Music Reviews



W3C: Event Horizon

 Posted by Stuart Bruce (@)   Electronics / EBM / Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Feb 28 2019
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Artist: W3C
Title: Event Horizon
Format: Download Only (MP3 + Lossless)
Label: Infinite Machine
With an ongoing air of mystery, W3C follows up an excellent 2017 EP on the Infinite Machine label with an 8-track instrumental album that’s thumping, steady-paced, bass-driven techno with a decidedly sci-fi flavour.

“Cabin Fever” is an opening march that really sets the tone, a brutal low procession of low bass and kick decorated by an occasional three-note alien synth melody. The title track is somewhat lighter, pulling a drum-and-bass-esque breakbeat into somewhere around 125bpm territory, keeping the grumbling and pulsing bass ever-present but balancing it more with high pads and atmospherics.

Other highlights include the laughing clowns-ish pitch shifting synth notes on “Intoxicated”, and the more sedate delay-chamber pulses of “Paradise Lost”’s journey through an electronic jungle. The tension and distorted breaks of tracks like “Primordial” are among the elements that sometimes provide a gaming feel, ideal tension fodder for some first-person-shooter in alien territory, although the percussive hits of “The Year Of The Blood Moon” would undoubtedly confuse a gamer as they already sound like gunshots.

It’s a dedicated and rich 54 minutes of deep, semi-industrial electronic techno that doesn’t yield any major twists or “wow” moments, but which nevertheless gives you an entertaining and atmospheric sci-fi journey that’s easy to recommend.

VV.AA.: Powder In Space

 Posted by Stuart Bruce (@)   Electronics / EBM / Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Feb 19 2019
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Artist: VV.AA.
Title: Powder In Space
Format: CD + Download
Label: Beats In Space
It’s unusual to get sent DJ-mixed compilation albums here. Focussing on art music, experimental sound and the more thoughtful and esoteric sides of noise normally means a purist approach to the integrity of the work, so an 18-track mix of different artist’s work blended together into one 74-minute mix is something of a novelty. But, like some of the best mixed compilation albums of the past, the result, compiled by Momoko Goto a.k.a. Powder, is a utterly coherent sonic journey that definitely stands up as a worthy piece of art in its own right.

Predominantly this is feather-light electronic house music, that borders variously on chill-out, semi-ambient and lounge but carefully so, and without ever delving into corny territory.

The opening tracks are especially mellow, bordering on full ambient, with elements that bring back strong and pleasant memories of the 90’s, both in tone and sonic quality. This is bookended well with the latter sections too, with the smooth leisurely hum of Lord Of The Isles’ “Your Smile” taking it down multiple notches, before a quite 80’s-ish finale in Cos/Mes’s “Forever”.

Inbetween those points, once it gets going, the remix of Daphne’s “When You Love Someone” epitomises the sunkissed dancing-on-the-beach vibe that dominates the central section. Vedagor’s “Untitled II” utilises the ubiquitous and overused ‘deep spoken word vocal talking about house music’ technique for engagement, a perhaps slightly unwelcome narrative interruption to what’s mostly a very smooth instrumental journey. A sense of bright optimism pervades, with Powder’s own track “Gift” and Vertigo Inc’s “The Water Margin” exuding unashamed feel-good vibes.

There are slightly quirkier moments here too, but nothing to shake you off your stride. Tiago’s “Roy Brooks” works around an infectious jazz loop. K-Line’s “Saxopetu” is a squelchy number with a bouncy acid bassline and a keyboard-choir-sound melody that borders on daft, with Jules Etienne’s “Cuban Omelette” is not as silly as its title suggests, with its decidedly retro light techno vibe.

It’s pitched in high artistic terms as an exploration of “the properties of time” and “genre, movement, schedule, and societal convention to rebel”, and while I’m not wholly convinced that its credentials would hold up to excessive scholarly scrutiny, nevertheless the bottom line is that this is a great mix. Relaxing, detailed, well-pitched and positive, it’s a release I’ll be returning to for pleasure for sure.

Marlon Hoffstadt: Simple Communication

 Posted by Stuart Bruce (@)   Electronics / EBM / Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Feb 15 2019
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Artist: Marlon Hoffstadt
Title: Simple Communication
Format: 12" vinyl + Download
Label: Midnight Themes
Marlon Hoffstadt continues to be prolific, with this sixth release in the Midnight Themes series coming fairly hot on the heels of the previous ones. It’s a reliable and steady output that’s also predictable, for better or worse- in this case, perhaps the better, as it’s a trustworthy three-pack of semi-deep house that you can rely on not to surprise you.

There are shades of acid at times, strongly reminiscent of old Josh Wink tracks, including one that adds an extra element into the second half of “Take A Moment” which serves as a good substitute for any other musical progression that’s lacking. Second A-side track “Action And Reaction” is a shade harder, with tougher kicks and assured use of effects to bounce simple synth pads around. For people of a certain age the title “Simple Communication” can’t help but scan with the near-identical metre as Slam’s “Positive Education”, a release that these tracks aren’t completely unlike, save for the iconic vocal of course.

The B-side is devoted to “Open Focus” which gives us the best of both worlds, an 11-minute journey that certainly pays tribute to the softer side of classic acid house with its steady claps and slowly unpeeling 303 noises, but which reminds us that these are elements of dance music that somehow never end up sounding old, or which nostalgia will never let us recognise as old. The eleven minute voyage is very expertly mapped out to keep things interesting with a fairly minimal set of ingredients.

Another ‘safe pair of hands’ release from an artist whose fairly frequent appearances in my inbox are always welcome.

Hvmble: Textures 1/4

 Posted by Stuart Bruce (@)   Synth Pop / Electro Pop / Synth-Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Feb 12 2019
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Artist: Hvmble
Title: Textures 1/4
Format: 12" vinyl + Download
Label: Hvmble
The first in a four-part “Textures” series offers up two steady six-minute super-light and atmospheric house grooves where a super-polite combination of kick and soft bassline chug along nicely and it’s the high-end patterns and atmospherics where the interesting stuff is going on.

With shades of dubby production, “Moeraki” is both the busier and the lighter-sounding of the pair. Processed noise that sounds like a babbling brook fused with digital insects comes and goes in waves, as does a slightly more sawtooth-edged synth pattern that takes things in turns with a much more mellow and 90’s ambient house high line. It also has a surprisingly DJ-friendly fade outro, look out for that one.

“Plitvicer” has more of an earnest kick to it, focussing solely on the rhythm for almost two minutes before rolling out an assembly of soft bass notes, synth stabs and claps that got 80’s influence written through it like a stick of rock. This one fades too, but leaving the stabs behind in a way that makes cross-fading nice and smooth.

A steady if unremarkable pair of tracks with a smooth and feel-good simplicity to them.

Amp: Entangled Time

 Posted by Stuart Bruce (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
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Jan 23 2019
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Artist: Amp
Title: Entangled Time
Format: 10"
Label: Ampbase
This release has been available since November for download, but it’s now available as a 10” from January 19th.

Described as a ‘concise album’, “Entangled Time” is apparently as a by-product of work on a ‘proper’ new album, though the distinction feels somewhat arbitrary and many artists would happily call this an album in its own right. Amp’s first new material since “Outposts” is a familiar set-up of long sustained string and synth melodies, calm vocal pads and (sometimes) deep melodic techno kick patterns.

“Drifting” is an apt name for the leisurely opener, which washes over you like waves- literal waves by the end, as beach sound effects appear. “Will-Oh Dreams” adopts a similar set-up melodically, minus the waves and bringing the feminine vocal sounds to the fore, but introducing a moderately tough drum pattern into the mix to framework everything. A brief interlude “Playing Time” which has a soft, under-nourished pulse to it. The final original piece “Opal Tears” takes a small step towards a more traditional song form, making the vocal sounds intermittent and layering up harp-like glissandoes washed in heavy dominating reverb.

The extended 16-minute version of “Will-Oh Dreams” is the most captivating self-contained piece, allowing a steady super-soft techno rhythm to interplay with the long sustained notes in a manner that will have a broad appeal that should span fans of slightly more mainstream equivalents such as M83.

It’s a richly textured bit of semi-ambient techno with some extremely lush and velvety sounds in it, and a certain elegance to boot.


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