: CD
Label: Silentes
Rated: *****
One of the most interesting branch of ambient and neo-classical music, but also the one which exposes musicians to the risk of misfiring and getting jammed by stylistical platitudes and "already listened" stuff, is the "seasonal" one, which tries to use sounds as if they were paintbrushes in order to portray a particular season. The prolific Italian sound artist Gianluca Becuzzi joined together with Luigi Turra, who already made similar two-headed collaborations where he usually explores aural sonorities, in order to give "voice" to winter: most of tracks focused on the research of a balance between an evocative set of natural field recordings and sound objects by Becuzzi and slow, melancholic and often muffled (as they have been stopped by icy hard ground and crystallized landscapes) melodies on acoustic guitar and piano by Turra, which gradually sound like melting together whereas sustained reverbations of the last tones blur into gentle glacial breezes or scatter over a surreal silent scenery so that it seems to stare by sound at a person within the emotionless uniformity of a mute snowy expanse. Both Turra's minimal tonal weaves and Becuzzi's sonic faint setting seems more focused on the building of a deeply immersive virtual reality for the listener than on the maniacal research of musical perfection (maybe some common headphones which emphasize low frequencies won't neatly render some amplified stresses on low tones) and if listeners predispose themselves to such an experience, they will easily appreciate the enthralling recollection this couple of experienced sound artists patiently assembled.


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