Music Reviews



QUARTERSIZED: Industrial cliche

 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
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Mar 16 2010
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Artist: QUARTERSIZED
Title: Industrial cliche
Format: Download Only (MP3 only)
Label: MOMT (@)
Rated: *****
INDUSTRIAL CLICHE is the third E.P. by Ian and its four tracks kinda play with the industrial music topics of all times without sounding industrial at all. TV evangelists, military industrial complex and its influence on consumer technology, the Westboro Baptist Church and the world of religious cults are the themes of the mini album that Quartersized deal with. Musically Ian produced four electronic energetic tunes where guitar riffs are mixed with samples and upbeat rhythms. Sometimes influenced by breakbeat (for the rhythms) and by Tackhead (for the guitars) the tracks sound interesting and fresh. Personally I found more convincing the first two E.P.s but also INDUSTRIAL CLICHE is capable to catch the listener's attention.

T.W.Z.: Serpent Column Portal

 Posted by Marc Tater (@)   Electronics / EBM / Electronica
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Mar 06 2010
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Artist: T.W.Z. (@)
Title: Serpent Column Portal
Format: CD
Label: Advoxya Records (@)
Distributor: Poponaut
Rated: *****
The Swedish mystic Dark Electro-attack T.W.Z. strikes back after ist latest album "Evolution", also released by Advoxya Records 1,5 years before. In the meantime there have happened some massive internal problems with the band members and the upcoming stylistically direction of this project, so that nowadays only Richard K. Szabo is responsible for all music- and business-related decisions. Musically this has left some influence on the new tracks of T.W.Z. Dedicated to the well-known author and visionary Carl Sagan, who passed in 1996, and his "The Lost Civilization" theories, "Serpent Column Portal" offers several more breeding sweep sounds, orchestral layers and a sicker ominous mood than ever discovered before. As we know, T.W.Z. has a preference for high developed cultures like the Maya or Eschaton theories, which went down to transform those sagas and science into the present with a negative impact on mankind – also this album is filled with this mysterious and scientific content. Still arranged under a solid kick and snare work, the tracks itself are again straight-oriented and forward-moving, the often described hypnotic bass line programming remains to be the trademark to this project. What’s new is the integrated diversity in the usage of the main vocals. Richard’s extremely abrasive vocal performance got more often fx-penetrated than before, and stands no longer that obviously in the foreground of the mix, though that fx-usage does not completely convince ("Drown Them All" could be considered). Female co-vocals provided by SOLSKUGGA on three, and DEATH IN BERLIN on one track are standing for another development worth to mention. Also new is the concentration to offer more and more different snare- and hi-hat sounds, as well as the usage of a generally more low-fi oriented sound design – let’s assume, that VST-technique has helped globally on the whole mix.
As usual and as a repetitive procedure, albums of T.W.Z. aren’t at all a form of easy-listening and may need 3 – 4 spins more to find a satisfying consumption. Also as usual – this stuff is worth to invest the time.
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Artist: D.J. Golubb (@)
Title: Underground Pathos
Format: Download Only (MP3 + Lossless)
Label: X-Line / Alter-X Promotion Group (@)
Rated: *****
First, I’m always skeptical with DJ’s trying to convince the audiences with self-produced Electronica music, since several results can be called that weak, that a recommendation would be utterly mockery. Secondly, to start an album with a cover version on "Fade To Grey" of VISAGE including the usage of poorly vocoderized vocals, can be called as being the biggest mistake an artist can produce. Luckily the next 2 tracks, aptly titled "2" and "3", are musically far away from plain Tech-Dance music – both can be placed into the wide field of modern IDM/Electronica and giving some surprisingly well-done references. The integration of experimental and noisy FX and percussion elements results in amazed faces of the listeners. At least with the 4th track, "Space", starts Mr. GOLUBb in that expected manner, to produce danceable and consumer-friendly Electronica. Both tracks, "Space" and "Illusion", can satisfy with a well-done catchy synth-play. "Robot Voice" seems to be his best track so far, it features a matured sound environment, well inserted samples, and offers a slightly nostalgic touch to some 80ies revival bands. The following tracks, as well as an alternative version to "Robot Voice" and a remix on an ID MOLOTOV-track, are turning too much into the Techno-/Trance-genre. Diversity seems to be the trademark for D.J. GOLUBb and he has created several right decisions. "Underground Pathos" is may lesser designed for the EBM-purists, but an interesting addition to the X-Line roster.

X-Fusion: Ultima Ratio

 Posted by Marc Tater (@)   Electronics / EBM / Electronica
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Mar 01 2010
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Artist: X-Fusion (@)
Title: Ultima Ratio
Format: CD
Label: Scanner / Dark Dimensions (@)
Distributor: Soulfood Music Distribution
Rated: *****
A new X-FUSION album is always a feast for the Harsh-Electro/Industrial maniacs, as this one-man-project out of Germany has reached the thrones of acceptance in this music genre. I guess, Jan L.’s project, as well as his Tech-Noise side-project NOISUF-X, don’t need a longer and more detailed introduction – just try to count how much bands out of this genre he has helped out with a professional end mastering through his notorious XMP studio. New club fodder then can be easily recognized with "Leave No Seed" or "House Of Mirrors". The art behind Jan’s work is surely the ability to produce straight and pummeling Harsh Electro tracks with demand and attitude – his tracks are excellent examples to consume them under both conditions – at the clubs, as well as at home, or under a pair of headphones. You’ll find always a break, always hints to different styles of Electronica music well integrated – at least this symbiosis comes out that extra-ordinary, that since years no one out there misses seriously a quality new :WUMPSCUT:- or RETROSIC-release. No wonder therefore, that the best tunes aren’t the both above mentioned. "Psychopath" is a really sick tune, which convinces with dramatic piano inserts, while the speed and the rhythm section remains to be fair. The striking synth-play of the title track to form a melodious refrain represents also the state-of-art, let’s say, that Jan especially with this title track sets the standard to a higher measure. The layered and orchestral sounding instrumental "Rise And Fall" also satisfies the highest demands. Under "Still Breathing" he allows surprisingly a scratching Metal-like guitar to strengthen the pummeling bass lines. Enough good reasons to rate also this new X-FUSION as being a genre-leading masterpiece and to inform you, that "Ultima Ratio" is also available as a limited 2CD edition containing the bonus disc "Beyond Reality (The Orchestral Works)" – try to hunt it!

Novakill: I Hate God

 Posted by Marc Tater (@)   Electronics / EBM / Electronica
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Mar 01 2010
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Artist: Novakill (@)
Title: I Hate God
Format: CD
Label: RepoRecords (@)
Distributor: Alive
Rated: *****
Already the third album for this Australian duo, this time surprisingly not licensed to the States via Metropolis, which - at least - can not belong to the audio quality. Even if the title sounds quite platitudinous, the main theme it marks quite clear. And even if the both protagonists are specialists of the newest VST-techniques (just check their website and download some freely available tools they’ve used on their previous releases), "I Hate God" is a tiny masterpiece of veteran-like, truly Canadian-inspired Electro/Industrial music – acts like FLA, NUMB, older T.H.D., THE FOURTH MAN and of course the classic SKINNY PUPPY seemingly have left influence on the music of NOVAKILL. And if they really offer some "sweat-muscle-work" and German "Arbeit macht frei" bawls like in "We Work", you now know, where and in which genre you have to place them. "Demonizer" seems to be the main track, as they’ve produced 3 different versions of this track. The original is a fast-forward moving tune with rotating bass lines, striking voice sample and typical male shouts – lesser a well worked out composition, but a fucking effective ass-kicker. With "Exterminate" they also prove their sense to produce a rather slow and ominous sounding tune, which relies on its dark and fearful mood. "Blood Elektrik" works excellent as a twin to "Demonizer" and the pummeling bass line programming should be able to lead masses on the dancefloors. As usual for this scene, people do quite often search for the negativity in some productions – NOVAKILL may have to live with the approach, that their kind to provide their male vocals requires usage to. Luckily they vary also on this part with multiple different fx adjustments to reach fair enough results. Technically one of the best classic-minded Electro/EBM/Industrial albums during the last half year, a must-have release!


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