Music Reviews



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Artist: Deflore
Title: Human Indu(b)strial
Format: CD
Label: Subsound records (@)
Distributor: SX Distribution
Rated: *****
Well, thruthfully speaking, this album has very little to do with dub (contrary to what the deceiving title might hint at) and with electronic music, and by association might have very little to do with Chain D.L.K. also, but allow me to indulge myself because I can't fucking stop listening to Deflore's debut. Wow, talk about explosive! A powerful, humongeous wall of heavy, deep, down-tuned guitars over-rules and over-shadows any attempt at a fair exposure in trial that the presence of (unquestionably important but subtle and belittled) electronic elements might have. Imagine what would happen if Neurosis and Ministry jammed together, maybe sharing the stage with Page Hamilton's Helmet of the days of House of Pain, Flugschaedel, Canaan, My Dying Bride, Sleep, Scorn, Tool and Korn, and you might get an approximate idea of how disturbingly in your face and inhumanly violent this record sounds. Make no mistake: a hollow dark sense of claustrophobic dispair surrounds the entire record and well interacts with the feedbacks-injected atmospheres, the occasional glimpses of the submissive electronic pre-production and the choice of industrial-inspired percussive sounds that go with the doomed and slow drums. It all makes for an album where the touch of a Scandinavian hand (the one of a Finnish mastering engineer) comes as no surprise. These two italian dudes most obviously have a deeply rooted metal heritage of inspirations. Although you might hear some samples of voices and even some distant growls and other vocal artifacts, "Human Indu(b)strial" pretty much goes by as an instrumental record where distortion rules in the sovereign kingdom of darkness and melancholy. It goes without saying that if you like to indulge yourself in hours of hollow and murky violently distorted dreams of sonic masturbation you can't possibly do anything else until you get ahold of a copy of this.
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Artist: Joseph Murray
Title: The Starlight Suite
Format: CD + DVD
Rated: *****
"The Starlight Suite" is a suite of 10 tracks of cinematic lounge-inspired new age-ish electronic music that exists both in the format of a CD and a DVD, within the same slim-design dual-disc DVD-sized-case packaged release. Basically the CD and the DVD contain the same tracks, but the DVD features a video clip for every track (plus some very minor additional bonus material, such as a rather sparse photo gallery). The clips range from mediocre to interesting but do not stand out for excellence or originality. Except for the first clip (shooting a girl who preps herself a cup of tea), the other nine visual chapters are basically computer graphics inspired by the eighties' wave of fractal design video art (which by the way, as minor as this inconvenience is, aren't even divided by chapters, so that you can eventually only skip to the 9th by going back to the main menu and clicking on that 9th song - but you can't skip the first eight by hitting your "next" button eight times). Although some of them are rather nice, I can't fail to notice that it really is not that much different than listening to your CD on a Windows Media player with the visualization feature turned on (or whatever that is called - I am on Mac so I can't remember). I don't mean to be sarcastic or to diminuish the efforts that I am sure went into this project, but in todays market for DVD's and considering the average quality of some of these releases, I think one would except better than just a couple of entrancing and spiraling fractal visual candies to go with some Martini music (or at least, those like me who do expect more can't be blamed in my opinion). I am sorry, maybe I am missing something, but it seems to me that this is an excercise in style and although the the sonic and visual elements are of high quality (the audio for one thing is Dolby Digital 2.0/5.1) the sum of all parts does not excel.
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Artist: HYPE
Title: Desperately Yours
Format: CD
Label: Progress Productions (@)
Distributor: Border Music
Rated: *****
The Swedish label grows constantly and surprises the listeners with a well sought-out quality and surprising releases done by almost unknown newcomer acts. Also HYPE is a new act hailing from Swedish scene, but we surely cannot talk at all about greenhorns. Behind this project stands among others Robert Enforsen for the lead vocals and this guy made himself a good name in the Nineties with his band ELEGANT MACHINERY. And this explanation should already help you to find out his new musically field – no surprise – you’ll get Synthpop, mainly inspired from its kind and mood out the Pop/Wave era of the 80ies. The used technology of course is a new one but what counts is the mood. So this is definitively the stuff which makes the dreams of a glorious return of the past Energy/October days become somehow reality. On the danceable side we have own compositions which hit the target like "Modern Impact" or "Your Kind", while my personal favorite "Live And Learn" comes with astonishing played Synth lines and a finer melodic part. And for one track I see dancefloor actions by all genre friends, no matter if it will include Synthpop-, Batcave-, Minimal- or Electro-freaks, I’m talking on the cover version of the TRANS-X classic "Living On Video". Finally a cover not composed originally by DEPECHE MODE, that’s nice. Although regarding the fact that HYPE do not really surprise with something to be called "new", I am convinced with their efforts here. A must for Synthpop genre fans!
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Artist: VV.AA.
Title: Pandora's Box, Invasion And Friends 2k6
Format: CD
Label: Invasion Wreck Chords (@)
Rated: *****
A couple of years ago on the "Invasion and friends" serie compilations you could find mostly unknown bands and, most of the times, bands coming from the same Ambassador 21 area. With the years and with the different European tours made by the band the friends have increased and you can check it out by reading the tracklist of this new compilation. On PANDORA’S BOX, INVASION AND FRIENDS 2K6 most of the bands are already signed to a record label: see Dive, Synascape, Converter, Mimetic and Iszoloscope that collaborated for a track titled "Heard Voices", P.A.L. or Projecto Mirage, to name few. As you can notice most of the band are under contract with Ant Zen, label that is taking care of the distribution of the Invasion Wreck Chords releases. Anyway, if on the early volumes of the serie industrial distortion was the way to go, this time the seventeen bands try to explore every dark corner of melodic distortion mixed with rhythm hysteria. The wildness and the rage are now under the wise control of people that during their years of activity reached a good balance between philosophy and action. The sign that something has changed find the confirmation into the fact that the last name of the tracklist is Dalek, a band of electro hip hop (their track seems a My Bloody Valentine track with rappers). Something changed and this is good because music needs fresh ideas!

01. DIVE - Insanity [live at Razzmatazz 3 - Barcelona 12.04.03]
02. SYNAPSCAPE - White Trash [2005 edit]
03. AMBASSADOR21 vs. FRAGMENT KING - The Ballet Of Bullets
04. CONVERTER - Be Broken [unbreakable rmx by NERVE FILTER]
05. SUICIDE INSIDE - Angel
06. MIMETICISZOLOSCOPE - Heard Voices
07. CTRLer - Nuclear Device
08. RASPUTEEN - Auf Der Flucht
09. P.A.L - Overlap [slow strokes mix]
10. KLANGSTABIL - Wir Sind Ganz Zusammen [live in Leipzig]
11. ROGER ROTOR - Drown Delay [live in Morbio Inferiore'05]
12. MONOID - Credit
13. PROYECTO MIRAGE over BUBBLE GUM - Energy
14. SHORAI - U R My Self Destruction Button
15. NOT HALF - Become A Being Of Light
16. NTT - Defeatist
17. DALEK - Ever Somber
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Artist: The Silence Kit (@)
Title: In Regulated Measure
Format: CD
Label: Azteca Records (@)
Rated: *****
This 7 track CD by The Silence Kit certainly sounds familiar even upon the first listening. Yet, it is completely something new at the same time. It's like when you hear something familiar but you can't quite put your finger on why it sounds as familiar as it does. Careful listening will reveal varied aspects of influences from bands like Joy Division, The Cure, Echo & The Bunnymen, and maybe even a bit of The Swans. There is still something I cannot quite put my mental finger on, but this is something that will appeal to anyone moved by the barer forms of Gothic rock from the early punk ages. There is something raw and disturbing yet very beautifully revealing within the chords and rhythms of The Silence Kit. Patrick McCay, founder, lead guitarist, and keyboardist for the band, has definitely tapped into the emotional isolation portrayed by the early forms of his genre. However, he has updated the sound a bit with modern electronics but no so much that you would lose the raw, earthy tonality of the DYI rock band sound.
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