Music Reviews



Timothy Clerkin: Knife Edge Heart

 Posted by Stuart Bruce (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Jul 26 2018
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Artist: Timothy Clerkin
Title: Knife Edge Heart
Format: 12" vinyl + Download
Label: Ransom Note Records
Formerly half of Eskimo Twins, Timothy Clerkin continues his solo output with a 4-track EP that’s house music, but with a bright pop sensibility. The title track is straight-faced verse-chorus synthpop in a club friendly format, with steady house grooves, a walking-paced bassline, pads and the very welcome vocals of Natalie Reiss. It’s a catchy hook short of super-pop but it’s still a very polished and enjoyable affair.

Reiss also appears on second track “With You”, but this time with only two words to sing (bet you can’t guess from the title what the two words in the lyrics are), a more stripped back affair that sounds a little like a dub version of a full song but which still works in its own right, before the instrumental “Divisive” chugs along, walking a line between techno and synthwave that’s got an endearing feel-good quality to it.

The package is rounded off by a Gabe Gurnsey remix of “Knife Edge Heart” that twists off in an unexpected direction, foregoing most of the vocals in favour of a dubby, delay-heavy, glitch-decorated rolling drum affair that makes a strong companion piece which I’d only fault by suggesting that it runs out of ideas at the end.

Great walking-and-dreaming music for when your head can be in the clouds but your feet have to stay on the floor.

Eric Maltz: Estuaries

 Posted by Stuart Bruce (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Jul 15 2018
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Artist: Eric Maltz
Title: Estuaries
Format: 12" vinyl + Download
Label: Flower Myth
Eric Maltz offers up a 12” four-pack of introspective, melodic techno here. The titular ‘estuary’ is supposed to be symbolic of the convergence of electronic and acoustic elements, but if that’s the case that it’s the electronic music that’s the dominant tide and the acoustic elements (such as some piano on the title track) that contribute to, but are broadly subsumed into, a predominantly digital pack of steady-rhythmed, lightweight techno tunes.

“Mind Stretch” has a particularly enjoyable mellowness, playing the classic trick of counterpointing long slow synth pads against a steady clap-heavy rhythm so your head is in the clouds while you’re tapping your feet. “Low Knee Cutter” is a bit darker and more driven, with building looping synths underpinning a basic but engaging two-note melody pattern in a manner that’s quite Underworld-esque but without the heavy low end.

The title track’s combination of laidback reverb-heavy piano and dubby bassline makes it the most relaxed offering of the bunch, that blend of techno and chill-out that ought not to work, but does, before “Messin Around You” steps it up a little, wandering about in familiar and unremarkable techno territory but adopting its own character thanks to some unusual choices of percussive sounds and effects.

It’s a very high quality 12”, not something that’s going to set your heart alight but really well produced and just a little bit inspiring.

Eyes Of Others: I See You In The Shrubs

 Posted by Stuart Bruce (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Jul 06 2018
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Artist: Eyes Of Others
Title: I See You In The Shrubs
Format: 12" vinyl + Download
Label: Paradise Palms
‘Edinburgh enigma’ Eyes Of Others’ track “I See You In The Shrubs” gets the classic original-and-two-remixes bundle release here.

The original is an unconventional, slow (circa 92bpm) super-soft house track with whispered vocal comments, extremely subtle kick patterns and a soft distant-sounding bassline that, towards the end, gets cut through like a knife by the arrival of some surprisingly harsh and dissonant top melodies which then evaporate into near-ambient atmospherics and birdsong.

The legend that is Andrew Weatherall starts his remix with an unusually conventional-sounding live drum pattern that gives things a more naturalistic flavour that turns almost reggae-soft-rock thanks to the more emphasised bassline. Things take an enjoyable turn for the weird in the dancefloor-unfriendly breakdowns, which go unpredictably jazzy and use the “I see you in the shrubs” vocal whispers and birdsong to the fore, returning to the stability of the drum patterns as the anchor. It doesn’t sound like it’s been an excessive or over-baked labour of love, but it definitely brings the fun out.

The Donald Dust mix does the same job but in a more regular way, keeping quite faithful with fewer surprises, driven on by a steady synth bassline that’s a bit more ordinary but bringing a little character back through some nice use of reverb effects.

The original’s quirky and you can’t go wrong with an Andrew Weatherall remix (even if it’s not perhaps his most inspired remix ever). A little more variety in the remix package might have been welcome but if you’re in the market for some 95bpm house that’s more than a little bit unusual, this may appeal.

VV.AA.: Electro Bass Development (phase II)

 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Jul 02 2018
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Artist: VV.AA.
Title: Electro Bass Development (phase II)
Format: 2 x 12" vinyl
Label: Subsonic Device
Rated: *****
OK, first of all, I’m late reviewing this one but luckily quality doesn’t expire and on „Electro Bass Development (phase II)“, we have the presence of classic names that helped to define the electro bass genre as a plus. I'm talking about names of the likes of Debonaire (Italian dj relocated in Miami and active already in the 80s), Bass Junkie and Dynamix II (which were already active in the 90s) or Darxid (who came soon after), plus names which are in activity since ten years or so already, like DJ Xed, Dark Vektor, John Robie. The youngest one is the project of a Spanish guy called Roberto Rey who started Negocius Man in 2013 or so. The compilation has been issued by Subsonic Device, Darxid’s label, on double vinyl and it’s still available for you to purchase, but only in this format. No digital files to purchase or download. We have eight tracks/projects as Dynamix II and John Robie are teaming up for „They’re Coming“. If you are already a fan of the genre, for sure you are owning at least some releases by most of them. Probably the surprise of the lot is Otto Von Schirach, because I reviewed his 2004 album „Global Speaker Fisting“ and it wasn’t sounding electro at all, if I remember well. Maybe the last one I had the occasion to check ten years ago titled „Oozing Bass Spasms“, had some electro influences, but in this case, „Bass Low (Down Pitch Out Mix)“, mixes synth stabs and am 80s electro hip hop approach with digital distorted bass lines. The effect is sounding like nice a mutant electro funk tune. Tracks like Bass Junckie’s „Galactic Combat“, DJ Xed’s „Spectral Subspace (Subsonic Mix)“, Dark Vektor’s „No More (Sóc Un Frik Sóc Un Tècnic)“ or Dynamix II vs. John Robie’s „They're Coming“ are sure sounding true to the classic sound of the genre. Darxid with „Hungry“ mix powerful bass and vocals distorted lines with syncopated beats creating a song that sounds fresh and it’s able to stick to your memory immediately. Debonaire’s „Electro Novocaine (Injectable Beats)“ sounds cinematic, menacing and powerful. As approach it seems that Claudio Barrella is remixing himself and this created a nice effect. Good compilation which grows with the listenings. You can check some tracks on YouTube.

Jamaica Suk: Clockwise

 Posted by Stuart Bruce (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Jul 01 2018
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Artist: Jamaica Suk
Title: Clockwise
Format: 12" vinyl + Download
Label: Establishment Records
A name like Jamaica might still conjure up accidental cliché connotations of sun-kissed reggae, but this four-track EP is the polar opposite. Suk has left her jazz and metal influences behind and, clearly influenced by her new home Berlin, has produced some very pure thumping dark techno. Low sub kicks, twisting and reshaping hihats, rumbles and effects abound.

The title track plays the clockwork-regular 4/4 beat against some more varispeed elements, pitch-shifting effects and a counterpoint-rhythm driving synth note. “Two Moons” brings breakbeat patterning to the kicks and more distortion to the growling frequencies which plays nicely against a simple, endearingly idle synth melodic pattern, while “Vision” keeps it 4/4 again with a similar set-up but a slightly increased sense of urgency and alarm in the higher registers.

The Pulse One remix of the title track is quite a shift- against breakbeaty, with a much brighter-sounding arrangement centred on higher-pitched kicks with some claps, it’s brave enough to take the original stems into a different style at a time when too many techno remixes of techno originals sound nearly identical to the originals.

A short EP of solid pumping techno with some dark twists, not destined to be your set’s peak but definitely worth adding to the mix to bring some fresh-sounding textures.


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