Music Reviews



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Artist: Ennio Mazzon
Title: CeriseIcicles
Format: Download Only (MP3 + Lossless)
Label: Ripples
Rated: *****
The follow up of last year's 'Xuan' is a shorter and more visceral release that and based upon the impact of layered noises. According to the linear notes this music is strongly tied to a visual component reacting to the audio and, even it aims to 'deconstruct and transfigure the "pop structures" of the original audio material', it sounds more experimental in nature than other releases of this artist.
A drone and some sounds that seems from a field recording opens this release with various small noises depicting a sort of menacing and industrial soundscape but, instead of basing upon the musical impact, it focuses on the details and the evacuative properties of the samples. The second part is based on a quieter drone that let the field recording emerges from the background. Some seconds of almost silence take the attention and it takes a couple of minutes of samples for the return of the drone and a deep rhythm creating the menacing atmosphere of the beginning of the track. In the middle of the track a bright soundscape emerges and introduce the listener to a part of the track based on noises and loops that develops in an end based upon glitches that suddenly end the track.
This release, in twenty minutes, shows more ideas and paths of development than most albums that last for three times this duration. It's demanding to follow this musical development but it's full of hidden treasures. Highly recommended.
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Artist: Ernesto Diaz-Infante
Title: wistful entrance, wistful exit
Format: CD
Label: Kendra Steiner Editions
Rated: *****
Poiché questa versione è stato ispirato da una morte in famiglia questo album, invece di mostrare la capacità virtuoso artista, si basa quasi interamente su un accordo che, variamente interpretato e con il riverbero del luogo, agisce come una forma di musica ciclo ma ha giocato invece di utilizzare un registratore. Così suona come le onde raffigurati sulla copertina di questa release come metafora del movimento circolare del tempo.
La prima traccia "questo" si basa sulle variazioni di un arpeggio cui note sono lentamente giocato in un modo che lascia le risonanze creano una meditazione e quasi triste atmosfera. La seconda traccia "lungo" si concentra sulla aggiunta delle varie risonanze delle note che, riverberante, raffigura una sorta di drone nel panorama della melodia. L'ultima traccia "momento" si basa sulla corda che viene lentamente variata riverbero della camera e il lento movimento del tempo di riproduzione.
Questo album suona come una sorta di meditazione silenziosa sulla vita e l'esistenza ed è una dichiarazione circa c'è più significato nella accurata riproduzione delle note di un singolo accordo alla ricerca di un suono e un'atmosfera, che nel gioco furioso di un milione di note ricerca dei limiti di gioco veloce. Un rilascio straordinario.
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Artist: Cristian Vogel
Title: Polyphonic Beings
Format: 2 x 12"
Label: Shitkatapult (@)
Rated: *****
According to Karl Heinz Stockhausen, a unified time structuring, a wise splitting of sound, the multi-layering of spatial composition and the equality of sound and noise are the "Four Criteria of Electronic Music" in brief and such an eminent conceptualization of music seems to have inspired the last two astonishing releases by brilliant Chilean techno legend Cristian Vogel, who after he moved to Berlin, one of the sacred site of contemporary music of our planet, fulfilled a quantum jump to his already appreciated style by a sort of integration of those principles into eerie dub-driven sonic boxes, which proves the chameleon versatility of this producer after the ambient-oriented album "Eselsbrucke". Some nuances of techno pops up in just one of his eight "Polyphonic Beings" - the amazing "How Many Grapes Went Into That Wine" -, while some technoid residue flow like water snakes in water ducts into a few of them - "Spectral Jack", "Forest Gifts" and "LA Banshee" are the ones where are more audible -, but most of the tracks have a totally different approach to rhythmical structure and sonic textures as he manages to synthesize outstanding hybrid between dub-techno and acousmatics where bright stylistical spots unpredictably deviate from the continuity principle of techno stuff: the sort of elegy that suddenly surface from the above-mentioned "Forest Gifts", the analogue spit-ups that surface on tracks like "Spectral Jack" (vinyl exclusive) or "Lost In The Chase" or the melancholically entrancing piano micro-melody and the shamanic hooks on the final "Society Of Hands" are just some of the moments when Cristian could find the right way to the hearts of more demanding listeners which cannot be considered proper clubbers anymore.
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Artist: Kode 9 & The Space Ape (@)
Title: Killing Season
Format: 12"
Label: Hyperdub (@)
Rated: *****
Named after a verse of his song "Heart" that warns people about the dangers behind human heart, this EP, which reprised the forerunning collaboration by Hyperdub label boss Kode 9 and the late-lamented vocalist and poet The Space Ape and was eagerly awaited by all those listeners who loves miliar stones of UK dubstep and grime that came from this sparkling meeting of musical minds and souls such as "Memories Of The Future" and "Black Sun", has a particular meaning after the announcement on Facebook of the tragic death after an excruciating battle against a rare form of cancer by Stephen Gordon - Spaceape's name in family registry -. The lyrics got clearly influenced by the cognizance of his physical conditions that he angrily describes on the opening "Chasing A Beast", and above all of the imminent death in the offing, which fostered his last compelling poetic visions after having been just gloomy allusions in previous lyrics. Even if I can imagine he did them with tears in his eyes, the sonic inoculations by Kode 9 got perfectly synchronized and reaches the acme when visions and insights flow into heartfelt pleas (Stephen seems to warn listeners by really meaningful words in "Devil is a Liar") and resigned sighs such as on the touching "Autumn Has Come". Whether in heaven or in hell, I'm pretty sure that many listeners hope to meet Mr.Gordon again after their (possibly faraway) last hours. Stephen's family friends gets all our sincerest symphathy.
Nov 14 2014
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Artist: Deca
Title: Onirodrome Apocalypse
Format: CD
Label: Atom Institute
Rated: *****
I talked about the past of Federico De Caroli, a.k.a. Deca on my review to his latest release "Modulectron" which was a collection of unreleased tracks from the 80s, so you can check that one to have an idea about his past thirty years of activity. This time I'm writing about Deca because of his new CD album titled "Onirodrome Apocalypse". The album is part of a wider project that includes a novel having the same title which isn't published yet. The album isn't a soundtrack for the book, Federico sees it as his emotional description to it transposed in music. The only hints we have about the story and the atmosphere that we'll find through the pages of the novel can be found in the eight tracks of the album by reading the titles, by diving into the atmosphere created and by looking with care the booklet graphics. We have red skies, some skyscrapers with Deca wearing strange eyeglasses, another one with red skies and a view of a natural landscape which seems pretty much desolated, another one with an airplane flying through icy mountains, then there'a one that has a blood tinted corridor which is pretty anxiogenic. The last one is the one on the CD and it has and hanged man on a dead tree under a red blood sky. The titles paint a picture of a future pretty much fucked up where cities are changed ("Metamorphic Metropolis"), nature has been raped and nothing will be as usual ("Alba Obscura" and "Apocalypse") and time can be changed for some obscure reason ("Cronotorsione"). Musically, Federico, along his beloved vintage analog synths, used treated fields recordings and vocals that now sounds like synth drones. The tracks sound tense and atmospheric where dilated sounds paint fragile melodies while hisses, reversed synth pads ride lead sounds. The sound seems have a life of its own and evolves. This is a really good album and the first print is sold out. Check out Deca's FB page for the updates.
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