Music Reviews



Mar 18 2016
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Artist: Mingle (@)
Title: Static
Format: CD
Label: Kvitnu (@)
Rated: *****
The first seconds of "Final" - in spite of its name, it's the first track of this awesome album - could vaguely resemble the strings of "Yfirum" by Hilmar Ãrn Hilmarsson, but the direction that this output by Italian musician Andrea Gastaldello after dilutions of strings, that got wisely delayed and diluted over a metallic scratchy noise which could evoke the image of a painful laceration, is completely different and somehow unpredictable, even if the way by which he modelled his sound keeps on recalling some "deep" stuff of the Nordic scene that became remarkably popular in the first decade of the new millennium. The subterranean clicking, the ephemeral string-like whispers and the gradually ignited trigger of "Afterdark", the faint anxiety of the piercing narrow dynamics of the following "Words" and the almost chilling title-track "Static" wisely push listeners towards a sort of idle soul-scanning and such an introspective dimension doesn't really shows signs of subsidence during the first electro-mechanical subtle assault of the labyrinthine "Sevi Lwa", named after the branch of Voodoo which focuses on love spells. The thin air that sounds like getting excited by a crescendo of electronic percussions and sonic glare on "Dummies" and the temporary lukewarm quiet of "Slow" (featuring a sound which seems to come from old rotary dials) are the watersheds of "Static", whose temporary peace got definitively disturbed by the gloomy electrical throttling of "Conditions", which managed to hook some past listening memories such as Ltd.Noise, the almost unknown project by Paul Fishman - one of the founding members of Re-Flex - and Peter Gill - former drummer of Frankie Goes To Hollywood, or Danny Almonde. The cathartic defrosting on the beautiful "Solitude" and the humoral post-industrial traces on "Too Late" prepare the ground for the extremely catchy tones of "Fate", where the achieving of new insights seems to find a sort of sonic mirroring. Masterfully mastered by Eraldo Bernocchi.

Kachina: Blind EP

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Mar 16 2016
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Artist: Kachina (@)
Title: Blind EP
Format: Download Only (MP3 + Lossless)
Label: Affectionate Groooves (@)
Rated: *****
The second output by Uk tribe Kachina on Affectionate Grooves doesn't really suit my musical taste, but it manages to show the versatility of this trio, which can easily juggle more house-focused stuff on "Blind". The title track - a nice set of typical deep house armoury, including the fading out delay on vocals and those effected synths, which sound like the noise you hears while brushing (deep inside...!) teeth! - and "Holding On", which features Uk-based vocalist Nikki Marie on mic - her voice perfectly suits the Balearic cocktail of piano, strings and funky lead guitar licks - are my favorite ones, while I don't really like the siliconized trancey house grooves of "Playing Games" and the jazzier one of "Stronger" (nothing special). The golden jacket they put on Bob Marley's classic "Exodus" on the bonus track doesn't add up to my eardrum's satisfaction as well. Some groove-lovers will maybe prefer to turn their eyes blind...

Kachina: Broken Lines EP

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Mar 16 2016
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Artist: Kachina (@)
Title: Broken Lines EP
Format: Download Only (MP3 + Lossless)
Label: Affectionate Groooves (@)
Rated: *****
The first of two simultaneous outputs by UK trio Kachina, nicely named after the spiritual beings whose dolls or masks for ritual dances were personifications of things like sun, thunderstorms, insects, stars, planets and so on, who could have familiar relationships (similarly to contemporary dolls in children's games), perfectly sticks the "back-forwarding" sound of Affectionate Grooves, the subsidiary label of drum N bass focused NexGen that is reprising UK garage, two-step, deep house and speed garage. The typical elongated electronic whisper of UK garage over a 2-step movement, which sounds more catchy over the pulpy muttering bassline and the vocal inserts, on "Breakaway" could perfectly mixed over "Gangsta", whose amazing amalgamation of rolling beats, smooth chords and twisting basslines over sampled dialogues from Michael Caine and Ray Liotta could make you thought as a possibly suited track for GTA! Bpm slightly rises on "My Love", whose soulful hyper hooks could bring listeners back to past entries on the well-known Strictly Rhythm label, while the most balanced moment between shaking and chilling elements occur on the title-track "Broken Lines", whose whacky ragga vocals saying "We don't need no more wars in this world" over really elegant sonorities could be matched to some stuff of the meteor-like project Nu Spirit Helsinki without jazzy inserts.

Robert Curgenven: Climata

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Mar 15 2016
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Artist: Robert Curgenven
Title: Climata
Format: 2 x CD (double CD)
Label: Dragon's Eye Recordings (@)
Rated: *****
The website of Tremenheere Sculpture Gardens, a park which tries to "implement" contemporary art in the beautiful natural environmental of West Cornwall, describes James Turrell's Skyspace, one of the most interesting installation in the gardens, by highlighting the fact that "the shifting balance between the interior and exterior light will provide a contemplative and hypnotic transition". This interesting installation could be described as a chamber with a more or less wide (round, square or ovular) aperture on the top of the ceiling, which can be an autonomous structure or can be integrated into pre-existing buildings. That lovely corner of Cornwall is the place where the Ireland-based Australian sound artist Robert Curvengen experienced this building by Mr.Turrel, whose usage and perception of space and light was mainly aimed to be a sort of filter in order to perceive the sky in an enhanced way, but besides the perception of space and light, Robert should have been impressed by its acoustics to the point that he asked for Turrell's permission to check some of his Skyspaces around the world in order to grab the external sound by means of a set of microphones and some custom-made oscillators in order to create slightly manipulated sounds and check the way they could highlight the resonance inside any Skyspace. Each of the 15 Skyspaces became a sort of diaphragm between the sound that Robert generated inside of it and the sounds from the outer space, but the aspect, which makes the final listening experience that got provided on this double CD by L.A.-based label Dragon's Eye Recordings even more interesting, is the recording technique used on Climata. The initial tones - vaguely sounding like binaural tones - are a by-product of a technique by which a set of oscillators got stimulated by the movement of the air inside each chamber against the air outside and their amalgamation emphasizes that above-mentioned "contemplative and hypnotic transition", which could be provided by Turrell's entities. The author suggests to play - back to back or simultaneously) the two 58 minutes lasting CDs on two different sound systems to enjoy the multiple combinations that could rise from such a way of playing.

Post Office: The Marylebone Greenwave

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Mar 13 2016
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Artist: Post Office
Title: The Marylebone Greenwave
Format: 2 x 12" vinyl
Label: Minority Records (@)
Rated: *****
The aggregator of this interesting supergroup seems to have been the skilled British keyboardist, composer and arranger Eddie Stevens, former collaborator of big names like Norman Cook aka Fat Boy Slim for his side-project Freak Power, Zero 7 and Moloko, the well-known band whose voice, the one of the Irish singer Roisin Murphy, who keeps on collaborating with Eddie, at the time when they reached the apex of their career that followed the great success of "Things To Make And Do" in 2000 - maybe it's just a hunch, but the percussions of "Pin Out My Eyes", the track that got composed by well-known guest star Sia Furler, remind the ones of "Time is Now", which got masterfully emphasized by Francois K on his awesome "Blissed Out Dub" remix of that great song -. The musical journey doesn't really depart from a cross junction in London, as the name of this album could let you imagine - the Marylebone Greenwave is the almost legendary "green wave" that many taxi drivers unsuccessfully try to complete by driving through King's Cross to the Marylebone flyover with no stops by red traffic lights -, but from a mountain shelter in the French Pyrenees, the Refuge des Oulettes de Gaube, whose dawn must have inspired the title and supposedly the whole opening song of this release: its catchy sonic radiance as well as its evolution - from peaceful strings and lovely lulling French horns that vividly render the colours of a dawn to an explosive and likewise catchy explosion of sounds - follows a sonic strategy that could let you sometimes think of an imaginary crossbreed between some "orchestral" stuff by 4Hero and the more chilling stuff by Brand New Heavies, an acid jazz nuance that gets stronger and stronger on the following "Ascent of the Young", the second of seven stages/tracks that should render the concept of this album, that is a dedication to the different cycles of human life from birth to death. The gradual transition between the craziness of puberty to adulthood got rendered by the short medley "Tiny Overnight", where the seemingly peaceful sonorities begin to embrace sounds that evoke a certain concern that sounds like rising as soon as the knowledge and the awareness of life passes through the first red lights over the long route (monotony of routine, unfulfilled dreams, the feeling of helplessness, failed relationships and other heartbreaks) on the above-mentioned "Pin Out My Eyes" and more vividly on the following "Rust", whose special guest, the guitar player and singer Dedi Madden, should be a familiar name to Zero 7's fanbase. The touching 14-minutes lasting "Mr. Trebus" got inspired by the true story of Edmund Zygfryd Trebus, a compulsive hoarder whose 515 cubic yards of rubbish included documents of an emotionally moving life that got reported by BBC documentary series A Life of Grime, and prepare the ground for the luminous path of "Time Regained" before this sonic journey get closer to the last cycles as you could imagine...


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