Music Reviews

May 23 2010
Artist: MISS FD (@)
Title: Monsters In The Industry
Format: CD
Label: Quantum Release Records (@)
Rated: *****
MONSTERS IN THE INDUSTRY is the first album under the Miss FD moniker but for the Fort Lauderdale-based girl who's behind it all it isn't the first experience at all, because we all already knew her as Frightdoll. If I remember well she was about to sign (or she signed) a contract with another label and then she had a lot of problems with them (and for this reason I think she wasn't able to use the Frightdoll name) and according to the main song's lyrics ("A thief on every level - the industry is a devil - it'll tear you down - it'll cut you up - and then call you a rebel...), it hasn't been a pleasant experience. Anyway, the new album contains eleven songs which have the characteristic elements of the two previous Frightdoll albums (a bit of goth atmospheres and electro-ebm sounds/energy) plus a new pop side that could be good for Miss FD the day she will decide to retire and to sell her songs to fake MTV hits bad girls (see the final refrain on "Disgrace" or "Realigned"). MONSTERS IN THE INDUSTRY is an album that needs time to be assimilated because we switch from dark e.b.m. atmospheres to electro pop in no time. There's only a little bit of melancholy here and there (like on the early part of "Elements off time") but soon replaced by energetic synth distorsions. Danceable, pop, dark and electronic, Miss FD has a lot of bullets into her gun and she isn't afraid to use them...

LOST AREA: Memoria

 Posted by Vito Camarretta (@)   Electronics / EBM / Electronica
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
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May 23 2010
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Artist: LOST AREA (@)
Title: Memoria
Format: CD
Label: Echozone (@)
Distributor: Masterpiece
Following the acclaimed Man Machine, Memoria, the third release by the German band Lost Area and the first one on Echozone, their new headquarters, begins in a not so convincing way. Even if the title-track and the following Blood Rain features good melodic lines as well as what it seems to be the new tone of their renowned maquillage, deeply anchored in the safe port of traditional dark-wave and ebm (there's plenty of hooks to stylistic bodies of bands such as VNV Nation, In Strict Confidence or Frontline Assembly), but this time marked by more larks on vocals, heavily treated and pitched in order to sound distant, a stylistic choice that I think it could be explained by the general mood of this release oscillating between a fatalistic aura, Promethean disenchantment and an abstract sense of fading, but the qualitative level abruptly rises with Mirror: lyrics which seem to reflect Caliban'a anger in the notorious novel by Oscar Wilde perfectly fit to the structure of the song partially reprising the danceable beating of the first track - it's really the fine the final treatment of the voice mutating into transfigured tone when the gradual fusion between the identity outside that mirror and the one inside it or I'd better say the possession of the first character by the second one has been completed (the first strophe ending with "he will become a part of me..." while the final one ending with "he has become a part of me", but the best intersection with known gothic cliche' and poisoned electro-dance rhythms is maybe the following song entitled Lies, whose stepping proceed in a linear way while the sounding machinery stir frozen emotions up till the moment they violently erupt; a pretty way for conciliating emotive spleens with pulsating beats as well as a track - already available on the well-known electro sampler "Dark Alliance" - that is going to inflame darkest halls!
After the bleeding cries for seraphic entities - something you could expect on a gothic-tinged release, lads! - in Guardian Angel, an electronic ballad whose emotional alcoholic percentage has been increased by the insert of a guitar played in a way the most weeping progressive-rock bands usually play partially reminding the Hidden Faces-era by Clan Of Xymox, the resentful clubbing lyrics of Evil Eye. I initially argued it could be against an incapable psychotherapist when listening the incipit "I am in a schizophrenic mood/I have seen everything you've done/I followed you step by step/The pills did me no good"!- , the morbid trippy hopping of the icy Desire, the frigid misogyny - a side effect of love for a psychotic gothic cutie, my fellows! - carburized by a good melodic line on the usual well-groomed EBM stepping of Nothing, I like listening to what seems the depressed side of S.P.O.C.K. (the notorious Swedish synth-pop band, not the Star Wars character!) in the balanced sequences of Dream On. Strangers, the striking Eye Of The Storm and Live Your Dream look too much conventional to me - maybe too many listening memories resurfacing during the recording of the album, whose clear and powerful sound acts as the most evident clue of Gerrit Thomas's paw from Funker Vogt for production and sound engineering. The vocal qualities and its raw darkness by the singer Andi Grundler are mostly highlighted in the only German song, Ikarus, a sort of bizarre lullaby whose epic accents are underlined by some trumpets and choirs reminding to me some pieces by In The Nursery.
The stomping Gecko Sector Remix of Unborn ends an album whose only slight flaw is maybe the fact it retraces some stylistic and conceptual Gothic cliches, even if this 3-piece band has surely revised some subject in a good way!


 Posted by Maurizio Pustianaz (@)   Electronics / EBM / Electronica
Synth Pop / Electro Pop / Synth-Electronica
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May 23 2010