Music Reviews



Artist: Deciduous Flux (@)
Title: Jupiter
Format: Download Only (MP3 + Lossless)
Label: self-released


Colorado-based Deciduous Flux’s Jupiter is a theater-of-the-mind of sci-fi narratives from the netherworld of power electronics and early Industrial a la early Throbbing Gristle and Nocturnal Emissions. The planet Jupiter is the unifying theme of this album where each track excerpts major or B-movie films that mention, through dialogue, the largest planet in our solar system. One fun game is trying to guess which sci-fi movie or documentary is excerpted from each song. The only film excerpt I recognized was from 2010: The Year We Make Contact. Stylistically, this album is a refreshing listen. While Jupiter is electronic, it does not fit in any genre like ambient, dubstep or techno. There are drum machines, synths, chip tunes accents, acoustic instruments, and effects—especially on the film excerpts which are put through a lot of reverb and echo. Other close musical touchstones to this album is the work of Bryn Jones as E.g. Oblique Graph, before he became Muslimgauze, for its use of austere drum machines and reverb drenched instrumentals in tandem with treated audio samples. The major departure point between Deciduous Flux and other mentioned musical projects is Jupiter seems to embrace optimism and wonder, with a touch of humor. It took several listens for this reviewer to wrap his mind around the music because there are no conventional melodies here, rather narrative or soundtrack music to imaginary radio plays. The only exception is “Jupiter 8”, which is a quirky ode to hip hop meets illbient meets chip tunes meets sci-fi B-movie. As for the rest of the album, part of their netherworld quality can be attributed to Deciduous Flux’s creative process which they call ‘Automatic Recording’. Deciduous Flux member, Wesley Young explains, “(Our music) is similar to automatic drawing. Where you leave yourself open to your subconscious. Becoming more of an invocation or an evocation. Instead of having a detailed plan, one comes up with sounds on the fly at that moment and hit record. None of our music has been structured vocal samples. All of our tracks are raw instant creations with no rehearsals. You get lost in the process and there for it becomes more direct from the heart...As people grow and change, so many things will effect and possibly change those creations or the creating process. I believe automatic recording avoids this phase for the most part. When we are recording and we slip away, we become a single composition of sound and I believe there is a lot of channeling involved.” Deciduous Flux is music to get happily lost to and then eventually led to musical realms you would not discover otherwise.
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Artist: Graeme Truslove
Title: Intuited Architectures
Format: Download Only (MP3 + Lossless)
Label: Crónica
Graeme Truslove’s sonic mosaics use glitchy, electronic sounds to create gently disquieting ethereal soundscapes full of synthetic bubbles, clicks and pitter-patters. Exploring automation techniques, Truslove generates music that seems to be disassembling and reassembling itself.

The opening “Suite II”, in three parts, is generally quite frantic. Tones and layers shift impatiently, never settling into one arrangement for more than a few seconds. It’s a sometimes unpleasant bath to wallow in, often abrasive, yet at other times pretty.

“Elements” is somewhat simpler and darker, with some John Carpenter-esque elements as low impossibly-sustained piano notes underlie ghostly noises.

“Concrètisations X” is mellower in tone and puts the emphasis back in the micro-cut noises, complex, mechanical and challenging the distinction where one person’s ‘deconstructed’ is another person’s ‘broken’. At the beginning and end there are crunching, biting notes, but the second half certainly returns to the underwater feeling, with waves of slow breathing and muddy, deep rumbles.

Longest piece “Strata” is more audibly dominated by strained and rapid sounds sourced from a guitar- objects being dragged up the strings, guitar bodies being tapped and pulled and so on. The energy of this appears to run out after five minutes so we move to an environment of light industrial drone, one that makes you realise the importance of the space inbetween which is sometimes a little bit overlooked in these arrangements. The manner in which the guitar, and other new elements slowly reintroduce themselves is the most beautifully controlled section of the album, before another drop after fifteen minutes with guitar tones bringing us full circle to a close.

The self-devised digital instruments and processing give “Intuited Architectures” a character that’s unique, yet not a country mile from the well-trodden paths of sonic experimentation of this kind. It’s a little too manic too often for my tastes but it does exude quality and care.
May 09 2017
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Artist: v1984
Title: Pansori
Format: 12"
Label: Knives
“Pansori” is a 5-track (well, 4-track-and-1-interlude), 14 minute EP that wants to be simultaneously a cinematic sci-fi score and glitchy, alt-clubby electronica. Stepping light yet complex dubsteppy beats underpin coldwave-style synth chords and slow looping melodic bleeps.

The production is polished and bright, if a little un-dynamic in parts, for example in “Too Much”. The energetic use of found sound and short dramatic string samples in “Aria Of Dawn” works well, although the melody that arrives is a little aimless.

The awfully-titled first track “SPfiNAL TAP re-JUVENescence” is a highlight, an impressive prelude that the remaining tracks don’t quite live up to, bookended with the final track “beauty __ IT5INYR-H3D” (yes it’s really called that) which plays beautiful sweet piano melodies against loud and abrupt vocal and explosive sample speed shifts.

Overall v1984’s second EP is very shiny, but there’s a slight feeling of unfinished hit-and-miss experimentation about it.
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Artist: The Star Pillow
Title: Invisible Summer
Format: CD & Vinyl
Label: Midira Records
“Invisible Summer” comprises four remarkably simple pieces of ambient drone, blended from electronics and guitar sounds that have been so processed that their DNA is almost wholly electronic too. Recorded live in sun-washed Northern Italy during the Summer of 2016, it’s extremely beautiful in its languid simplicity. Gentle melodic note patterns ebb slightly into our consciousness, and it delicately balances mellow with melancholy.

Second track “While You’re Sleeping In July” in particular has, as the title suggests, a wave-like soporific quality to it that makes it absolutely ideal for meditative thought, or just happily nodding off. Third track “Under The Ice Of August” is again aptly named, with a cooler, slightly windier and more fragile glass tone, before “The End Is The Beginning” yet again takes a literal title as it at first returns to the original form of the opening track, before developing into a more guitar-heavy grand shoegaze finale that is very slightly at odds with the structure of the rest of the album.

Stunningly simple but very effective, “Invisible Summer” won’t win any awards for innovation but this is a luxurious sound bath that I’d very highly recommend.
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Artist: Between Interval (@)
Title: Legacy
Format: CD
Label: Spotted Peccary Music (@)
Rated: *****
Sweden's Between Interval, the project name of electronic music composer Stefan Strand has been working in electronic music since 1996 and has five albums going back to 2004, four of the on the Spotted Peccary label. His last release was all the way back in 2009 ('The Edge of a Fairy Tale'), so Between Interval fans have had a long wait for 'Legacy.' I haven'[t heard any of Between Interval's prior efforts, but the promo sheet says that he's influenced by Jean Michel Jarre, Robert Rich, Aphex Twin and Pink Floyd, so there is a certain expectation, for me at least. While the album's concept is not nearly as exacting as S. K. Johansen's 'Secret Space Program,' it certainly is a spacier affair. This artist seems to prefer a more impressionistic approach, which is fine in music like this. Once you get too definite, there are certain expectations that are disappointing when not met, and tend to dichotomize the artist's concept from the listener's experience. None of that here. This is space music, pure and simple. Damn fine space music too. Between Interval never gets too specific with melody, and lets the sublimity of the atmosphere carry you away. Right from the opening track ("Tunnel") the music seems other-worldly. There is motion well-integrated with the cosmic ambience, with a purposeful sequenced percussion track that gently propels the listener onward. The journey continues in the nearly hypnotic "On Track" with just enough simple thematic content that doesn't overwhelm. (This makes for wonderful driving music, by the way.) Maybe your energy is waning. Maybe you need an "Accelerant" to give you a boost. It takes a little time to come on, but when it does, it recalls the impetus of Tangerine Dream and Michael Hoenig sequencers. Plenty of nature field recordings herald in "The Hour Appointed," but also with bellish tones and an ominous dark and low ambient pad that adds contrast to what otherwise might have been a sunny day. The technoir of "Septimal Laws" makes for pure space ambient delight, and the cosmic awesomeness of "Fields of Neptune" holds its own with the best of 70's electronic space music. Old school at its finest. By the time you get to "The Outer Shell," you're in floating deep space and time seems to have little meaning anymore. However, every flight must eventually return to terra and the trancey return with "Gravity Core" makes for a smooth landing. "Inner Guidance" is perhaps the most enigmatic track on 'Legacy,' with electronically manipulated voices, methodically placed bass accents, and a Blade Runneresque ambience. While "Closing In" isn't much more than a minute of noise sweeps, it's an effective way to end the trip. What I really like about Between Interval's compositions is that they never go overboard with sounds (nearly minimalistic at times) and allow the music a lot of breathing space, yet still sound huge. In electro-ambient space music, that's a big plus. Also available in limited edition vinyl.
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