Music Reviews



AND ONE: Traumfrau

 Posted by Marc Tater (@)   Electronics / EBM / Electronica
Synth Pop / Electro Pop / Synth-Electronica
 Edit (3273)
Dec 13 2006
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Artist: AND ONE (@)
Title: Traumfrau
Format: CDS (CD Single)
Label: Out Of Line (@)
Distributor: SPV
Rated: *****
AND ONE return and release with "Traumfrau" their already third single out of the successful album "Body Pop". I think the high and not expected high entries at the German Media Control Charts of the predecessor "So Klingt Liebe" have played a role for this release. Against to both previous released singles "Military Fashion Show" and "So Klingt Liebe", "Traumfrau", available here in two different versions, reduces the speed a lot, while this track isn’t lesser attractive. The catchy and addictive refrain is one of the finest Naghavi-works for sure. Still good to see that AND ONE don’t need to "sell" their own created style and identity for having the current success, their 80ties influence is still alive and kicking. You’ll got also here a danceable Club Hit remix of "Body Company", two new B-sides with the instrumental "Naghavigationssystem" (funny title...) and the also slower interpreted "Tonight". And to make the good things complete, you’ll get the two video clips pressed on the enhanced part of this good release. If you wouldn’t mind to buy this SiCD for the title track, the good additional B-sides make this release worth to purchase. Note also the cover painting done by F. Naghavi (www.naghavi-kunst.de).
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Artist: BLUTENGEL (@)
Title: My Saviour
Format: CDS (CD Single)
Label: Out Of Line (@)
Distributor: SPV
Rated: *****
It was about time for Chris Pohl and his both female vocal princesses to return with a new audio sign of life, just right and dedicated to some colder dark days and to help the tended listener through some gray autumn depressions. I think I don’t have to repeat something about the music style BLUTENGEL offers with a growing success, do I? The acceptance is increasing and entries in the German Media Control Charts – just like their label colleagues AND ONE and CLIENT - are only a matter of time. "My Saviour" features three different versions of this danceable main track, one original and two remix works by CEPHALGY (a real alternative version, but lesser dancefloor-compatible...) and ADAM (offers a harder stomping version...). Add to this the fine track "Verdammnis" with German lyrics, to my taste the better one compared to the title track because of the better included female vocals. With "In Winter" you’ll got another track showing the more ballad-like and orchestral arranged side this act has to offer. BLUTENGEL of course walking the same successful formula like they’ve done before, the Dark Romantic Electro/Futurepop style on which they can be called leaders of the genre. It’s like the daily burger: you’ll know what you’ll get. Definitively quality stuff which has my acceptance and best wishes for success, but no need to praise it like heaven. The Goth-kids will dig it a lot, a must-have for the fans.

Strange Attractor: Everything Is Closer

 Posted by John Gore   Electronics / EBM / Electronica
 Edit (3260)
Dec 11 2006
Artist: Strange Attractor
Title: Everything Is Closer
Format: CD
Label: Music For Speakers
This project is comprised of the duo Niels van Hoorn (soprano sax, etc.) and Richard van Kruysdijk (Electronics, softsynths, samples, etc.). When there’s a sax player anywhere in the mix you immediately think jazz, and there’s plenty of that kind of thing ging on here, but this is modern jazz, and a bit RIO. All kinds of music is presented here, from traditional arrangements to abstract noise and atmospherics. This was originally released as vinyl as Rorschach & Rorschach II. But here’s the tracks individually:

1. Rorschach

angular soprano sax melody, dissonant harmony, busy jazz drumming, buzzy electro bass in a repeating pattern with various embellishments added each time the theme comes around leads immediately into

2. Black Earth

synths set up an harmonic tension underpinning with harmonized soprano sax in delay mode on top, various electronic effects for added sonic seasoning, busy drumming to hold it all together

3. Alpha

heavy halting drums over delayed electro tones, white noise, leading into

4. Omega

jazzy electric piano and female vox and drum programming, reeds and flutes in accompaniment mode

5. Simulcra

scratchy samples in loop mode, noisy percussion added to repeating synth melody figure, slowly building and changing form, new melodies and patterns added but holding the same center of melodic gravity held in place by bass clarinet

6. The Mind Travels Further Than The Body

ominous, dissonant voices, a pulse, a distant calling horn

7. Never Say Never

the voice of LPD tells us another of his strange stories in his usual style

8. In the End It’s All Pretend

jazzy fretless bass sets the tone of rain on windows, slowly moving crowds with heads down staring at the sidewalk, living inside their own heads

9. Dreamtime

treated vocals (by Richard Sinclair of Hatfield and the North) on a bed of wispy synths, driven by a repeated bass figure saxes and drums

10. Scrap Metal

back beat with dissonant melody and counterpoint, cute/creepy I would describe this

11. Fishface

vocals by the LPD guy again using the melody line from the previous track , dark atmospherics added for extra depth, "feed me" he says, a fishy tale, water samples used as rhythm section is a nice touch

12. 26 September

a musical question mark for electronics and soprano sax

13. Five Below Nothing

Sax section of Tenor, Bari, and Bass all played by Hoorn. Good drum programming since the track credits list no one else helping. Goes straight into

14. Melancholy Station

vocals by Marie-Claudine Vanvlemen of Sonar Lodge, with vibe based jazz combo, nice

15. Undone

I think I recognize a Mahavishnu Orchestra sample being used or am I going to get someone in trouble here. The looped sample is accompanied by a bass clarinet, and more vocals by Marie-Claudine

16. Fifteen Years Of Sorrow

same MO sample used but with soprano sax accompaniment this time, vocals by Ka-Spel this time, dreamy synth pads and deep bass add to the mood, aha, I think I hear a Soft Machine sample too! track builds nicely around the vocals

FGFC820: Urban Audio Format

 Posted by James Postell   Electronics / EBM / Electronica
 Edit (3258)
Dec 11 2006
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anymore
Artist: FGFC820
Title: Urban Audio Format
Format: CD
Label: NoiTekk/COP Int'l (@)
Rated: *****
When Rexx Arkana sneers "these are the lies that we tell ourselves, the deep disappointment that we know so well" on Urban Audio Warfare 's leading "Children of Decay," he might as well be talking about the entire EBM movement over the last decade and a half. Once upon a time, rivetheads huffed and puffed (and stomped) their way through the scene like so many tyranosaurical Rexx-es, pun intended, laying claim to dance floors around the world, involving all in their rageful suffering. Then Wax Trax! released Psychosonik and like the dinosaurs before them, the gearboys vanished. Waves of wimpier techno, trance, synth- and futurepop ruled the world --- or at least the clubs --- until acts like :Wumpscut:, Suicide Commando and Hocico arrived to pierce the darkness with their beacons of angry electronics. Many heralded next-big-things followed, but too often thudded, their polished images and derivative musical incantations echoing like hollow whispers, to borrow from Rexx's other, better known Bruderschaft project.

On Urban Audio Warfare, FGFC820 may not break the mold, but they've surely dented the hell out of it. Their name is the only thing cryptic about this project, as their message rings loud and clear. Rexx and his DJ partner Dräcos, who contributed the best of the two dozen odd remixes on Bruderschaft's Forever EP, deliver face-pounding, riot-inducing beats, menacingly and unapologetically, in the form of 73 minutes of pure, hard EBM thunder.

On certain club smashes like "Martyrdom", "Society", "Perfect War", "Comatose" and "GBA", Rexx seethes distorted on the ideas of isolationism, nationalism, sacrilegiousness and the decay of modern civilization. If the subject matter sounds trite for the genre, it's no more cliché than human experience itself. After all, who hasn't ever felt angry, rejected or out-of-place in this world?

While they never quite abandon their traditional roots, it's clear that FGFC820 not only welcome change, but also advocate it, so long as a greater purpose may be served. "Existence" splinters off into a violent break beat style. "Anthem" drops the bass line in triplet form, while the instrumental "Resolution Number 5" can only be described as West Coast (the hip-hop connotation of the term) industrial.

Yet, nowhere on this record do FGFC820 forget where they came from or their reason for being here. Simply put, FGFC820 intend to cause damage of both the musical and intellectual sort and they are largely successful in achieving those goals on their debut release. If Urban Audio Warfare doesn't awaken the rivethead armies from their slumber, then perhaps they all really have deserted their posts.
Dec 08 2006
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Artist: SEVERE ILLUSION (@)
Title: Shortcut To Civilazation
Format: CD
Label: DSBP (@)
Distributor: DSBP
Rated: *****
The chaotic Swedish duo SEVERE ILLUSION returns with a new full-length release and continue to terrorize someone’s nerves with another 65 minutes long doze of dissonant noisy assaults integrated in hammering old-school EBM bass lines, extremely distorted vocals and a solid kick and snare rhythm work. I’ve said it several imes and I will continue to do so, but they still offer a kind of aggressive Electro/EBM/Industrial sound, which you won’t find anywhere else. They’re playing with known elements for sure, but in that experimental kind how they set the things together is unique and authentic. There aren’t too much acts out of this genre which deserve such qualification. Although I must say, that they offer with "Shortcut To Civilization" an album, which doesn’t follow the overwhelming chaotic Punk-inspired elements richly presented on their predecessor "Accomblishments of Leopold II". "Shortcut..." more seems to turn someone’s attention on a stronger Minimal Electronic and old-school EBM-like attitude – the bass lines are pumping like never heard before. The unexpected noise is of course still present, but globally this 15 tracks tend to leave the rage out of content – let’s say that "Shortcut..." is somehow the expected album after "Discipline Is Reward Enough", on some pieces maybe a bit slower ("One Foot On The Cross"). Surprised I’m also regarding the fact that they’ve included two tracks, which already got released on some compilations. "Right In Your Hostile Little Face" made it on Plutonium’s "Showcase Vol. 2.0", while "Bad People" is a much older piece already presented on DSBP’s "Futronik Structures 4", out in December 2004. But this doesn’t disturb the flow of this album. Favorites can be named with "Killing Useless Nations" and "Named After You" to satisfy the need of kicking some asses, while "Nuclear Advantage" and "Competitive" turn hard and pounding into the Powernoise genre. "Barbarian" shows the musically abilities this band has to offer, it combines well worked-out catchy synth pads (did I say "catchy" in connection to SEVERE ILLUSION??? Hmmmmpf) with fast-forward drifting Electro beats. Lets finally hope that the generic fans of Electro/Industrial music can recognize the given talent and potential behind this act, and that they are courageous enough to buy this item. This fine DSBP release points out another well done genre album asides the still rolling Hellektro avalanche.



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