Electronics / EBM / Electronica
Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
Industrial Noise / Power Noise / Harsh Noise
Synth Pop / Electro Pop / Synth-Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Odd / Field Recording
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
Aug 11 2003
Andrey Kiritchenko is a gifted and rather prolific Ukrainian composer who's put his country back on the map in the experimental electronics field with the activity of his own label Nexsound and, obviously, his releases for appreciated underground labels like Ad Noiseam, Soulworm, Autoplate and, this time, DTA. While releases under his own name delve into the glitch/click'n'cuts sound, Nihil Est Excellence is a weirder, more disturbing creature. "All sound sources recorded with a microphone", but the creepy layout, merging abstract numeric sequences and an underwater larva, gives a more correct idea of what to expect from "Vizmilieu". The expressionistic, non-descriptive use of manipulated field recordings could be loosely associated to López's or Hudak's reasearches, but Kiritchenko's approach is absolutely personal and unique - sound sources are mangled into layers of droning frequencies, soft falls of ashes and echoes, rubbles and scratches. The result is frankly bewildering: these sounds could equally come from a wood, a hospital machinery or a storm of solar winds. Far from being a report of a phenomenon whatsoever, NEX's alien constructions aim to build a world of their own. At times it's like having that larva stuck in your ear, digesting sound before letting it ooze into your eardrum. A strong exercise of discipline and invention; I'm now looking forward to hearing the upcoming collaboration with Francisco López, the meeting of such talents must be no less than fascinating.
Now that Apoptygma Berzek passed to a major, their old label Tatra decided to gather all their previous singles into two CDs and to satisfy all their old fans that, in this way, could get eight singles for a fair price. The singles cover ten years of the band and the they are coming from their first four CDs: "Soli Deo Gloria", "Apopcalyptic Manifesto", "7" and "Welcome To Earth". The thirty tracks comes from the following singles: "Ashes To Ashes", "The 2nd Manifesto", "Bitch", "Deep Red", "Non Stop Violence", "Paranoia", "Eclipse" and from the fabulous "Kathy's Song". THE SINGLES COLLECTION is a perfect way of remembering the highlights and remixed tracks of one of the most well known electro pop act of the last decade.
Aug 10 2003
Luscious, seductive and mysterious. This is how COCKTAILS, CARNAGE, CRUCIFIXION AND PORNOGRAPHY is to my eyes. The duo with this album welcome their tenth year as Ordo Equilibrio / Ordo Rosarius Equilibrio and they do it by producing a good CD packed of sensual and melodic atmospheres. Musically they remember me the Death In June of the "Rose Clouds Of Holocaust" period with their almost recitative lyrics and their style focused on acoustic / percussive sounds. Lyrically the themes changes, respect DIJ, presenting us the pagan glorification of life and lust. Tracks like "Remember Depravity, And the Orgies of Rome" or "In High Heels through Nights of Broken Glass" are the highlights about their preferred subject and visually each page of the booklet show seductive pictures that will put you in the right mood for listening to this album. If you are looking for a perfect album of industrial folk with COCKTAILS, CARNAGE, CRUCIFIXION AND PORNOGRAPHY you won't be disappointed.
Aug 09 2003
Ultramundane is based out of Georgetown, South Carolina and consists of Shaadie and Shanna. A male and female duo who created an unique sound that's darkwave symphonic. Their very first debut release "Exiled" has been spinning many many nights in my boom box cd player in my bedroom because of the soft keypads and ethereal laidback feel. The self-titled kicks off as an instrumental with synths playing softly and smoothly. "Blasphemy And Her Six Cats" comes next, but don't let the song title fool you. The track is about a woman who's not getting attention from her man. But when he's seeking attention, she ignores him. Hmm, this is a everyday life thing in a relationship. "Eclipse" is trancy with a warm passion and Shanna whispering softly in a seductive way. This song I'm about to talk about have a deep true meaning. "In Flames & Winds" have such beautiful strings. A gentle classy touch that can be used as a theme for a love story film. The song speaks of a woman who haven't been in love, never and felt love, and don't believe in love until... You guess it. The right man came along and opened her eyes and showed her what true love is. Now, it's obvious to hear a band who have a comparison sound to The Machine In The Garden. You can hear it in "Traverse To Torment." The piano starts off as an intro. On "Your Memories" (dark tunnels remix), the piano and strings are played together romantically. It have a classical structure with a mid-tempo beat. Ultramundane is indeed original and very interesting to hear. They've reached new heights and sound like no other darkwave artists. Their music is a significant of beauty and compassionate art form with dreamy vocals so compelling. "Exiled" has amazed me, lifted me mentally, physically, and sexually and worthwhile listening during my sleeping, and making mad passionate love to my woman.
Aug 08 2003
One of the great perks of working in this magazine is discovering raw, new talent out there and bringing it to you, the people, to enjoy. This is one of the finds I found out about while researching the scene around my old hometown of Cincinnati, and have actually talked to this artist quite often since discovering him. The music represents the man as a whole: very intelligent, yet very enigmatic (not to mention the guy is an absolute fucking genius when it comes to anything doing with computers). It’s hard to tell with him what will come out next from his complex mind, but rest assured it is always interesting. And it also shows in the music, which shows a depth and sophistication uncommon for unsigned artists. The songs run the gamete from ambient, trip hop, IDM to electro, all with a sort of moody, brooding atmosphere, which after listening to the whole CD can seem a bit unsettling to some. The sound is like if Oneiroid Psychosis and the Cold Meat Industries sound with a little bit of Diary Of Dreams, with whispering vocals detailing bouts of fear and depression over this utter mindfuck of sound. Track 4 ("Disconnected") is perhaps the most laid back track on this whole CD, but it still has that feel of a desert in the middle of the erosion process. That laid back mood seems to just add to the feel of desperation in the music, actually. But don’t fret, there is a song on here for the dancers out there, "The Answer Lies In The Question", though it is a rather melancholy song as well, with synth lines bringing to mind the more emotional songs of VNV Nation or even The Arms Of Someone New. Even on this track, Patrick Simonds’ (the mastermind of this whole thing) vocals are always nearly quiet and with a sense of vulnerability. Then comes the eery and strange track, "Lost", which seems like a dark soundtrack piece ala Coil’s "5 Minutes After A Violent Death" to set the mood back into motion. Fading keyboard lines reverbing back and forth, on top of the eery ambient backdrop, sparse drumming and despaired vocals, make this some uneasy music for those just bent on thinking electronic has to be simply dance music. The mood settles a bit more on the next track, with a little bit more dark synthpop elements to top off the challenging mood. Add to that one of the most interesting sets of drum patterns put onto record in a good long while, shifting with each verse. The other welcome thing about Sleeping Prophet is the loss the of the whole song-chorus-song pattern, as there are rarely choruses in these songs. Hehe, with that simple change I think he may be onto something! Track 9 adds a sort of dark Delerium element to the whole mix, with a sparse drumming style in the vein of newer X Marks The Pedwalk on top of those ever present and emotional vocals. One of the things I love is how the vocals float along on the whole atmosphere built around it, rather than overpowering it. It’s like a calm voice of despair coming out of a vortex of nightmares, adding a human feel to something that would otherwise be overbearing for a lot of listeners (in a good challenging way). Every song on this CD does what dark electronic is supposed to do: take one on a very bumpy ride, grab the listener by the throat and challenge them to listen rather than sit and demand more comfortable terrain. This is music of some very grieving emotions, but also has an air of hope and enigmas about the state of happiness and what joy actually is to leave the listener listening again in hopes for the answer. There is a whole page at MP3.com to check out the music of this daring and innovative artist, whose sound I can guarantee has even more layers and depth we are yet to see in the future. Rating: 10 PS, Don’t be afraid to email Patrick about his music and let him know if you like it. :-)