Music Reviews



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Artist: How To Cure Our Soul (@)
Title: Mare
Format: CD
Label: Sequel
Rated: *****
This new release form the project of Marco Marzuoli and Alessandro Sergente is a single track release introduced by the Jules Verne's words about the see as "the Living Infinite". As their previous releases, also this one is based upon drones and it's focused on a meditative idea of sound.
After some seconds of silence, instead of the expected drone, the ebb and flow of the sea introduce the listener into a contemplative setting as even some bird could be heard at a distance. Approximately at 5:00 mark, a drone quietly starts an begin to try to blend to the sound of the water and at 10:00 mark a second drone stats and instead of bury the underneath element it seems to underline them until the third one takes the listen towards the full listening experience overwhelming the listener. As the underlining field recording is always audible it sounds as the juxtaposition of a place and the emotions triggered by it as if the drone would act as a voice off. As the track begins his ending the drones quietly stops and the listener is left with the sound of the sea.
If, after reading this release, the reader could think that this release is developed around nothing, he should be aware that sometimes less is more as pure contemplation could only be done while seeing the details and forget the rest. Essential.
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Artist: Deison & Mingle (@)
Title: Tiliaventum
Format: CD
Label: Final Muzik (@)
Rated: *****
As the title suggests, this release is an homage to the Tagliamento, one of the few braided river remained and, for his morphology, could be easily seen as a metaphor about life seen as the intersection of personal destinies or about place viewed as the sum of personal contributions. While it's plenty of contributions, every theoretically external input is fully absorbed in a coherent musical field.
The sounds of "Arteria" opens this release with an equilibrium between a sense of movement and a sense of rest where even some field recording seems to emerge. "Tiliment" is a quiet and meditative piece for sustained tones supported by the beats while, even in an abstract way, "Agane" reveals a sense for melody closer than expected to pop. "La Piena", with his heavy beats and square structure, takes this release towards certain industrial territories. The complex soundscape of "Sotterraneo" is an interlude to "Grave" which continues on the path marked by the use of terse beats while "Pietra Viva" reveals in the background the craft in the shaping of sound and the clever use of field recordings. From a certain perspective, "21:00:12" seems the second part of "La Piena" while "Savalon" and "Nel tuo letto" are quiet sonic watercolors and "Ajar e aghe" closes this release with a song for voice and field recordings of the water.
The use of sounds derived from natural elements like stones seems the glue that ties togheter a release swinging from experimental angst to pop attention, so resulting in a release that could find an audience even outside of the genre's circle. Recommended.
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Artist: drøne
Title: Mappa Mundi
Format: CD + Download
Label: self-released
The name “Drøne” could hardly be more appropriate, albeit with the added o stroke. This is a thirty-five minute arrangement of mechanical drone noises, electric hums, distant industrial rhythms and work-related electronic found sounds. A mixture of well-used sounds- playgrounds, railways, offices- meshes with less recognisable

Officially the 35 minutes is mapped out into five named sub-sections, but in practice it slowly evolves as different layers arrive, overlap and decay with few sudden shifts, so it’s hard to discuss highlights or weaknesses with any specificity. By halfway through, dark-sounding voices have been added and the mood has shifted a step or two in a sinister direction. A tone like a distant alarm frightened and disorientated my co-worker who didn’t realise it was (technically) music. Shortly afterward this opens up into a slightly brighter section centred around rolling stock and tannoy announcements. This in turn leads to a more discordant arrangement of high-pitched screeches that’s properly uncomfortable. The modem sounds that follow sound almost reassuring by comparison. We wrap nicely with a relatively simple blanket hum.

It’s a slightly muddy production overall, rumbling and bubbling in a way that’s deliberately indistinct and alienating, but the net result is a strangely captivating soundscape that draws you in, willing you to listen more carefully to see if you can hear anything familiar in it. For my personal taste I think it’s just a touch too wilfully hard-edged, with too many tinnitus notes and too much noise, but nevertheless it’s still a strong work.
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Artist: Atariame (@)
Title: Fear is the World
Format: Tape
Label: Constellation Tatsu (@)
Rated: *****
The St.Petersbourg-based singer and producer Atariame is one of the "brightest" stars in Constellation Tatsu spring/summer bunch. I decided to use quotation marks as you won't maybe label her as a serene artist, but I won't see is a sort of black hole, as her light is not that dark. If we have to use one of the typical ways to file stars, she could be matched to a white dwarf more as she emits some shining rays of light, but some technical improvements of the music surrounding her crystalline voice could let her shine more. Anyway, the dried elements that orbit around her voice is something that could evoke an almost empty space around both the sound of her voice and the intuitions and the emotional depths she enlightens. Her style could sometimes resemble some known voices floating in the oceans of dream pop, sad core, bedroom music and darkwave such as Chelsea Wolfe or Lotte Kostner (particularly when musical dress is close to folkish sonorities - in songs like "Sweet Taste of Being Accepted" or "Travel Burnout") or some stuff on the notorious label Kranky, but electronics (even if sometimes rough) often set different settings for her vocal emissions/emulsions. I particularly enjoyed the ghosts of 80ies dark wave evoked in "Fluffy Paws", the grey drones of "Always the Youngest" or the intimate magnetism of tracks like "Lying Awake" and "The Pretty Takes It All", but the whole album sounds consistent with the nature of the emotional set that Atariame explores. Once upon a time, Atariame should have been labelled as a 'next big thing'.
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Artist: DJ Trax
Title: 20,000 Beats Under The Sea
Format: 12"
Label: Tempo Records (@)
Rated: *****
I'm not sure if some copies of this item are still available, as Tempo Records announced a limited edition on 140g clear vinyl (including a voucher for the download of mp3s and a poster), but if you are a lover of jungle-tinged drum and bass, you should have a check. Dutch DJ and producer Fusion (the man behind the curtains of Tempo Records) managed to involve David Davies, better known as DJ Trax, one of the legends pushed decades ago by the likewise legendary Moving Shadow (but he left many footprints on the track of many other labels), who come back on Tempo after he already dropped three good tunes three years ago. A certain nostalgic hook that filled those tracks (check it out... it should be titled "Attack Of The 50Ft Amen") keep on imbuing this output, but Trax's is a kind of wise nostalgia as you'll easily understand by listening to the four tracks he made for the occasion. All of them features the previously mentioned Amen break (more or less refurbished, but clearly recognizable), but it's an element wrapping clues that recall this mental state. The quotation of the title of the well-known novel by Jules Verne in the title-track "20000 Beats Under the Sea", an adventurous track where some sonic clues of jungle resurface along the break as if they were hidden treasures covered by seaweed. It's funny the way DJ Trax control the amen break and other entities during the session of a hypnotist on "No Name" - when the voice of the sampled hypnotist invites to relax everything gets quieter, but check the storm of beats when he says to the listener (or is he hypnotizing the track indeed?) he/she/it has no name! The "jungliest" track of the output is maybe "This Station" (refrained by "Move the Nation"... another relevant topic of urban junglist movement!), while the wisest and the most thought-provoking moment is "Send Me back", the last track, where another movie sample (I guess it got extracted from a movie, but I can't recognise it) is a straight invitation to compare the current version of the century we're living and the one that many junglists maybe have dreamt...
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