Music Reviews

Glaukom Synod: Vampires and Gorgeous Throats

 Posted by Steve Mecca   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
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Aug 31 2017
Artist: Glaukom Synod
Title: Vampires and Gorgeous Throats
Format: Tape
Label: Visceral Circuitry Records (@)
Rated: *****
This French harsh electro-industrial project has been around since at least 2005 with a bunch of releases prior to this one that of course, I've never heard. 'Vampires and Gorgeous Throats' is a 7-track EP because the tracks are all so short. What it is, is absolutely manic-panic synth and drum programming with as lot of sampling thrown in for good measure. It's all instrumental, as the only "vocals" are the infrequent spoken word samples. They are used infrequently, except for the archetypal "Tarzan yell," which forms the basis for "Jungle glaukom fever" as the sample is multiplied and heaped layer upon layer in this one. It's all too much and gives the music a cartoony ambience. In fact, many of the tracks on the EP sound cartoon industrial. Although there were a few breaks from the breakneck pacing, it was all a little much for me, and seemed like pointless hardcore at many times. Those who like their industrial rhythms spit out from a machine gun might enjoy it, but I'm not sure you'll be able to listen to it seriously, especially now that I've labeled it "cartoon crazy". Available on cassette or digital download.

Hexas: Liberty Nest

 Posted by Maurizio Pustianaz (@)   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
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Aug 30 2017
Artist: Hexas
Title: Liberty Nest
Format: MCD (Mini CD)
Label: Hagshadow
Rated: *****
Hexas is the new creature born from the collaboration of Patrick Leagas of Sixth Comm/Godlesstate/Mother Destruction/SchrÄge Musik fame and Gaya Donadio (active as ANTIchildLEAGUE and boss of Hagshadow). "Liberty Nest" is their first release and contains six tracks that are the perfect mix of their past music experiences. The meaning of Hexas in the original Greek form is the number Six, perhaps also Hexe, which in German means "witch", is connected to a continuation of the subject 6. Hexas' aim is not to point the finger indicating what's wrong or else, Hexas is a mirror and it's reflecting back to you images that you'll decode looking at it from the different angles. Besides the fact that we're living in a corporate controlled regime where the crazy dictators can recall you the Reptilian alien Visitors of the 80s show having the same title, musically what we have in this six tracks MCD? Well, as I said Patrick and Gaya musical souls interacted and if Gaya brought in her noisy semi controlled sounds, Patrick merged that with rhythms and a bit of melodies. The tracks differ the one from the other in which way the elements have been balanced. To give you some idea, the opening track is sounding like being under a bombing where between the explosions we hear martial rhythms, dissonant chords and declamating treated vocals. "Reptilian Culture" sounds like a SchrÄge Musik track remixed by Gaya. "Hellborn" is tense, noisy and mix a rhythm which recalls me Boyd Rice's roto guitar sound with feedbacks and Gaya's vocals. At the moment is not important to describe how much noise or rhythms every track contains, because this MCD contains no fillers and it's a really inspired release that I'm suggesting you to check if you liked any Patrick's past one. If you are more into power noise and you knew mostly ACL stuff, well, this is the right chance to check another side of her music!

Mikroben Krieg: Intrascape

 Posted by Steve Mecca   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
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Aug 22 2017
Artist: Mikroben Krieg (@)
Title: Intrascape
Format: Download Only (MP3 + Lossless)
Label: Crime League (@)
Rated: *****
When last I heard from Portugal's Mikroben Krieg (Nelson L. Brites), it was 'Final Cut' (2010). Seven years later MK introduces 'Intrascape' which is a very different animal on a different label. This time around there are no vocals (maybe a mixed blessing as Brite's vocals were never that strong, but did humanize the music somewhat) and no spoken word samples. This is orchestrated instrumental electro-industrial heavy on the mood and rhythm. There are only five tracks in a total of 35 minutes (less than half the length of 'Final Cut'). The rhythms are much more elaborate and refined than what was on the last release, and has somewhat of a DnB sound to it. In a way, it reminds me of the instrumental side of Front Line Assembly, or what they use in the instrumental portions of their songs. One thing that is somewhat lacking is defined melody. What melodic content there is tends to be amorphic and simplistically vague. I suppose this is intentional but it leaves something to be desired. MK's rhythms incorporate more breakbeat elements than the last time out too, so things really do move along. 'Intrascape' vacillates between light and dark adding an element of mystery to its soundscapes. While I wasn't really knocked out by it, 'Intrascape' makes for pleasant enough listening, and shows some evolution in Mikroben Krieg's techniques. Maybe next time out will be the killer album.

PIG: Prey & Obey EP

 Posted by Vito Camarretta (@)   Electronics / EBM / Electronica
Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
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Aug 20 2017
Artist: PIG
Title: Prey & Obey EP
Format: Download Only (MP3 + Lossless)
Label: Metropolis (@)
Rated: *****
The creativity of Raymond Watts, the man behind the PIG moniker and the mixing desks as a sound engineer of many well-known names of the scenes (Einsturzende Neubauten and Psychic TV) and also known to be one leg of KMFDM, is experiencing a real state of grace: he released a brand new album - "The Gospel" -, a collection of remixes - "Swine & Punishment" and a couple EPs. "Prey & Obey" is one of them and maybe the most interesting for a set of reasons: the eye (and the ear) could be immediately caught by the inclusion of the remix of the title track by another big name of electronic industrial and synth-rock scene as Leather Strip (...and certainly the remix by Claus Larsen - LS's birth name - is amazing, and IMHO I think he noticed - as I did - that the way of singing sometimes could resemble - it sounds unbelievable - the one of Pete Burns in "You Spin Me Round"), but the track could be a very interesting starting point for forthcoming musical blossoms, as it comes from the collaboration between Raymond and an important portion of industrial-techno band Cubanate (Marc Heal and Phil Barry). This is not the only collaborative track of the EP. Actually, the other two tracks came out of collaborations as well: the more atmospheric "The Cult Of Chaos" got handled by former Combichrist member Z.Marr (he also dropped an electronic remix of "The Revelation"), while the cheekily rockish "The Revelation" (many would be tempted to misspell the title as "The Revolution", as Raymond managed to pour the word 'revelation' into a set of common lyrical constructs where the word 'revolution' gets typically matched..) got forged together with Ben Christo (Ghost, S.O.M.). Furthermore, the Berlin-based producer En Esch pushed an interesting remix of the title track by pushing it towards the boundaries of easily chewable adaptation of electronic dance to soundtracks for those series full of murderers, vampiresque entities or zombie killers.


 Posted by Marc Tater (@)   Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
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Aug 02 2017
Artist: CHMCL STR8JCKT (@)
Title: s/t
Format: CD + Download
Label: self-released
Distributor: Bandcamp
Rated: *****
That is a fine-chosen and very Industrial-minded band-name for a newcomer-project out of Hawthorne, NJ.
CHMCL STR8JCKT is a duo consisting of Kevin Snell (programming / vocals) and Mike Cairoli (guitars) and they present us with this self-titled 8-tracker their debut. You'll get a varied produced onslaught of Electronic/Industrial music pretty much inspired by some prominent top-acts of the Coldwave-scene like Imperative Reaction, Mindless Faith, SMP, or Idiot Stare.
Always with a Metal-oriented background in mind, this release offers multiple dark and sinister moods along all known paths of Industrial music and themes. What can be positively noted is their tendency to balance their Electronic-minded side to a same level to their gritty guitar-oriented side. There are several good ideas in their compositions included to keep the blood boiling although it definitely needs a bit development. Some of their used electronic bass-lines or lead sounds haven't been cooked with the freshest water available. "Dressed to Kill" with its stuttering old-school synth-bass-lines is a promising warm-up, while "One Last Salute" with its grinding guitars should set fire under the roof. Here hides the next point I tend to criticize, because especially "One Last Salute" could be much more efficient if it gets a tougher and more punching outfit. "House Upon the Hill" would be a fine tune to play a bit with the Harsh-Electro junkies out of the Terrorbanana-camp but unfortunately it still misses the needed drive. Overall a good and recommended debut and I really enjoy the sinister and hauting expression while it isn't at all flawless.
Some refreshments have to be made, maybe a foreign and experienced producer / sound-engineer could be helpful too with hints for further development. But fairly enough produced for a debut.

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