Music Reviews



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Artist: 2000 AND ONE
Title: Neverending Cycle
Format: 12"
Label: Eevo Lute Muzique
Rated: *****
With a completely restored and re-mastered audio, refaces from the vaults of Eevo Lute a 2000 And One E.P. originally released in 1992 titled NEVERENDING CYCLE. Formed in 1989 by Dylan Hermelijn and Daniel (Dj Dano) their sound was more into acid music (see their first E.P. titled "2000 and One - The Sound of Planet Earth"). For their second one they refined their sound as NEVERENDING CYCLE is more in touch with Detroit techno and ambient. Containing four tracks the E.P. spans from the minimal but energetic dark atmospheres of "Line dimension", a catchy techno acid tune that will catch even a casual listener. "Mono bass" has a quieter atmosphere but under the ashes the fire is still alive as it sounds a little ambient but still with a lot of techcno arrangements. "Geometric nature" with a different drum set could be a great electro pop tune (it's melody could be good for a catchy Human League song) but 2000 And One opted for an acid analog drum sound and ambient pads on the background (it sounds nice anyway). "Fokuz" closes the 12" and its drum is 100% Detroit techno while the synths are more ambient thanks to a light sytnh pad melody. On its final part an acid sound (it seems a TR303) jams creating a particular ambience.
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Artist: DYNAMIK BASS SYSTEM
Title: The Mighy Machine
Format: CD
Label: Dominance Electricity (@)
Rated: *****
Taking inspiration from the 80’s Miami Bass and West Coast Electro Funk sounds the Dynamik Bass System project took form on 1990 as a one-man project by German electro producer Thomas Werner. Taking other people on board, Dynamik Bass System released the first 12" E.P. in 1998 on International Deejay Gigolo Records (on this release you can find the final mix of "Arabian dreams" and "Electronic"). During the next ten years they released only two 12"s "Don't stop compute" (you can find here the main track) and "Robotmachine". Presented with a nice comic heavy metal style cover (great idea the keyboard/music system robotic skull) THE MIGHTY MACHINE is the sum of all these years and contains twelve tracks ("Electronic" and "We are binary - but we have human needs" are exclusive to the CD edition of the album) of which six unreleased ones that will amaze the lovers of classics such as Arabian Prince (you can find here a DBS remix of his "Innovator") and Egyptian Lover. Roland TR808 sounds, vocals filtered using vocoders, pumping rhythms, mysterious atmospheres and middle eastern melodies are the key features of this release that every electro funk lover won't miss.
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Artist: COMPULSIVE SHOPPING DISORDER (@)
Title: In The Cube
Format: CD
Label: Rage In Eden (@)
Rated: *****
With the latest releases Rage In Eden is confirming their high standards and this first Compulsive Shopping Disorder is the proof. Looking at their past catalog I had the feeling that Marcin and Robert were aiming to widen even more the sound offer of their label as already releases like the ones of The Well Of Sadness, Ad Ombra, Outofsight or Inner Vision Laboratory were different from the consolidated industrial/martial/dark ambient genre. Compulsive Shopping Disorder as well as the second chapter of the Rukkanor's "Despartica" series brings to the audience's attention 80's atmospheres with electronic sounds. IN THE CUBE is a solid album of electronic cold wave where the seven tracks are able to make you fluctuating between razor like sounds, bleeps, synth pads and detached vocals. Lyrics paint a depressing scenario where the sense of solitude and loss (well represented by the graphics/photos of the three panels of the digipack) describe the uncertainty of these decades. Adding a bit of early e.b.m. attitude on a couple of tracks but keeping a minimal approach on the use of their electronic instruments for all the tracks of the album, Compulsive Shopping Disorder convinced me and if you are into early Kirlian Camera you must check them.
Artist: After Chain (@)
Title: Void
Format: CD EP
Rated: *****
It's been five years now since After Chain release a cd. And now this one woman electronic/industrial act is back with a new cd ep featuring remixes. Aunia Kahn, the woman behind the music, sings with beauty and passion with animosity, but not too cold with it. Her voice glides smoothly effortless over the synths and electronic percussion. This talented Detroit native who resides in Chicago is definitely a flashy new born rising star. She's the brainstorm child of industrial music when making her own. The original track "Undisturbed" and a Renegade of Noise Remix track by Daniel Myer structured to parallel one will stop at nothing to let the other person to kill her. The female victim lets the killer know and to keep that in mind.

"Corporate Loss" is about the government and its agencies has lost its power. As we live in the US, our nation is sinking deeply in economy and financial crisis, banks filing bankruptcy and people are losing their homes and jobs. This track is an excellent theme for this situation we're suffering in. The track also includes a remix by Razed in Black. "Burnt Fuel" have two remixes; the infectious techno-ish groove style Zero S Mix by John Zero and the Neo Land Mix.

Then we come to the final song closing out the cd with an industrial harsh vocal track "You Broke It". A sheer of mild angry Aunia letting out her dramatic aggression format of emotions to get her point across. A can of whip ass appeal is what you will get if you think you're bad when messing with Ms. Kahn. Aunia is Aeon Flux in the 21st century who's very challenging, creative and motivated.

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Artist: ORPLID (@)
Title: Greifenherz
Format: CD
Label: Auerbach (@)
Rated: *****
Active since 1996 and named taking inspiration from the the poem "Gesang Weylas" of the German romantic writer Eduard Mörike, Orplid are a duo formed by Frank Machau and Uwe Nolte. Their fourth album GREIFENHERZ will be released at the end of November and it will be a pleasant surprise for their fans and for all the ones who are willing to listen to something fresh into the neo-folk/industrial genre. The album has a wide range of influences and sound solutions that many names came to my mind, even the Portishead. Let me explain first, don't freak out! Ok, relax a bit and take a deep breath because Orplid didn't change their sound or their industrial approach to neo-folk, they only widened their sound palette. Using dramatic male and female vocals (sorry but I can't tell you who helped them because on the promo CD is missing her name) and orchestrations along with acoustic guitars and martial drums they created a great atmosphere which is enriched also by the massive use of melodies. I named Portishead because of how they used the organ pads/clean guitars on "Des Sperbers Geheimnis" and also for the use of sampled strings/female vocals on "Traum von Blashyrkh". It's great how they worked on these atmospheres adding more theatricality. You know, when you listen to Portishead you feel like a feeling of emptiness, well, Orplid kinda filled that emptiness with their dark vein. Despite my audacious comparison GREIFENHERZ has so much more to offer, thanks to acoustic ballads, electronic atmospheric tunes enriched by choirs (see "Der Anarchist" and the following "Gesang an den Horusfalken"). Great CD indeed! Don't miss it!
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