Music Reviews



Front 242: Pulse

 Posted by KlingKlangBedlam   Electronics / EBM / Electronica
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Apr 21 2003
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Artist: Front 242
Title: Pulse
Format: CD
Label: Metropolis Records
Distributor: Metropolis Records
Ok, I realize how psyched up the scene is about this CD coming out, since it is the first F242 in over a decade (not counting "ReBoot" the live CD). But also realize some changes within the group, which may leave some of the hardcore fans who thought ReBoot" was just a phase a little disappointed. Gone are the hard rhythms of "Tyranny For You" and the industrial danciness of earlier work, replaced now with a much more technofied edge, loaded to the brims with MIDI in and erratic patterns. This CD is very... ... ... ... .unique... ... .unpredictable... .and is up to the hype that this is a CD that will keep others in the electronic scene scrambling to keep up. You have to remember most of this band’s peers are bands they inspired thoroughly, so not too many people can give F242 a run for their money outside of Frontline Assembly. Gone also are the most of the vocals of earlier work, this time relying much more on just base structure than anthem tracks. Also it seems as if half the CD is one track with some sharp turns and some time shifts, to the point where you wonder how track 1, "SEQ666" suddenly became track 5 "Beyond The Scale Of Comprehension". After that comes, ummmmmmmmmm "Song", where Jean Luc DeMeyer’s vocals pop in, and the olden industrial rhythms (yeah!!!!! Rivet stomp time!) in the chorus. Good old school F242 shining through! Then comes the slow track, "One", with it’s plecking drum line and subtle backdrop of multiple soundlayers, all over Jean Luc DeMeyer’s softened vocals, ala C-Tec’s "Darker". Still seems like he has that same emotional juice left from that project, which I’m anxious to see if it’s in Gaiden and MorF. "Matrix" pops into the foray with it’s laid back grooves, and simplistic analog synth lines all layered over top of vocals and subdued, dubbed layers of sound. I absolutely love the faded drum line on this one, it kind of reminds me of a tap dance rhythm!And just when you think you got the last track on here, and the hardened 242 fans start to sob... ... ... .. welcome to hidden track heaven!!!! It’s simply hidden track after hidden track of whole complete, thought out songs, practically enough for most labels to shove onto a second CD and charge more. All in all, over 20 tracks, and too many strong ones to name here in detail since I’ve blabbed enough... ... .. So, all in all, if you’re looking for rivet stomping gold like the old days, may wanna stick to your older stuff and C-Tec. But, all generic bands that have been passing themselves off as EBM, be prepared to be like sickle before the grain! This CD is an odd combo of that and thick-ended techno, with a hint here and there of industrial, but overall done with a severe addiction factor and a danceable factor that may just leave many newer so called EBM bands (and Future Pop bands that pass themselves off as such) either tossing out their instruments in surrender or starting to upgrade their synth and programming skills. The masters are back and the sound is like a million mile totem pole looking down on all others in electronic with a loud fuck you’! Rating: 10. Very highly recommended.

RESURRECTION EVE: Rapture

 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
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Apr 18 2003
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Artist: RESURRECTION EVE (@)
Title: Rapture
Format: CD
Label: Ground Under Prods (@)


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Australia for us is kind a mistery. We think about it like a sort of mixture of Asia and USA with an unknown history and with misterious people and animals who reside there. Personally I know few bands coming from that land. I know also an Australian goth website (Aether Sanctum http://www.goth.org.au) and that's a sign that goth and electronic music have a following there too. From Melbourne (what a coincidence, it's where my uncle lives) arrives Resurrection Eve, an electro goth duo which to my ears sounds like a mixture of the last Covenant and O.M.D. with a goth touch here and there. A thing is for sure, their second CD RAPTURE will be a pleasant surprise for a lot of people. Well produced with good melodies and a training dance background: these are the highlights of this CD which musically isn't innovative but will appassionate the lovers of melodic e.b.m.

ELEPHANT ZYCLUS: Tripod

 Posted by Eugenio Maggi (@)   Electronics / EBM / Electronica
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Apr 11 2003
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Artist: ELEPHANT ZYCLUS
Title: Tripod
Format: 3" MiniCD
Label: AFE Records (@)
A little 3" bastard featuring three remixes of "Tripod" and one of "Promis", showing AFE's good taste for underground electronica and allegedly starting a remix mania which will give birth to more releases of this kind in the future. I don't know the originals, but anyway, roughly, the 3" edit version of "Tripod" is a good track of obsessive techno-electronica, halfway between Aphex and Autechre; the DJ Lips' (aka Andrea Marutti, Amon/Never Known/AFE mastermind) "Sweep the Pod" mix adds layers of beats and melodies, while a034 (jeez, his debut cd may well have been my first review for Chain!) mercilessly delivers an amphetamine-soaked, hyper-cinematic version, with a fat bass to increase hysteria. Very good, very close to his style too. Finally, "Promis" is processed by the mysterious Spiral in a broken glitch version - sounds like a vinyl massacred by too many playings.

Freeform: Condensed (Finest Filets1997-2002)

 Posted by Marc Urselli   Electronics / EBM / Electronica
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Mar 21 2003
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Artist: Freeform (@)
Title: Condensed (Finest Filets1997-2002)
Format: CD
Label: Nonplace (@)
Distributor: Caroline
Following Simon Pyke's own CDR label Freefarm's debut 100-copies limited edition release "Late Surfaces 1990-2000" (which collects unreleased material), "Condensed (Finest Filets 1997-2002)" is a Freeform tribute/retrospective/best of to be released by the German label Nonplace on April 8th. He's been making electronic-inspired music since 1995 (you'll find Freeform releases on Warp, Skam, Worm Interface and Quartermass) and his production embraces ambient/IDM as much as experimental and dub, to mention just a few of his music's aspects (check out "Phu Qouc" to get an idea of how "free" and abstract he can get, but don't be deceived by that because it'll be just one side). For that matter his moniker is not only a perfect art nickname but also a good description of the type of electronica he proposes. It's hard to pin point the time period the pieces are from, and I don't know if we are even supposed to, but it's easy to see how Pyke has experimented with a number of styles, shaping every one of his creations according to the particular vision his eclectic and multifaceted brain was focusing on and going after. Nonplace recordings' boss Burnt Friedman (Flanger, Nu Dub Players) has risen to the challenge of transposing the multi-dimensional world of this artist into one single CD by (re-)editing thirteen (only nine on the LP version) of his best cuts in a continuous mix. Very interesting record. Good entry point for getting acquainted with Freeform's music. Good collection for Freeform fans. Especially good buy for vinyl fanatics (since most of the tracks have never seen the light on vinyl anyway).

Dither: Summit

 Posted by Marc Urselli   Electronics / EBM / Electronica
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Mar 20 2003
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Artist: Dither
Title: Summit
Format: CD
Label: M-Tronic (@)
Lately the french have all my support and love either way, so I can only warmly welcome an all French product! Paris-based label M-Tronic confirms their firm grip on new and more melodic ambient electro-experimental music with French one man band Dither's (aka Mart Titolo) fifth album "Summit". A departure from his last year's critically acclaimed "Urei" and a revelation of new uncharted musical territories that embrace a certain type of IDM attitude and welcome contamination of more dance-friendly and accessible structures. It all is spiced up with a touch of thoughtful experimental sonics and loungey substance. The album is thick and cold and preserves its ties with the true origins by dynamically and occasionally breaking them with overall restyling and changeful antithesis. His (and your) idiosyncratic re-action to the music making process and the strong imagery provoking synaesthesia have a dreadful impact on the unprepared individual and an utterly enveloping one on the challenging and challengeable soul. I recommend you give it a try whether you previously knew, appreciated or disliked Dither's production.All songs are named after their length in minutes and seconds and the CD comes in a Staalplaat-Brombron-series-look-alike wine red colored cardboard folding package. Nice.


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