Music Reviews



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Artist: KLUTĘ (@)
Title: Hit'n'Run
Format: CD
Label: Alfa Matrix (@)
Distributor: Soulfood
Rated: *****
The output of the Danish mastermind Claus LEÆTHER STRIP Larsen finds no sudden end, only three months after the LS DCD "After The Devastation" and only one month after the KLUTÆ returning EP he releases this full length album. If this all will end sooner or later in a total overkill has still to be proven. His fan base should be strong enough to be happy with a new release of the master at all three months. Also a new LEÆTHER STRIP EP with six new tracks and a few remix works is again in preparation... But back to this release, the new KLUTÆ CD goes on with that style and work how the "Sinner" EP has already started. The symbiosis between the typically LEÆTHER STRIP-like bass lines, some well melodic synth layers and the hefty guitar riffs works well once again. But against the early works of this side-project – to that days where KLUTAE was named KLUTE – this project has lost its aggressive mood. Everything is a bit calculated here – at the earlier days it was more Punk-ish, well maybe more into pure sound anarchy. So I am not sure if the MINISTRY or any else hardcore guitar listeners will really dig this, because it is definitively more LEÆTHER STRIP-infiltrated. Nothing against the banging hard stuff tracks like "Fuck-a-Billy" or the "Desert Storm 2006" reconstruction version – but especially the cover of NEW ORDER’s "Blue Monday", "Please Don’t Cry" or "God Bless You" offer only a few KLUTÆ attitudes. So you’ll get an impressive KLUTÆ full length which appeals as well to the fans of LEÆTHER STRIP. Hopefully the overkill I’ve mentioned will never come true...
Apr 21 2006
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Artist: CELLULOIDE (@)
Title: Bodypop
Format: MCD (Mini CD)
Label: Boredom Product (@)
Rated: *****
BODYPOP is the new release by Celluloide, a French trio that started their activity on early 2000s. After several E.P.s and a couple of albums, they decided to move a step forward into their style and the result is represented by the five new songs of this MCD (there’s also a sixth song, a remix of "I am fine" reworked by Ciëlo). If the vocal style hasn’t changed that much (Darkleti use her detached style of singing since day one) the music has taken some influences from a certain techno electro dance (see Vitalic or Miss Kittin) but always having a song structure without being distracted by the acid attitude of some dance scenes. In this way tracks like the opening "People like me", "Audio therapy" or the following "I am fine" show a danceable attitude really catchy where the analog sounds are free to create interesting layers of melody. Even if the vocal style isn’t always functional for the immediate enjoyment, after a couple of listening the band sound succeed into breaking the barriers of preconceptions showing all its potential.
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Artist: Absolute Body Control (@)
Title: "Lost/Found"
Format: CD
Label: Tarantulla Productions (@)
Rated: *****
It is not very often that one release can define an entire era of its genre. With that said the forty-four tracks of this two CD digi-pak do exactly that. They not only define the early roots of the many musics of Dirk Ivens and his prolific shadow Eric Van Wonterghem, but they define the minimal electronic pop glory days of the early 80’s. A musically creative time marked by the new romantic movement in London and of course the Belgian electronic music scene. Certainly as interesting as anything that came out of Britain at that time, this music remained under the radar because the tracks were somewhat difficult to obtain. Often appearing on various artists’ vinyl LPs and sold out limited edition singles, they were scarce. That rareness has no doubt contributed to their monetary value through the years, but it really is their intrinsic value that makes this collection so special. Long over due, someone needed to document the beginnings of what many of us consider to be one of the great electronic music stories of our time.
The music consists of simple yet effective analogue electronic arrangements combined with the anthemic vocals of Dirk Ivens. Hypnotically reaching out in what often seems to have the duality of naïve English flash card phrases and the sophistication of a direct and worldly savvy artist, Iven’s vocals will you to trust him as authoritative. Songs like "Do You Feel Me Inside" or "Melting Away" are so strong they create an emotional response that is as powerful now as it was in the early 80’s. Seeds of what would later become the industrial music stylings of The Klinik and later Dive sprout up here and there, but never really over take the sparse landscape that is Absolute Body Control. Marked by the minimal if not anti-tech approach, the aptly named "Lost/Found" is an often a dark and sonic experience that reeks of authenticity unlike the corporate versions of this genre at that time. A dream collection of minimal electronic synth-pop for whoever can get their hands on a copy "Lost/Found" will not be forgotten.
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anymore
Artist: UNICORN
Title: Playing With Light
Format: CD
Label: Housepig
Rated: *****
Unicorn is the new solo project of former Man Is The Bastard/Bastard Noise member W. T. Nelson, and here and there you'll probably recognize some of the scorching electronic machinery of the aforementioned projects - but as a whole, "Playing With Light" is a stunning collection of largely melodic drones and melancholic minimalism. The carillon-like melody of the eponymous track, the guitar tones and sparse bleeps of "Far Away; Close ToYou", and the repetitive clusters of "Spots" are all trance-inducing in their apparent simplicity, and "The Sea" is a peaceful fragment that could easily last much more without tiring. "Clay and Fire" and, especially, "Maho Kyoto" (with those peculiar oscillator screeches) opt for more sullen and cloudy ambiences, but perfectly merge with the rest. What's magic in "Playing With Light", apart from the high quality of every single track, is indeed its cohesiveness and sense of flow. At times it sounds like the missing link between Labradford's melodic minimalism and heavier noise electronics. The enhanced cd also includes three Quicktime-format videos by filmaker Stephanie Miller, each of whom has a Unicorn track as its soundtrack. "Bob Lawrence: Clay and Fire" surely empowers with its visuals the whole feel of the track, with Lawrence's tale of self-realization through handicraft pot-making, and "The Sea" is a perfect counterpart to the music with its blurred images. I've only found the "Playing With Light" video dissatisfactory, since the sparse stills just didn't match that perfect tune for me. With that being said, the video part is a welcome add. Do check out this awesome disc and everything else Unicorn has put out.
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anymore
Artist: ARCANE ART
Title: Nightly Terrors
Format: CD
Label: Trinity Records
Rated: *****
I generally try not to review cds that I think are really bad, but there are times when duty calls and you can't avoid it. Well, out of the Penitent-related batch on Trinity Records, this cd by Arcane Art (Karsten Hamre and Ciprian Pastragus) is surely the worst one. It opens with "Amore Morte", a mix of triumphant drumming and keyboards patterns, which unfortunately gets swamped in a repetitive tune (that is, repetitive in a boring way), and, most of all, clearly betrays one of the main defects of this cd, i.e. an annoyingly flat production and mixing. There are genres which could even benefit from lo-fi recordings, but symphonic dark ambient is definitely NOT one of those - and "Nightly Terrors" sounds like a barely acceptable demo. But besides that, there's also a lack of ideas and taste, as in the basic synth swoosh of "Interlude" or the equally primitive programming of "Sell Your Soul" and the abrupt cut of "Morbid Ana". Let's say that Penitent's cd wasn't exactly memorable or sparkling with new ideas, but it worked alright; Arcane Art, on the contrary, is truly below average.
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