Music Reviews

Artist: Phil Tangent (@)
Title: Restitution/Squaring The Circle
Format: 12"
Label: Soul:r
Rated: *****
Brighton native dnb producer and dj P.Winn aka Phil Tangent reinforces the firm belief by many dnb followers about the beaming moment of his musical creativity by means of another pair of winning shots for Markus Intalex's Soul:r. "Restitution" manages to ventilate listener's eardrums and minds with daydreaming suspensive synth-pads, uplifting sounds, exstatic female vocals and propelling beats, the hastening element for the headphones-driven sublime ascension which could be experienced by listeners. Such an ascension is going to be followed by the sonic sideslip of "Squaring The Circle", where this bad boy pours absorbing phat bumps, airy trumpets and sourer basslines, whose counterbalances for flotation are some dazing and dazzling vocals by Bjork. A real touch of finesse to the scene, which is going to be rolled over by a lot of dnb djs.
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Artist: Sarth (@)
Title: The Book of Sarth
Format: Download Only (MP3 only)
Label: The Gralbum Collective
Distributor: Apple iTunes
Rated: *****
Brooklyn-based electronic musician/composer/improviser Sarth Calhoun a.k.a. Sarth has spent the last few months working on what at first sight looks like just any other iPhone/iPad app but actually has a lot more to it than that: it's a book, it's a story, it's an illustration, it's an album, it's a graphical album (hence the name "The Gralbum Collective")... and it might even, potentially, be a new way of distributing music all together!

The book is an easy 10-15 minute read of one-liners distributed across 8 short chaptes. It tells the tale of two children who find a device that generates transmissions which create mass hallucinations that the government wants to suppress. The story flows easily and is well augmented by the visuals. I have to say I am not sure I liked the ending though, which felt a bit inconclusive and open-ended (unless of course Sarth is setting it up for a sequel).

Graphic novels and comics are not my strong suit so I won't be commenting much on the visuals but I can tell you that there are several styles interacting to tell this story, almost as if it they came from different pens. You start with the Pixar-style cartoon type images with soft colors and round edges (think Toy Story) and you get to the more stylized, straight-lined and vectorial asian-inspired comics that in the app get filled with colors in stages and get various other photoshop-filter treatments. Reality then shifts once again and takes the shape of black and white pictures that have been treated to look like drawings. Then the black and white gets slowly colored in and eventually, by the Epilogue, you have pixellated, vectorized and almost art deco new modernist minimalistic paintings. The cool thing about all of this is that you can interact with these images by tapping, zooming, swiping and thus re-ordering the 80+ page animated novel with your touch.

Musically speaking, "The Book of Sarth" is an interesting album of experimental electronic music which draws from a number of inspirations... At times it sounds like Clock DVA, at times like Brian Eno, at times it reminded me of some '80s avantgarde electronica and kraut. The album is instrumental for the most part, but there are several tunes where vocals are pretty front and center... Sarth has a beautiful voice, especially when he does spoken word stuff in the lower register, and my only criticism is that having spoken word parts on top of music that is playing while you are reading a book that is also a graphic novel can be a bit distracting... Inevitably, when the words of the songs came in, my mind started listening to those and forgetting the words my eyes were reading... Unless Sarth is trying to create some kind of state of confusion on purpose, or unless the words in the music are supposed to somehow interact with the words on the screen (which, if they were, wasn't clear to me), I would have opted for some entirely instrumental music to go with this kind of release.

Design wise the app doesn't feel as polished as it could be (at least not when it comes to controls, buttons, scrolling etc)... As much as I am a fan of small text, I have to say I felt the text is a bit hard to read, especially when the unfortunate choice of colors makes it even harder (think light green font on light yellow background... seriously!?!?!). A black Sans-serif font instead of a colored Serif font would have way easier on the eyes, or even increasing the font size a little bit would help on the iPhone version (it almost feels like the app was programmed on/for iPad and then just downsized for the iPhone).
In my opinion, navigating the app is not very intuitive and could be re-designed a bit better, with function in mind. The good thing is that you can navigate the images and the story separately from the music. The bad thing is that if you want to listen to the music again after having read the book (which I found myself wanting to do) there is no way to do that with the app running in the background (if you quit the app or switch to another app, or even if you lock your screen, the music stops). Also the stop/play/skip/rewind button on my headphones (which by the way is highly recommend you wear to enjoy "The Book of Sarth") as well as on the Apple earbuds doesn't work with this app, which is a pity. Allegedly it's possible to download/extract the tracks from the app into iTunes so that you can listen to them while doing something else, however it is not sufficiently clear how that is supposed to be done and that too should be made more obvious/functional. Other than that the app works pretty well and except for one crash while swiping quickly to skip ahead it's been stable for me.

Aside from the fact that the title sounds a bit pompous and pretentious, I think calling it "The Book of Sarth" is almost a bit misleading, since I'd argue that it is more of an album and/or a graphical novel than it is a book. What I think is the most impressive and admirable part of this whole thing is that by delivering his music and his ideas in this way, Sarth has handed us (the general public) and the music industry at large an exciting and potentially lucrative new way of distributing words, music and images. With the music industry in a deep state of crisis, the publishing industry in an even deeper financial black hole and the creative industry always looking for new ways of being creative and deploying and distributing creativity on a large scale, the Gralbum could really be an amazing and entirely new way for artists to make a living. We've seen some isolated instances of artists releasing apps that contain their music or their videos, but the Gralbum, could be a platform for everyone to release albums with liner notes, lyrics, cover art work and so much more!! The Gralbum could be the album of the 22nd century! As a hardcore music fan who is deeply concerned for the future of music and unhappy with the current state of things, that is truly very exciting to me! My hat goes off to Sarth for having come up with this brilliant idea!

At $7.99 it might be seen as expensive when compared to the rest of the apps in the Apple ecosystem, but the price is right when you consider that you spend at least $9.99 for a new album from the iTunes store, which will be just music and no graphic content.

I give it 4 stars because I think the implementation deserves 3 stars, the content deserves 4 stars and the vision behind this entire project deserves 5 stars!
Artist: ∆AIMON (@)
Title: Flatliner - expanded
Format: CD
Label: Artoffact (@)
Rated: *****
California-based duo 'AIMON has been considered as one of the most interesting emerging band from the fertile witch-house in reason since their first releases: foggy synth-pads, slow and solemn marches, mantra-like songs, occult mists and plasmatic and creepy atmospheres get blended together by means of a remarkable knowledge of recording studio techniques, whose result is so cinematic that you could imagine them while gathering around their hot cauldrons in the act of employing mysterious witchcrafts. Canadian label Artoffact sensed what many listeners suddenly perceived the stylistical ductility of their sound after listening the previous release on Bay-Area appreciated label Tundra Dubs, whose crossbreed could be considered a sort of vampiresque half-cast creature in the liminal region between dark industrial and witch-house, so that it summoned some artists from both those scenes in order to highlight their sonic findings by detaching their coalesced "souls". Their placement in the tracklist roughly seems to be based on a rising level of sophistication by different guest around their cauldron: it could sound paradoxical, but most interesting remixes come from industrial front, whose advantage could be explained by the fact they could exhibit an affine, but distinct stylistical territory, whereas witch-house bands had to preserve their own declension of the same language. I particularly enjoyed remixes of "Black Cross" by Dead When I Found Her (I'm pretty sure it's going to delight many dancehalls), cinematic and grave remixes of "Choke" by Chrysalide (a complementarity which was clear since 'AIMON remix of "I Do Not Divert Eyes") and "Flatliner" by Haujobb (one of the remix I liked most), while on the witch-house front, amazing Unison remix of "Current", "Flatliner" blending by Encephalon and the deconstruction of "Emptiness" by Textbeak have that extra oomph.
Artist: Tape Loop Orchestra
Title: In A Lonely Place
Format: 12"
Label: Facture (@)
Rated: *****
One of the three admirals of the appreciated band The Boats, Andrew Hargreaves, comes back with his interesting personal project Tape Loop Orchestra, whose release got inspired by an authentic noir masterpiece, "In A Lonely Place", an old film by Nicholas Ray, starring Humphrey Bogart and film director's wife Gloria Grahame (in a moment when their relationship was on the break point...) and based on an adaptation of the homonymous novel by Dorothy B. Hughes. The most bizarre and somewhat controversial aspect of the plot is a certain mirroring of real life happenings: Laurel Gray (Gloria Grahame) breaks the relationship with the cynical screenwriter Dixon Steele (Humphrey Bogart), whose inflammable temperament and irascible behaviour stoke the suspicion of being the assassin of the story as well as her fear and distrust, so that it seems the fiction mirror reality. Moreover even the choice of the title and the profile of the screenwriter (his isolation among people, his selfishness and quick-tempered behaviour as well as his drunkenness) according to essayist Louise Brooks had some references to the real Bogart. The titles of the three long tracks - the first two tracks are real time live takes, while the third one is their editing -, which have been recorded on a modified 4-track and walkman loop, have been named from the words Dix said to Laurel in the car, which were also written on a page in the typewriter of the original end of the movie: "I was born when she kissed me, I died when she left me, I lived a few weeks while she loved me.". The devices used by Andrew which perfectly filled a C90 tape, before pouring the final result into vynil, managed to antiquate the sound, which seems to reflect a promenade within a fading and surreal scene by entrancing loops of feathered overstretched tunes, graceful repetitive blows and dazzling reverberation, whose subtle fluctuations gradually discloses lovely fragile melodies.
Artist: Uphill Racer (@)
Title: Nautious EP
Format: Download Only (MP3 + Lossless)
Label: M = Maximal (@)
Rated: *****
This appetizer of forthcoming album (it should be titled "Golden Anchor") by Oliver Lichtl aka Uphill Racer, following the excellent collaborative release which should be titled "How It Feels To Find There's More", is one of the most welcome return into my headphones. He keeps on dry his sound up, a choice which can more easily soak the listener into his saccharine melodies. His style has nothing to share with minimalism as it seems to highlight its immediacy and blissful naturalness. The soothing indulgence of the initial "Nautious" got emphasized by a sort of imitation of the backwash of the sea by a few of resounding entities as well as by some guessed effects which turn his Fender guitar into a shrieking gull or a singing whale, while he delicately rises bpm on the following "Happy Xoxo", an 8 bit-like electro pop song which smells of glazed teen love affairs. The final "Waiting For Your Mistake" could vaguely remind an "unrocked" reprise of Alex Gopher's "Brain Leech" due to the singing style and the gripping melody by Uphill Racer. If you appreciate his particular declension of "organic" pop, this musica trinket cannot but be mouthwatering.
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