Music Reviews



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Artist: Psycho Kinder
Title: The Psycho Kinder Tapes
Format: CD
Label: Alienated Records / Fonetica Meccanica (@)
Rated: *****
This release from Alessandro Camilletti, the mastermind behind this project, is the statement that synth pop is not a closed book even if there's some hint these days. The key characteristic of this release, from the codified code of the genre, is the focus on lyrics concerning the state of western civilization in times where people prefers to chat using social network rather to talk and try to change our society. For this project he collects a bunch of producers whose peculiarities doesn't break the stylistic unity of the record whose music is a support to the message.
The structure of "Stato Di Violenza" looks to the tradition of italian new wave without nostalgia. The melodic aperture of "Oltre Il Tempo" is the mirror to the experimentation of "Psycho Kinder" followed by the remix of "Vivo E Invisibile" made by Miro Snejdr who filters Camilletti's voice and so, for a moment, puts the message in the background in favor of the music. "Inviolabili E Sacri" blurs the border between art and life citing Leo (Giovanni Leonardi) in the text which is the author of the music. "With Usura" features a recording of Ezra Pound whose voice is present also at the beginning of the first track. "Viaggio Allucinato" is almost a break from the darkness of this musical journey with his upbeat. The Carnera's remix of "Il Tramonto Dell'Evidente", while being the finest at aural track, sounds sometimes too different from the rest of the release. "Essere" closes this release with an hypothesis of minimalism for the next record.
The constant level of songwriting is almost impressive and results in a release that could be enjoyed even by the casual listener if djs were more courageous than they are now. A coal turned into diamond.
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Artist: Atrium Carceri
Title: Archives I-II
Format: CD
Label: Cryo Chamber (@)
Rated: *****
This new release from Atrium Carceri is based on the reworking of tapes and tracks from the past of this artist. Instead of doing the typical collection of outtakes or obscure track Simon Heath decided to create long tracks from this recordings, a sort of megamix borrowing a term from another genre and the result could be a sort of introduction to his work.
"Archives I" is focused on the cinematic side of this project as it shows all the small noises that evoke imaginary scene spaced out by fragment based on drones creating a menacing atmosphere. The first part of "Archives II" is based on melodic lines of great emotive impact flowing into a second part based on drones whose subtle nuances are better enjoyed using headphones.
Instead of being a mere recycling of outtakes, this album sounds almost like the development of the hints that this project is moving towards a complex musical structure based on melody from a complex audial spectrum based on drones. From this perspective the realistic foley sounds are not a trick to conquer the listener's attention but a mean to build a musical meaning creating a narrative with sounds. Practically, cinema for the ear.
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Artist: Roman Leykam
Title: Ethereal
Format: CD
Label: Frank Mark Arts (@)
Rated: *****
According to the introductory words of this new output by Roman Leykam, "Ethereal" is an attempt 'to convey peace, serenity and the deceleration from the daily routine. The music offers the listener the opportunity to enter into silent communication with himself.'. Such an aim could implement the description of many second-hand new-age oriented release that you could even find in a supermarket till some years ago, but what listener are going to meet in Roman's music is something a little bit less commercial and easy listening. I won't say he walks on entirely unexplored musical pathways, as the most immediate stylistic link is to all those composers, who crossed that liminal zone in-between classical ambient music and the so-called kosmische musik. Besides any spiritual enhancement you can reach by its listening, the patterns that Roman explores on "Ethereal" are mainly driven by impressive outputs from guitars and synth-guitars, gliding over sonic waters that have often been too shallow for experienced musicians. I could mention the less convincing productions by solo-projects of former Tangerine Dream guitar player Edgar Froese, but Leykam tries to diversify it by occasional contamination with a more bluesy nuance. The primary defect of similar explorations is paradoxically related to the sometimes single-minded pursuit of a sonic clarity without any element of impurity, which could result in a dull listening experience for all those listeners who don't understand the technical tricks by which he managed to reach that sharpness. A gap which could induce some listeners to look for other strategies to escape from the above-mentioned daily routine.
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Artist: VV.AA.
Title: 1961-2014: An Anthology Of Turkish Experimental Music
Format: 2 x CD (double CD)
Label: Sub Rosa (@)
Rated: *****
The series of anthologies, which followed the seven volumes of "An Anthology of Noise and Electronic Music" (released between 2000 and 2012) and the subsequent "Early Electronic" collection (focusing on tracks composed between the 50ies and the 80ies), keeps on expanding over the geographical ones. Following the surprising Anthology of Chinese Experimental Music, the title of this new one about Turkish electronic and experimental scene could be a little bit confusing as the only aged track is the opening one of the first cd, but the importance of its author go beyond Turkish boundaries. Such a temporal gap could be mainly explained by the fact that the interest in electronic music arrived relatively late in Turkey, thanks to the academic teachings by composers, who got in touch with electronic devices out of their native country and Bülent Arel, the composer of the above-mentioned "Postlude From Music For A Sacred Service" (1961), was one of those eminent expats. In reality, he just received many mouthwatering proposals from foreign countries, including the one by the Rockefeller Foundation, which invited him to join the Columbia-Princeton Electronic Music Center, and Yale University, where he projected and installed its electronic music laboratory and taught from 1961 to 1970, before being recognized as one of the most brilliant innovators of looping techniques. Another key figure of this almost unknown 'exotic' scene, lhan Mimarolu, the son of the notorious architect Mimar Kemaleddin Bey (a famous face on 20 Turkish lira banknote), moved to the USA after a Rockefeller Scholarship and studied at the Columbia-Princeton Electronic Music Center as well, under Vladimir Ussachevsky; his contribution to music, in general, is also related to his record label, Finnadar Records, his precious contribution to the OST of Fellini's "Satyricon" and his role in the release of "Changes One" and "Changes Two" by Charles Mingus and its experience in the field of soundtrack and contemporary classical music is evident on the evocative track that got included in this compilation "Prelude No.17 [Istanbul Fog]". The boom of electronic music occurred later both within academies and universities (Cenk Ergün, Koray Tahiroglu, Mehmet Can Özer) and the noise-oriented avantgarde (Mete Sezgin, Nilüfer Ormanl, Utku Tavil), but the Turkish experimental scene is more complex and opulent than many could imagine. This anthology, compiled by Batur Sönmez and Erdem Helvacioglu and split into two CDs, tries to embrace such a complexity and multifaceted scene. CD1 includes more 'academic' stuff that often get close to serialism and concrete musique, while the second covers a wide range of ambient music, samplers, and even stuff with references to political issues such as the impressive "Democracy Lessons" by Asaf Zeki Yuksel, the gorgeous abstract glitch ambient of "The Monopoly Of Victim Status" and the traditional folk-spotted "I Want To Be A Suicide Bomber" by Sifir, but I'm pretty sure that many listeners will get impressed by the broad stylistic range of this selection and the quality of these mostly unknown (to the masses) Turkish forward-looking musicians.
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Artist: Bone (@)
Title: Radiation EP
Format: Download Only (MP3 + Lossless)
Label: Faded Music (@)
Rated: *****
Recently landed on Poland-based imprint Faded Music owned by Ukrainian producer Fade, the first solo release of this year by Estonian producer Marek Ratassepp aka Bone could easily meets the likes of the followers of producers like Fanu, Klute, Commix and The Upbeats, as you can easily understand since the listening of the opening tune "Brawl", where his machines seem to channel ghostly howls and stealthy draughts over noise disturbances on well-greased percussive gears. The air got even more rarefied in the very first seconds of "Form And Void", where only a precisely cut groove shakes the elastic structure of its rhythmical body before the sudden raid of laser beams and mechanical forms fill the void! Skirting junk sonorities by finely twinkling melodic pins and hovering pads on the title track "Radiation", Marek gives the very best of his art of filling spacey sonic spheres by flowing particles of amen breaks in the excellent "Pulsate", the best moment of this release. Check it out.
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