Music Reviews



Genetic Transmission: Last

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Jan 10 2016
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Artist: Genetic Transmission (@)
Title: Last
Format: CD
Label: Zoharum (@)
Distributor: Alchembria
Rated: *****

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As the title suggest, this is is the last studio album in the discography of Genetic Transmission, one of the alias of Tomasz Twardawa and, almost incredibly, also the last realization of the IYHHH series that was conceived as a way to present unconventional Polish artist using also an unconventional artwork as a presentation strategy. This is properly the reissue of a CDR release collecting 15 untitled sound experiments using electro-acoustic sources. As all tracks are untitled they will be denoted with their number.
"1" starts this release with reverse played tapes of perhaps string instrument while "2" is focused on the rhythmic displacement of samples. "3" features small noises and "4" on metallic resonance; "5" juxtaposes drones obtained by electronic devices and "6" sounds as field recordings of waters where used as a background. "7" sounds as if noise generators were the focus of the track while "8" takes advantage of the effect of resonance. "9" is based on complex layers of drones, tapes and noises while "10" sounds as constructed from field recordings layered to underline their rhythmical properties. "11" and "13" uses a dry metallic beat to sustain the abstract musical foreground while "12" and "14" sequences industrial noises. "15" closes this release with a drone that evolves into a metallic mass and, after a quiet section, into a noise fragment.
Apparently lacking a narrative direction, it sounds as a collection of experiment unified by a fistful of elements as the metallic beats, electronic device's samples and drones. As the tracks are usually short, this musical property gives a sense of variety which removes that sense of boredom that could arise as the loop, and his rhythmic framework, is the proper base element of the track of this release. All fans of experimental music would hear it with a sense of loss for the end of this project.

Marek X. Marchoff: Funeral Musik for You and Me

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Jan 10 2016
cover
Artist: Marek X. Marchoff
Title: Funeral Musik for You and Me
Format: CD
Label: Zoharum (@)
Distributor: Alchembria
Rated: *****
This new release from Marek X. Marchoff is the follow-up of his remarkable 'Funeral Musik für Jenny Marchoff' but it's a reflection on the meaning of life and death unrelated to the personal issues which were the foundation of that release. Instead, all tracks are called with coordinates that seems related to the park where is located the St. Michael's Cemetery in NYC which is shaped as a triangle and where is located the studio where the album was mastered and probably recorded.
The sinewaves of "ezoterascopick 40.696095°N 73.905029°W" introduce the listener to a minimal music where there's only small variations, so "40°41'²20'³N 73°56'²40'³W" continues this pattern introducing synth lines and loops. "40.69.572-73.90342" introduces bass and voice and it triggers the suspect that every track introduces an element until it will return to the minimal elements of the first track mimicking the passing of time on human being. "40.7641°N 73.9813°W" feature an intermittent beat and spacey sound. "40.80553,-79.91451" marks the return to the minimal structure of the first track using mainly sine wave's generators and "40.699511°N 73.911166°W" is his twin using synth notes. "40.6937°N 73.9833°W" closes this release with two distinct parts: the first one is a quiet ambient part based on textures while the second one is based on a loop borrowed perhaps from an old record of music to be played in a smoky bar.
As it's a release whose processes are minimal and long and its sound palette has few tones, this not a release for the typical distracted listener which is in vogue in this times and critics could tear it to pieces as it's the kind of sound which triggers thought rather than emotion. If the track were shorter or with expanded arrangement could be easy listening but this depiction, an mimesis, of life of death could be too difficult to realize until there's a true intention to hear. Careful listeners will rate it at least 4 stars while the others 2 stars so the average is 3.

The Necks: Vertigo

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Jan 05 2016
cover
Artist: The Necks (@)
Title: Vertigo
Format: CD
Label: ReR Megacorp (@)
Rated: *****
The Australian super-group by Chris Abrahams (piano, keyboards), Lloyd Swanton (bass) and Tony Buck (drums, percussions, guitar) left aside the groove that features some past entries and live performances of The Necks in order to dive into something remarkably different on their elegant declension of "Vertigo", whose main similarity to past workouts is the unpredictability of their sonic journey, where listeners clearly recognizes the starting point but can't really say where they will land. An intentional and extremely lucid process in spite of their seemingly abstract melting of different sonic strategies, as you can guess from Lloyd's words about "Vertigo": "The discussion this time really begun in earnest in the session itself, where we started to pursue the idea of having a drone running from start to finish, off which we could hang ideas...but like all Necks album we ended up in a very different place from whatever our initial notion of it had been". I don't want to spoil it in details in order to ruin the joy of surprise, but that sort of low-key driven drone, around which more or less oblique piano and keyboard sequences by Chris Abrahams that seem to permeate and evoke different emotional states in between confusion, suspension, paralyzing relativism, hesitancy and sudden spurs and unpredictable percussive strokes by Tony Buck, is going to carry listeners over subtle changes of colour, mood swings, air-tight narrow corrider that little by little lead to airy sonic landscapes, where the alternance of dark and light doesn't touch upon the sense of freedom, which got rendered by their surfing over stylistical forms.

Daniel Blinkhorn: frostbYte – one dog night

 Posted by Andrea Piran (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Jan 04 2016
cover
Artist: Daniel Blinkhorn
Title: frostbYte – one dog night
Format: Download Only (MP3 + Lossless)
Label: Audiobulb (@)
Rated: *****
This new Audiobulb's release is from Daniel Blinkhorn, an Australian sound artist whose creative works seems unnoticed even if he has received various recognitions. As the title suggests, it's inspired by the cold temperatures in the night and it's an except from the 'frostbYte cycle', a collection of tracks based location-based field recordings in the Arctic region of Svalbard. The result is an astonishing sound quality whose clearness let every resonance appears in a precise place in the aural field so it's one of the best release in this field that I've heard.
"Red sound" opens this release with a mise en scène of a bunch of small sounds whose dynamics create a sense of tension while the movement is space is best observed with headphones; during the development of the track there's a constant progression to sparse sounds to a filled space with their juxtaposition. "cHatTer" is focused instead on the exploration of the details of the source samples so the result seems a quiet track but the noises of object under the effect of low temperature is frightening. "Wildflower" is sequence of bright sounds moved in space to generate a sense of immersion in a wide space. "Anthozoa" closes this release using a wide dynamics obtained with elements at the threshold of audibility to evoke that sense, at night, that everything ruins that thing called silence.
This is an aurally extreme release that is fully enjoyed with headphones or in a surround hi-fi environment so it's mainly a release for fans of sound art and for them is a truly recommended release. I wonder how the casual listener could rate this release as it lacks a proper narrative element but who cares? This release is a reminder about why there's the concept of hi-fi.

Brutter: s/t

 Posted by Vito Camarretta (@)   Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Jan 03 2016
cover
Artist: Brutter (@)
Title: s/t
Format: 12"
Label: Hubro (@)
Rated: *****
Once upon time brotherhood in music was mainly associated to blues, rock and pop. This reunion between Norwegian sonic siblings Fredrik Wallumrod, who mainly borrowed his skills on drums and electronics to rock and metal bands such as Dog Almighty, Span and El Caco, and Christian Wallumrod, who became one of the most appreciated musician of the Nordic improv scene - I recently introduced the amazing output "Pianokammer" by this musician, whose name got mainly matched to his own acoustic ensemble and the quartet Dans Les Arbres - extends the concept to the more experimental side of improv music. Forget the piano tones, harmonic moulding and melodic mutations you met on the above-mentioned "Pianokammer", as Christian mainly works on likewise freaky sonic palettes over the three tracks of "Brutter" by a pile of percussive plugs, hits and filters according to evasive logical paths, where Frederik adds some electronic foil, whose amalgamation can't really provide a semblance of order to the resounding elements. The initial "Geigered" sounds like a set of false starts, where any "regular" rhythmical pattern got immediately disbanded within hiccuping and sometimes chaotic surges, which are the dominant aspect of Brutter's sound on the interplay "Radiopuls", an intentionally impossible attempt of matching between drum machines and live drums, which seem to be part of an impossible interlocking puzzle. Any possible synchronization between the two halves of the drumming got broken in the asynchronous slow syncopations of the final "Badminton Break", where you could imagine Wallumrod Bros dragging rhythm like the body of a drunken fool into a temporary shelter.


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