Music Reviews



image not
available
anymore
Artist: VV.AA. (@)
Title: Entwined -
Format: Download Only (MP3 only)
Label: Heresy & Dark Mourning Promotions (@)
Rated: *****
This is a free downloadable compilation compiled by the both UK-based label/promotion agencies Heresy and Dark Mourning Promotions. Both are working still hard in the pure British underground to promote and support Industrial-minded bands with multiple actions. While Heresy acts like a booking agency and shares country-wide contacts to clubs and organizes small tours for interested bands, Dark Mourning follows the idea to expand interest of the audience with a constant online promotion by using as much as possible the availability of communities like MySpace.
25 mostly undiscovered acts got united and are offering each one representative track out of their archives. Of course the musically dimension is wide-ranged and diverse, every thinkable style between pure Goth-Rock, multiple forms of Metal, Ambient and Experimental up to Electro/Futurepop and EBM gets featured here. It has to be said in advance that not all participating acts here offer music styles, which get normally covered by our online resource, for example all pure Metal-forms, while some others tend to play styles far away of my musically tastes. Therefore I’ll pick out only those causing some interest, any other ratings on acts providing foreign music styles wouldn’t be a fair deal.
The British duo BLIND BEFORE DAWN can already look back on several years of activity and they’ve released already 3 own produced albums in the past. Their featured track "Strangers" got remixed by REZUMAKI and plays well in the melodic Futurepop-genre, although it can’t offer anything new. A lot of Metal acts, be it Speed-, Death-, or Black-Metal offered by names like DE LA GRAVES, DEATH SHROUD or FIRE LAKE got thrown here in the arena, but, as I said, I better keep fingers and ears away from them. The Industrial/Powernoise act SCHULTZ comes out like the long awaited rain in the desert and sweeps away the dust provided by the uncountable Metal-heads before – well done rhythmically Powernoise-Industrial and I’ll look forward to their collaboration with the US-based Soviet Media Control label. Somewhere in between we have some decent Goth-Rock ballads offering some well done female vocals and melodic string- and piano-arrangements (HER BLACKENED ROSE). There has been too some more Electro/Industrial-minded appearances by IRA-K ORGANISATION and LOUIS GUIDONE (the track name is program: "Uber Cyber Total Bullshit"), but those still need some practice in the basement studios until they’ll be able to satisfy. Things are changing drastically with PSILOPSYB and their Hardcore-/Trance-Industrial massacre entitled "Amongst Orbs & Fairies". No matter, if this killer runs more than 9 minutes, it is definitely the revelation of this comp! The German project TANAROS (I guess they are from Germany) try to impress with a rather Harsh-EBM-like track, not bad, though not on top of the standard stuff. Also VALIUM ERA are concentrating to offer the harsh Hellectro-formula with a simple musically structure and a repetitive voice sample "Guns Don’t Kill People, People Kill People" – it is that sort of penetrating catchy, that the plan to set fire under the feet of the dancefloor addicts can succeed!
The opinions on the quality of the provided tracks may tend to differ, but that doesn’t wonder too much, since 99 % of the included acts are totally newcomers to their representative scenes. Plus the featured diversity of multiple styles on this free downloadable compilation makes it impossible, to enjoy all participants. But there’s in no way to argue against the efforts of both British promotion agencies. Support them, download this one, because it’s free and you’ll may discover one or another pearl.

Beautiful Dark - Alone in the Dark
Blind Before Dawn - Strangers (Rezumaki Remix)
Briar Rose - Hairy Eyeball
De La Graves - Angelita3
Death Shroud - Blacken the Sky
Dyonisis - Reaching
Fields of Iaru - Great Bark of Khepri
FireLake - Ghost City
Her Blackened Rose - On Another's Sorrow
Immundus - The Grieving Widow
Ira-k Organisation - La Maledicion
Jack's Hammer - Wicker Man
Louis Guidone - Über Cyber Total Bullshit (Entwined Edit)
Parasite - Twist the Knife
Psilopsyb - Amongst Orbs & Fairies
Schultz - Nekrophilia
Screams of Cold Winter - Nothing Left
Shallow Intentions - Bleeding Years
SILIZIUM - Love Also Means Forgiveness
Spekulus - Fragile
Tanaros - Failed
The Neurophobics – Necro
The Wired - Time Travel
Valium Era - Guns Don't Kill
Violet Vortex - Not
image not
available
anymore
Artist: Xotox (@)
Title: Hyperactive
Format: CD
Label: Vendetta Music (@)
Distributor: KGD Media
Rated: *****
After having stopped all business relations with their own sub-division E.A.R. and the rather old-school EBM-like music orientation, the Denver-based label Vendetta-Music nowadays concentrates to offer the still up-to-date Hard-Tech/Industrial/rhythmically Powernoise formula. For this they could arrange a fine license deal with the German Dark Dimensions label group and are now able to offer a sort of "Best of"-album providing by one of the leaders of this genre, the German one-man project XOTOX. Exclusively licensed for the North-American market, "Hyperactive" offers 17 tracks, which compiles the most important tracks and club hits of Andreas David taken from his long out-of-print albums like "Die Unruhe" or "PSI". World-wide renowned club smasher tracks like "Eisenkiller", "Mechanische Unruhe", "Nasse Wände", "Industrial Madness" or "Winterblut" are featured here and should be able to appeal all fans in America. Important to mention is also the fact, that this album offers two unreleased tracks named "Offizium" and "Degeneration", which makes this release quite attractive also for the European die-hard fans to invest some extra bugs for an import. Also featured is a remix by NOISUF-X on "Lass Mich" with some speeding Techno-bass lines. As expected for this compilation, this one features the typically Harsh-Industrial-Tech oriented side of Andreas, the kind which finally brought him success and attention. But you won’t find any hints of the rather subtle elements taken from his last studio album "In Den Zehn Morgen", which of course remains Andreas’ best and most valuable work so far. However, "Hyperactive" offers a satisfying overview on all important tracks of XOTOX, while you shouldn’t at all miss the last album too.
cover
Artist: C/A/T (@)
Title: The Great Crisis
Format: CD EP
Label: Crunch Pod Media (@)
Distributor: CD Baby
Rated: *****
This new C/A/T-EP release has been announced earlier this year as being the debut of Ben Arp’s new side-project 51X, but at least this one comes out under the C/A/T moniker. If this has been done out of financially reasons doesn’t really matter, but since this one has been originally announced as a side-project, it may offers a slight different musically outfit. Indeed, although this EP comes out straight and 4/4-oriented, it still offers so much more elements, effects and samples in the arrangements to keep the music more fresh and interesting compared to several colleagues. This EP consists of 4 new instrumental tunes from which each is available in 2 different versions, but they can hardly be recognized as being the same tracks. This stuff is pretty much dedicated to C/A/T-fans of the earlier days, the music reminds on the instrumental, but harder minded moments of "AFT" for example. There’s too an additional track aptly entitled "End Of Recording", which only works as a short interruption to the unlisted 10th track "The Of The Great Crisis". There seems to be a constant concept behind this release, since an extra website (www.wearestillalive.com) and a hidden link printed on a card got included. Following this pass-worded link you’re reaching a secret area, where you are able to download 4 additional tracks of an online-only EP "At Peace" in a high mp3-quality and/or loss-less FLAC format. So this is the first part of an ongoing conceptual release, but the second, a new full length-album, seems to be in preparation too. The stuff featured on this EP is well-done enough to keep the curiosity high, how and in which C/A/T likes to continue.
cover
Artist: NOAH CRESHEVSKY / IF, BWANA
Title: favorite encores
Format: CD
Label: Pogus
Rated: *****
I’ve not happened that many times to review a split record that puts together two contemporary composers and I still find it quite unusual, but maybe it’s just a side effect of my infinite ignorance and it’s not that unordinary, by the way it’s interesting: maybe the contemporary music pushed so far that in someway it has become some sort of "punk thing" and for it may sound like a joke, attitudinally this could be truer than true. Forgive my stupid introduction and let’s see what Creshevsky and Al Margolis (If, Bwana) have to offer, I’ll start with Margolis/If, Bwana that here proposes three gloomy tracks dealing with contemporary classic music deeply immerged in electronics. Despite the fact that it could be ambiguous I’ll start by saying say this composer if compared to some European masters of the genre is less glacial while creating something that most of the times really reminded me of a new millennium answer to Bruno Maderna and that alone could be a great point of interest. If, Bwana use of electronics is really appealing since aesthetically it could be much closer to some unlearned electronic experimental artists than to a conservatory trained composer, for example he’s really into filling the sound scenario and differently from many contemporary musician he’s not that fixated on the use of silence/pauses. When Margolis adds Lisa Barnard’s voice in "Cicada #4" is brilliant: can you imagine a Meredith Monk-alike vocals electronically stretched and floating on a pulsing electronic loop?...here’s something quite close to that idea. Creshevsky studied composition both with Nadia Boulanger and Luciano Berio and leaves us four interesting tracks where he shows us his passion for defragmenting and reconstructing pre-existing materials, in the first track he plays with some violin samples creating a bizarre psychotic composition and even if I’ve had the impression Creshevsky likes really much the sound of this instruments, the rest of his works on this split are quite varied. In "Shadow of a doubt" you have what sounds as a complex orchestral collage where the composition comes out of an interesting cut and paste, as Margolis Creshevsky gives us an interesting display of vocal reworking (the singer is Chris Mann) and if you ever heard David Moss, I’m sure you’re able to imagine the kind of singing (electronically obtained) that dialogues with a violin. While both using electronic music, here we have a good example of two intriguing and really different approach to contemporary electronic music, both composers have some interesting points even if according to my personal opinion If, Bwana’s tracks could be more accessible to an "abstract electronic oriented crowd".



cover
Artist: HYPNOZ
Title: Breath Of Earth
Format: CD
Label: Zhelezobeton (@)
Rated: *****
Active since early '90s Hypnoz is the project of a guy coming from near Moscow (Fryazino) who's name is Dmitry Zubov. Besides from Hypnoz he's also active with different other bands: Zuboff Sex Shop (post-punk / new-wave), Circle Of Iron Tape (harsh noise), BRZB (electronics, with Alexey Borisov), etc. BREATH OF EARTH is his latest album and on this one he presents seven new tracks in balance from industrial ambient and '70s electronic ambient/experimental music (see "Wandering river", track that sounds a little like the Tangerine Dream of the first three albums). Recorded with E. Voronovski in sessions held during the 2003/2007 period BREATH OF EARTH is a good album capable of creating suspended hypnotic moments where the listener is free to float carried by the sound waves. Using tiny melodic sounds along with the dreamy synth lines the duo use also light rhythmic sounds just to give to the tracks' structure a cyclic/evolving feeling (see "Storm" and the following "Secret wave"). The good thing about BREATH OF EARTH is that Hypnoz succeeded into giving to the tracks a richness of sounds avoiding the artsy casual assemblage. Using a cyclic/evolving structure, the track is both involving and experimental.
[ Next ] [ Previous ]

[1...10] [11...20] [21...30] [31...40] [41...50] [51...60] [61...70] [71...80] [81...90] [91...100] [101...110] [111...120] [121...130] [131...140] [141...150] [151...160] [161...170] [171...180] [181...190] [191...200] [201...210] [211...220] [221...230] [231...240] [241...250] [251...260] [261...270] [271...280] [281...290] [291...300] [301...310] [311...320] [321...330] [331...340] [341...350] [351...360] [361...370] [371...380] [381...390] [391...400] [401...410] [411...420] [421...430] [431...440] [441...450] [451...460] [461...470] [471...480] [481...490] [491...500] [501...510] [511...520] [521...530] [531...540] [541...550] [551...560] [561...570] [571...580] [581...590] [591...600] [601...610] [611...620] [621...630] [631...640] [641...650] [651...660] [661...670] [671...680] [681...690] [691...700] [701...710] [711...720] [721...730] [731...740] [741...750] [751...760] [761...770] [771...780] [781...790] [791...800] [801...810] [811...820] [821...830] [831...840] [841...850] [851...860] [861...870] [871...880] [881...890] [891...900] [901...910] [911...920] [921...930] [931...940] [941...950] [951...960] [961...970] [971...980] [981...990] [991...1000] [1001...1010] [1011...1020] [1021...1030] [1031...1040] [1041] [1042] [1043] [1044] [1045] [1046] [1047] [1048] [1049] [1050] [1051...1060] [1061...1070] [1071...1080] [1081...1090] [1091...1100] [1101...1110] [1111...1120] [1121...1130] [1131...1140] [1141...1150] [1151...1160] [1161...1170] [1171...1180] [1181...1190] [1191...1200] [1201...1210] [1211...1220] [1221...1230] [1231...1240] [1241...1250] [1251...1260] [1261...1270] [1271...1280] [1281...1290] [1291...1300] [1301...1310] [1311...1320] [1321...1330] [1331...1340] [1341...1350] [1351...1360] [1361...1370] [1371...1380] [1381...1390] [1391...1400] [1401...1410] [1411...1420] [1421...1430] [1431...1440] [1441...1450] [1451...1460] [1461...1470] [1471...1480] [1481...1490] [1491...1500] [1501...1510] [1511...1520] [1521...1530] [1531...1540] [1541...1550] [1551...1560] [1561...1570] [1571...1580] [1581...1590] [1591...1600] [1601...1610] [1611...1620] [1621...1630] [1631...1640] [1641...1650] [1651...1660] [1661...1670] [1671...1680] [1681...1690] [1691...1700] [1701...1710] [1711...1720] [1721...1730] [1731...1740] [1741...1750] [1751...1760] [1761...1770] [1771...1780] [1781...1790] [1791...1800] [1801...1810] [1811...1820] [1821...1830] [1831...1840] [1841...1850] [1851...1860] [1861...1870] [1871...1880] [1881...1890] [1891...1900] [1901...1910]


Search All Reviews:
[ Advanced Search ]

Chain D.L.K. design by Marc Urselli
Suffusion WordPress theme by Sayontan Sinha