Music Reviews



Mar 06 2013
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Artist: Schloss Tegal (@)
Title: Oranur III
Format: CD
Label: Cold Spring (@)
Rated: *****
Many gourmet of electro-industrial dark ambient don't really need any introduction of American sound project by Robert Schneider and Mark Burch, named after a castle near Berlin which was formerly a psychiatric clinic for military people, where they got treated by means of music and art therapy. I surmise they have a reputation as many critics and reviewers consider Schloss Tegal as the founders of so-called dark ambient, whose main features were hovering since their electro-industrial debut release in 1989, a 7" single which was properly titled "Procession Of The Dead". They planned a series of reworks of some albums of their discography. This one by appreciated label Cold Spring is a digtally remastered version of their "The Third Report", a record inspired by the apocryphal scientific matter of orgonic energy, theorized by the controversial Austrian psychoanalist Wilhelm Reich, who made some researches of this supposedly existing cosmic energy during the years he spent in the United States. The concise, but exhaustive dissertion on Reich's experiments and beliefs about Deadly Orgone Radiation, Cosmic Orgone Engineering, Cloudbuster, Electro Magnetic Fields and its relation with the so-called "emotional plague", Oranur experiments, bio-weapons and other similar matters you can delve, with old pictures of Reich's cloudbusters is the conceptual framework of this album, which sounds like a sonic transducer of that theorized energy. Its magnetic flux density got emphasized by vocal samples, which seems to be taken from descriptions on tapes, noisy excoriation, abrasive insertions, toned-down obscure frequencies, piercing rumbles, which keep on putting a steady strain, which is somewhat uncommon for many dark-ambient contemporary releases, on many tracks such as "Coital Affirmation", the long-lasting initial "Oranur II "the Third and Final Report"", the disquieting "Dark Eyes", the creepy cryptic "Beyond The Wall Of Sleep", the subterranean clashing gusts of "Orop Desert Eas 1954-1955", the shivering phantasmagorical breeze of "Orena "Orop Terria"", the ethereal carnality of "The Core Men". This final report is supposedly the final warning to the sleeping beings of the Earth, according to their own (Schloss Tegal or some multidimensional being?) words!

PRSZR: Equilirium

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Mar 05 2013
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Artist: PRSZR (@)
Title: Equilirium
Format: CD
Label: Hinterzimmer Records (@)
Rated: *****
PRSZR is the consonantal name (to be pronounced "pressure") of the collaborative project by Wien-based former dj and renowned experimental sound artist Peter Votava, better known as PURE, and Polish alchemists of percussions Rafal Iwanski, Rafal Kolacki and Dariusz Wojtas aka Hati, whose talent in building entrancing patchworks by means of ethnic instruments, found objects, idiophones, gongs, stylistically on the borderlines between improvisational electro-acoustic music and magic(k)al meditative/ritual one, already facilitated important collaborations with remarkable musicians such as Z'EV, John Zorn, Steve Buchanan, Heike Fiedler. With the exception of the third central track where a sort of flanged didjeridoo which wrap the percussive web could give you the impression of intermittent buzz moving around the sonic space, the reciprocal interplay doesn't sound too invasive so that you could easily distinguish both contributions to the building of each track. The nylon narrow vibration of an ascending plucking on a mist-shrouded clump of almost aphonic gongs and plates on the first gorgeous track and the glaring reverberation of plate tapping and rubbing which dissolves into a sort of heartbeat and sequenced flurries on the second track keep the voltage of the listening experience high as well as after the above-mentioned central flame-up, the squeaking and tickling stretches of the fourth act and the subatomic percussive particles which seem to unleash and trigger sonic fly ashes on the final track. "Equilirium" succeeds in striking demanding listeners by way of suffumigation of hypnotical, mind-tickling and somewhat cathartic atmospheres.

oMMM: Re-Animator volume 1

 Posted by Vito Camarretta (@)   Industrial Noise / Power Noise / Harsh Noise
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Mar 04 2013
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Artist: oMMM
Title: Re-Animator volume 1
Format: Tape
Label: Exotic Pylon Records (@)
Rated: *****
This corpulent collection of softened breakcore tunes and oodles of electromechanical organized belches, which are going to be spread on three releases, comes from the archives of recordings of Edmund Davie also known as Dj Negative Skills and operting here under the guise of oMMM, who prefers to name his bizarre declension of those sonorities as "bedcore" and I could surmise such a denomination together with that dadaist masterpiece by Michael Forrest on the cover artwork couldn't be explained just by the presence of some short tunes which remind broken musical mobiles for baby cradles ("Molly") or out of power electronic toys, plaything cheap keyboards, electronic pop-guns and crippled robots ("Observation", "the doctor", "pleonastia", "drunk on doom and industrial noise"). Many tracks sound like amalgamation of distorted noises or overcrammed frequencies from scratched cds, broken squawk boxes, keyboards after fatal short circuits, whose abrasive potential got cushioned by the typical hiss of old tapes, gaunt sonic poltergeists and rudimentary cadenced prosodies with many interesting stuff oscillating between very dry patterns ("Lazarus", "reeks"), rickety gaits ("lemme wake up", "Emily", "midnight = 2am") and noise interferences on hip-hop or breakbeat typical stepping ("Cardinal ability to escape", "Into outer space with Professor Rhythm", "proxy notice"). You could imagine it as an imaginary freak projected in a laboratory of genetical engineering led by Synapscape, Celluloid Mata or Black Lung after a devastating binge, which cannot easily sober up. This amazing re-animator is available on tape or digital.
Mar 02 2013
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Artist: Ernesto Rodrigues, Katsura Yamauchi, Carlos Santos (@)
Title: Three Rushes
Format: CD
Label: Creative Sources (@)
Rated: *****
Ernesto Rodrigues on the harp, which sound played more like an object by sudden and unexpected strokes, whose strings are just occasionally played in the conventional way, as they sound more whacked (so that they sometimes give the impression of breaking springs) than plucked, Carlos Santos' sonic creatures from computer and piezos which sometimes goe up to the surface like imaginary sea serpents with their threatening eclat and subtle crimping, Katsura Yamauchi, whose technique on saxophone hit the headlines of more demanding lovers of the so-called reductionist movement by his album Salmo Sax and integrates into the ensemble with muffled breathing, which sometimes look like puffs in the bottleneck, and temporary stews of melodic glimmers, improvised this amazing and somewhat estranging three rushes on the borders between noise and silence. Some moments could let you imagine a narcotized emotional tension which explodes by means of abrupt rashes, while they gradually interlace thin torn mantles. I found particularly catching the central and second of three tracks (they call them scenes), "Cookie's Role", for the cliff-hanger they managed to set, even if the third one, "Cookie's Departure", is quite rich of funny flaky disfigurations of respective instruments without turning the "thespian" aspect down.

Asférico: Sonidos del Subcosciente I

 Posted by Vito Camarretta (@)   Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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Feb 28 2013
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Artist: Asférico (@)
Title: Sonidos del Subcosciente I
Format: Download Only (MP3 + Lossless)
Label: Galaverna (@)
Rated: *****
As there's the Roman number for "first" after the title of the release, I could surmise this is the first of a series of sonic experiments by Asferico, new project by Barcelona-based dj, producer, founder of Storung electronic music festival and head of the Storung sub-label FlatMate Music Alex Gamez, who assembles a catchy mental odyssey/adventure and 25-minutes lasting listening experience by means of a guessed combination of modified field recordings and analog synthesizer sounds. The adventure starts with tempestous noise of a sort of sea storm, which he gradually disfigures by dint of sequences of puffs and blows as if he's turning it into a new appearance. The following steps of this sonic journey, which could give you the lively impression of being inside a cave surrounded by the noises of dripping rocks, colliding with ginormous metallic entrapping webs, awakening within a peaceful wood and so on, could let you think that according to a possible conceptual explanation of this release, the Spanish sound artist is trying to ding the sphere and the diaphragm between form and fuction, fact and fiction, perception and nature, whose sharp detachment seems to belong to many philosophical, religious, cultural and even architectural principles, which look like fostering this separation. I wonder how the follow-up of this first act of "Sonidos del Subcosciente", which comes on Italian net-label Galaverna by Enrico Coniglio and Leandro Pisano, could sound.


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