Music Reviews

Innlaandds: s/t

 Posted by Vito Camarretta (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
New Music / Downtown / Avantgarde Jazz / New Classical / World
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Dec 30 2017
Artist: Innlaandds
Title: s/t
Format: CD
Label: Wide Ear Records (@)
The same-named debut album by this combo of Swiss musicians - the long-lasting mates Bernard Trontin on drums and Michel Wintsch ("strumming" on a piano and a synth and caring composition on this output), the vocalist and lyricist Antoine Lang and Raphael Ortis on electric bass - explores inner visions and the sometimes paradoxical mazed of dream states and oniric visions, but I guess the outer visions of Swiss landscapes and environment could have heavily influenced a style that sounds oblique like the steep cliffs and the rugged terrain of that land. I also guess these folks are aware of such an obliquity or they maybe yearn to sound oblique, as someone could argue by looking at the cover artwork, highlighted the above-mentioned cliffs. They generically labelled their style as "experimental pop", a tag that hides the clot of influences of their sound: Antoine's voice (and sometimes lyrics) could resemble some crooners of contemporary jazz, easygoing off-key teeny pop-rock singers or my little adorable 4-yrs old niece during pitchy interpretation of Frozen theme songs; Bernard's drumming ranging from hard-bop jazzy sessions to pressing rockish lines, from slow riding to dubby "upholstery" as well as from trivial and interesting techniques. Similarly, Wintsch synth and piano-driven entities and Ortis basslines feature such a constant ambiguity, but they want to run the risk that such an ambiguity couldn't satisfy listeners whose ears experienced different workout (to call it so). It could sound odd, but Innlaandds' sound is consistent with what these Swiss folks try to represent.

Peter Schubert, Andreas Usenbenz: Plaqué

 Posted by Stuart Bruce (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Dec 18 2017
Artist: Peter Schubert, Andreas Usenbenz
Title: Plaqué
Format: CD + Download
Label: Klanggold
“Plaqué” comprises a single 41-minute piece of sound art intended to commemorate the 200th birthday of a man called Daniel Straub who was influential in railroad construction and who founded a company called WMF, who nowadays produce kitchenware and cutlery. But rather than being a bunch of pots and pans clinked together, this is a thoroughly ambient work with a somewhat holistic approach, where Schubert and Usenbenz have gathered together field recordings from Straub’s home town of Geislingen and layered and gently processed them into a gradually shifting rhythmless soundscape.

Opening with a somewhat cliché arrangement of farmland and birdsong noises, the work slowly delves into odder territory, with strangely flanged sounds like running water inside pipes. The extremely subtle and measured way in which the sound morphs into more industrial and unpleasant tones- scraping and bending metals, soft distant impacts and electrical hums- is expert and surprisingly disorientating.

As we enter the second half, sonically it opens up somewhat into a broader and oddly sci-fi space where everything feels very timestretched and slow-motion. This devolves into a wash of crunchy white noise which, in turn, fades to leave just some bottle-like pure tones before we wrap up with the reintroduction of what sounds like genuine light industrial and workshop noises, which ease away so gradually into infinity that you don’t even spot that playback has stopped.

The manner in which this work evolves throughout its 41 minute duration has an exemplary execution. Whether it challenges any boundaries or contributes any new ideas to this field of sound design is debatable, as is whether a 200-year-old Daniel Straub would have appreciated the tribute (it would probably just have all sounded like tinnitus to him anyway given his old ears…), but nevertheless it’s a quality work.

Patrizia Oliva: Numen - Life Of Elitra Lipozi

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Dec 17 2017
Artist: Patrizia Oliva
Title: Numen - Life Of Elitra Lipozi
Format: CD
Label: Setola di Maiale (@)
Rated: *****
This is a cd reissue of a work published on cassette from an artist which, even with a considerable discography, has always had a so low profile, or lack of interest from press, that most of the releases listed on her website are not on Discogs. Even if she's mainly a singer, this release is a mostly instrumental work where she seems to fuse sparse ideas into a coherent work in a precarious equilibrium between composition and improvisation. It's been edited for a tape but, instead of being two full tracks, they sounds as a sequence of tracks mainly because there's seldom a second of silence to mark the end of a section.
The first track, "Danse Des Fantomes", starts quietly with the voice singing under a loop in a crescendo which abruptly stops for a quiet section based on found sounds, or so they seems, which seems mainly obtained from a film perhaps for the blurred sound; a vocal loop introduces a part for synth featuring even some sample from an opera and a part for organ introducing the final section where the tones sung creates an atmosphere vaguely reminiscent of minimalism.
The second track, "A Day Long To", is more divided in sections and completely revolving around the impressive vocal qualities of the singer which is able to give a catchy allure to the noisy background and, after an ambient interlude, there's even a spoken word part under a vocal loop. After an almost dark ambient part the voice of Oliver Sacks, to whom this work is dedicated, closes this release.
It's difficult to make a list to all the influence which is compressed in a so multifaceted work which could be a little bit disorienting and lacking, mainly for editing reason, a real musical unity but it reveal a little nuance at every listen. Recommended.

Giovanni Lami: Hysteresis III

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Dec 17 2017
Artist: Giovanni Lami (@)
Title: Hysteresis III
Format: Tape
Label: Soft Error
Rated: *****
While the previous two parts were recorded in Ravenna and Solfatara, "Hysteresis III" was recorded in Valencia and, more or less consciously, this in another step forward an organic sound object from the noisy and abstract introduction to this modus operandi heard in "Hysteresis I", where the manipulation to enhance the typical noises of a reel to reel tape recorder as the Nagra V, used in this project, created a sonic representation of a ghost.
As the first voices of the first side are heard, this third chapter is marked by an approach closer to the canonical field recordings release with the tape manipulation reduced to the minimum; the great cure for spatialization creates a realistic environment and the tape noises are mainly used to separate the section of the track. The B side is instead more on the path of the previous chapter as more time is devoted to the tape manipulation at the beginning and at the end of the track while the central part is based on the playback of the voices recorded and this is another cue of the character of this release, while the first two parts were recorded in a probable uninhabited environment, in this tape the human presence is underlined.
Instead of repeating himself, Giovanni Lami decided to take his project in a slightly different direction so it could probably be enjoyable by a wider audience as it's less noisy and more evocative. I'm curious to hear the last two chapters.

Kotra: Cicada

 Posted by Vito Camarretta (@)   Industrial Noise / Power Noise / Harsh Noise
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Dec 16 2017
Artist: Kotra (@)
Title: Cicada
Format: CD
Label: Kvitnu (@)
Rated: *****
The info-sheet attached to this new release by Ukrainian label Kvitnu doesn't mention the reason why the six tracks of this output by label boss Dmytro Fedorenko didn't reach the audience after they were forged, but better late than never. Actually there's an analogy between the long delay between the birth and the surfacing of this release by Kotra and the life cycle of the insects quoted in the title: before resurfacing and living for a short period (between some weeks and a few months) as adults, they spent years (the genus mentioned in the opening track "Magicicada" - mostly living in America - requires between 13 and 17 years) under the ground where they complete the growing process. After their growth, they resurface together after digging intricates web of tunnels and males uses the known whisper to group the other members of the community. The six tracks of "Cicada" (as you can easily guess by their titles as well) render this life cycle by means of finely sharpened rhythmical noises, whose constant elements are shaking high frequencies and a sort of flickering vibrations over elastic tremors of low frequencies, that resemble the trembling choruses of cicadas and all the stages of their life. A life that you could consider pretty strange, but smarter listeners will find some tragically surprising similarities with many human lives, heavily influenced by the unwritten laws of many industrial and post-industrial communities, or a remarkable parallelism with some political processes...

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