Music Reviews



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Artist: TT
Title: Opfer : Einheit
Format: CD
Label: SkullLine (@)
Distributor: SkullLine
Rated: *****
This is the first official release of the specialized German mail order service SkullLine. Like so many mail order services did a comparable initiative in the past (to name the best known: Out Of Line / Crazy Horse Music), also the responsible people at SkullLine decided to enter the dangerous world of the music business by starting some efforts as a label. You have to know, that SkullLine is specialized to cover rarities mostly hailing out of the Industrial and Ritual Noise genre, but they hold also a few hard-to-get items out of Electro/EBM and the Darkwave/Goth genre in stock. Diversity musically placed between Dark Electro, EBM, Powernoise, Minimal up to Ambient – that’s also the given stuff of TT, which stands for Tronic and Triton83 and this duo presents here 14 tracks discovering all above mentioned styles more or less of quality. This release is strictly limited and available in two different versions. The first one is limited to 80 exemplars and comes in a DVD case, holds some graphically militaristic but nice done stuff on board and provides a pin. Pin but different artwork comes also in the special limited version (20 pieces only...) which is well hidden in a metal box set. What counts is the music and it takes some influences out of acts like FEINDFLUG, XOTOX, :WUMPSCUT:, NOISUF-X and related. Here and there are also included some shreds of vocals, mostly richly destroyed and placed in the mix. I adore the classic Electro tune "Automat" with some remembrances to the classic THE KLINIK, while "Gott wo bist Du?" gets my vote for being the most disruptive noisy piece here. Some obscure and experimental stuff is featured as well, just check out "Leichenliebe". Like the mail order service so is the presented music here, at times structured with known elements, at other times unconventional and chaotic. The given sound and recording quality does need an improvement for sure – but that’s the only thing I would like to criticize. Please note that this release is only available – as far as it is strictly limited – directly from SkullLine, so please join them through the given contact references here. A next production featuring Triton83 is already in the works...

ORLA WREN: butterfly wings make

 Posted by Andrea Ferraris (@)   Synth Pop / Electro Pop / Synth-Electronica
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Aug 15 2006
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Artist: ORLA WREN (@)
Title: butterfly wings make
Format: CD
Label: Expanding (@)
Rated: *****
I think I've already wrote I like Expanding: this label has a clear direction both for the melodic-electronic music (without vocals) they produce and for the artsy photographic aesthetics of their releases. I'm not afraid to say that even if lately I've received several good or at least interesting electronic oriented releases, Orla Wren got immediately my attention. Tui a.k.a. Orla Wren wears an ordinary classy electronic costume, therefore don't expect it to sound crippled like Autechre, cold as Pan Sonic or experimental as Ikeda...nay, I'd say this should be filed like easy listening electronic music to relax listeners ears. So this is "music for lovers" and not for proto-intellectual-freaks, soft electronic sketches mostly evolved around piano sounds, synths, glitches and good tempos. I've been listening this cd in heavy rotation while trying to clean my room and I've caught myself thinking it puts together an brilliant poppy attitude to a stylish decorative taste. Harp synths, guitar loops floating on the background and a repetitive but never boring structure...early Mouse on Mars and Plaid meets Nyman?. Good and never prosaic melodies that accentuate Tui's short comment at the end of the thanks list: "I am inspired".

GREIFENKEIL: Greifenkeil

 Posted by Marc Tater (@)   Electronics / EBM / Electronica
Industrial Noise / Power Noise / Harsh Noise
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Aug 14 2006
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Artist: GREIFENKEIL (@)
Title: Greifenkeil
Format: CD
Label: GrenTzwert (@)
Distributor: SX Distribution
Rated: *****
This is the first release of the new German label Grentzwert, which looks out for acts playing music which doesn’t follow any trendy hypes. Electronic music which doesn’t know boundaries – and the male/female duo (until now) GREIFENKEIL fits excellent into this agenda. Musically they take their influences out of some Dark Electro, Industrial/Powernoise, Ambient and Ritual tunes, and so you’ll get a really dark and scary full length release somehow comparable with acts like the great yelworC, ARCANA OBSCURA or some dark ANDRACULOID tunes. Yeah – it is in no way related to some stupid dancefloor stuff hidden under the Dark Electro genre – moreover you have to invest several rotations of this CD to get an entrance to the given content. I find it quite impressive how this act deals with ominous synth layers, strange and disruptive percussion efforts and their scary mood generally, but also the lyrically content has some interesting things to tell us. A big theme is the kind and responsibility of the church and Christianity generally – they’re arguing here against a deadly exorcism on a real happened tragedy in the last year through the Rumanian-orthodox church ("Irina", "Memoriam (For Irina)") – a happening which the church hasn’t condemned until today. Another theme is the origin of Europe and the meaning of some rivers ("Indus", "Oxus Underearth"). GREIFENKEIL avoid it to fall into any "good-bad-evil-devil" cliches, which we often get heard out of this music genre. No, this release has definitively a strong intellectual content – and so is also the artwork featuring some nice photos related to the songs. It’s really hard to pick out a favorite, moreover this release has to be seen as an entirely work of art – music, lyrics, art – the formula is well chosen. GREIFENKEIL are also looking for some artists for performance, dance, drama and singing. If you’re interested and talented, please make sure to contact them.
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Artist: VV.AA. (@)
Title: Crash Frequency 02 - Australian Independent Darkwave
Format: 2 x CD (double CD)
Label: Crash Frequency (@)
Rated: *****
The Australian Crash Frequency strikes back, this time with a DCD set to gain some international and world-wide attention. It was lately Charles Fenech of ANGEL THEORY who told us in our current interview (please look for it somewhere else here...), that the Australian Electro/Industrial/Goth scene has reached a special point of evolution, where some good recognition occurs and that the included bands, especially the ones presented through this collective – show a lot of diversity and originality. His words got proven right with this compilation featuring almost all Crash Frequency bands – I miss only SOBIQUET, INTRA-SONIC and STARK here. The first disk named "Arrival (Home)" features 15 tracks of – so-called - "radio versions" featuring mostly the best pieces taken out of the latest albums of each band, but also some goodies and unreleased new tracks. Opening act marks – like expected – the currently striking duo of ANGELSPIT with their track "Vena Cava". If some of you really haven’t checked out their new CD "Krankhaus" – an epic in both parts, Industrial-Metal music and artwork – I then advise you to do so! Goth Rock was and is not my cup of tea, but the famous IKON give a well done piece here and their "Sunset At Golgotha" is still unreleased. To the straight and melodious EBM/Electro music of ANGEL THEORY I don’t have to give any further explanations, because this act is maybe together with IKON the most known act internationally. "Human", out of Charles’ last and highly recommended full length CD "Re-Possession" is one of the best tracks he has ever composed. Comes then N0N-PLUS, a relatively new member of the collective and musically based into the Powernoise/Ambient genre. I haven’t heard anything from this act before, so that’s a bit hard to start comparisons, but this decent track featuring ominous synth layers and a steady beat makes me hungry for more. Follows then the great duo TANKT with a new and unreleased track "Surveillance". You remember their well done "Club Life" CD, also licensed to Static Sky Records? Well, forget it, because this "Surveillance" knocks almost all tracks from "Club Life" out of the field! Comes then the duo of THE CRYSTALLINE EFFECT and so the journey into a musically more strange copulation, because they mix Electro elements with Trip-Hop efforts mostly guided by decent female vocals. Their track here, "One Time In Life" taken from their new EP "Blurred Edges" is a well done example for the more Trip-Hop-based kind of this duo. LUX VOLTAIRE is also an act I haven’t discovered so far, I can only remember their funny "Oberheim" contribution from the first chapter of this compilation series. Their new and unreleased "Dreamtime" is a straight and modern arranged Electro dance track with a duty guitar riff in between. They are followed by THE PROCESS VOID coming up with a new instrumental cut and the Synthpop act TYCHO BRAHE with a track of their latest release "Atlantic", out on the US-based label Coohagen Music. RESURRECTION EVE have already produced more remarkable tracks than "Embrace", which was also available on their great last CD "Ascension", out on GUP/Endless Records. PLAQUE SEQUENCE follows and they are totally new to me. "Futuristic Techno, Cyber-Electro, Psytrance and Technosexual Fetish-Industrial", so the description on their music – nothing what could help to make the things clearer. Lee Bulig of STARK has done some additional music and Pete Crane of THE CRYSTALLINE EFFECT seems also to be a member.
We have then two tracks done by DOMINO THEORY (dark Pop with Trip-Hop attitudes leaded by female vocals) and DANDELION WINE, who could lately get a deal with the German Ars Musica Diffundere, a division of the Black Rain group. DAZY CHAIN give us their track "Hush" taken from their last full length – a track which starts peaceful and calm, but then to come out in a rough and angry Punk/Metal-like raging piece. Last track of this first CD then is provided by the new collective member THE TENTH STAGE musically ranging between Goth Rock and Electro. I dig this track a lot, it mixes up both styles with some good male vocals. So 15 tracks in all on the first CD, let’s check out the content of CD2, called "Departures (Club)" and so – like the name explains it – turns the music into a more club-oriented field.
ANGEL THEORY now opens the second disk, again with "Human", but this time in remix version created by John Van Loon out of the Netherlands. The rhythms are now a bit updated, John has also done some further production and he added his voice for a kind of guest singer appearance – in all a very satisfying remix work. THE CRYSTALLINE EFFECT now show with their second track "Only You Can See You" their other side, musically more depending on a modern kind of Electro dance – it’s a great and previously unreleased track. ANGELSPIT send out another invitation to join them on the dancefloor for some crunchy Industrial/X-over actions with a new "Pill Binge" remix of their "Elixir", originally another fine piece out of the "Krankhaus". I then see the difficulty to offer a club-friendly track from IKON – finally they present here with "Ghost In My Head (Adam Cal Remix)" a track of the 1998 album "This Quiet Earth". Also some unreleased stuff is offered by TYCHO BRAHE with their track "Avarice", which got by the way remixed by another Australian legend alive again, George Pappas of REAL LIFE. It’s a great Synthpop tune with some female vocals integrated, which doesn’t leave any wishes open. Also the newbies of THE TENTH STAGE give a second track "Criminal World", which got remixed by Dave Foreman of TANKT. Have a clear listen to the great and alive-sounding synth layers. Next are TANKT with the title track of their past full length CD "Club Life", here in a special remix created by Charles Fenech of ANGEL THEORY. Please note also his special guest vocal appearance on this great track. PLAQUE SEQUENCE return with a modern dance track taking influences out of Trance and Techno. Pete Crane of THE CRYSTALLINE EFFECT does his best here, although the adding of some more vocals wouldn’t be wrong. The rough tunes of THE PROCESS VOID – here "Lethargy" taken from their debut - also got a remix here, this time done by LUX VOLTAIRE. Relatively danceable, but mostly instrumental. RESURRECTION EVE then show themselves from their very best side and offer a new remix of their track "Forever" – be sure and listen only 1 – 2 times the refrain, it will be undeletable burned in your mind - one of the finest Synthpop tune this act has ever produced! Comes then DOMINO THEORY with an "Apology" – but there’s nothing to excuse, because the track grows on you after a few rotations. But don’t ask me who the responsible remixers ROMUS & REMULUS are, if we don’t think of the historically meaning. DANDELION WINE have again the flute in action, their at times strange female vocals and some guitar riffs as well – it’s always hard for me to sort them in, but I take it as sports – they are another proof of the diversity offered out of Down Under. Last but not least we get an unreleased track by LUX VOLTAIRE, "Australia’s Premier Neuropunk Outfit – whatever this means. After an acoustic opening the track "Despite You" turns into an acceptable and danceable electronic track, well done, Gentlemen.
A final and special note has to be taken for the brilliant artwork created by Destroyx of ANGELSPIT - indeed it has some relations to that famous "Krankhaus" art, plus also the great "flying skull" logo craeted by Roberto Massaglia of TANKT/THE TENTH STAGE. Charles Fenech of ANGEL THEORY finally has collected this well done comp.
I of course have some personal favorites here on this compilation, but I try to avoid to pick them out specially. It is because that the Australian Electro/Industrial/Goth scene has so much diversity and surprises in all genres to offer that every listener will find his/her very own favorite. Come on and take a steady listen to Down Under and the leading Crash Frequency collective – satisfaction guaranteed!

Disc CF01 : Arrival [Home]
1. Vena Cava - Angelspit
2. Sunset At Golgotha - IKON
3. Human - ANGELTHEORY
4. Of The in Visible - n0nplus
5. Surveillance - Tankt
6. One Time in Life - The Crystalline Effect
7. Dreamtime - Lux Voltaire
8. Skyro - The Process Void
9. Don’t Feel That Way - Tycho Brahe
10. Embrace - Resurrection Eve
11. Oblivion - Plague Sequence
12. No Apology - Domino Theory
13. Tulip Eyes - DandelionWine
14. Hush - Dazychain
15. The 10th Stage - The Tenth Stage

Disc CF02 : Departures [Club]
1. Human (JVL Mix) - ANGELTHEORY
2. Only You can See You - The Crystalline Effect
3. Elixir (Elixir Remix) - Angelspit
4. Ghost in My Head - IKON
5. Avarice (George Pappas Real Life Remix - Previously Unreleased) - Tycho Brahe
6. Criminal World (Exclusive) - The Tenth Stage
7. Club Life [Club Mix] - Tankt
8. Take The First Step - Plague Sequence
9. Lethargy - The Process Void
10. Forever - Resurrection Eve
11. Apology - Domino Theory
12. Arc - Dandelion Wine
13. Despite You (Previously Unreleased) - Lux Voltaire

PSYCHIC SPACE INVASION: All God's Children Got Space

 Posted by Eugenio Maggi (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
 Edit (2936)
Aug 11 2006
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Artist: PSYCHIC SPACE INVASION
Title: All God's Children Got Space
Format: CD
Label: Elvis Coffee
Rated: *****
Ok, ignore the bad layout, first because this cdr is available for postage costs only, second (and most of all) because this is a dramatic improvement from PSI's previous releases, which by the way were not bad at all. Ian Holloway hasn't changed the nature of his project (i.e. synth-driven cosmic ambient), but has surely created a more daring and focused piece of minimal music. The single 43' 30'' track starts begins with a huge organ sound which will float in the air for some 20 minutes, when a synth sweep and then a pitch-shifted melody are slowly added. Then the organ returns, closing the piece in a circular way. While I'm still not a fan of overtly audible synth sounds, PSI has written a great composition, with a skillful use of timing and sequences; and the organ-like sound is splendid (think of jliat's "The Nature of Nature"). Well worth the few pennies to cover postage.


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