Electronics / EBM / Electronica
Industrial Music / Industrial Metal / Aggro Industrial / Electro Metal
Industrial Noise / Power Noise / Harsh Noise
Synth Pop / Electro Pop / Synth-Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Ambient / Electronica / Ethereal / Dub / Soundscapes / Abstract
Experimental / Avantgarde / Weird & Wired / Odd / Field Recording
Dark / Gothic / Wave / New Wave / Dark Wave / Industrial Gothic
Dec 13 2005
This is a new and special limited edition of 1000 exemplars of this Danish/German friendship project. They are already active since more than 10 years, started as a solo effort by Torben Schmidt, who is also the label chief of the German Infacted-Recordings. With his decision to place Jimmy Machon of the Danish Electro/Metal-Crossover act GODHEADS as a permanent singer, he later on earned that respect and recognition this project earns finally. So this new sign of activity behind this is long awaited and LoE supporters will catch this limited edition ASAP. I personally have some issues with the presented stuff here which I don’t like to hide. This Maxi-CD consists only of the title plus a cover version of a Rock classic of Chris Isaac’s "Wicked Game". The title track itself is a good and remarkable one, here presented in four different versions. I like the decent bass line sequencing richly presented in the original version, but also the SUPREME COURT remix is well arranged. I find it a bit unnecessary to offer here this track in four different versions, the more I must ask the sense and meaning behind this cover version. Well, Jimmy proves here that he is able with his nice voice to start a serious competition to the original, but I rather expect to see LIGHTS OF EUPHORIA to be guests at the next episode of "Deutschland sucht den Superstar" or a different casting show. With this cover they would have winning chances! So if this act counts to your personal favorites, you’ll then have to hurry up to get it (note: it is limited to only 1000 exemplars worldwide...). I personally think that this release is globally a bit thin, especially in times of a economical recession in a scene filled with students and jobless employers – and so with a limited budget. I hope that both, audience and band will think on this term...
Chefkirk's nth disc is released by Audiobot, currently one of the most prolific noise/experimental labels around, and as usual there's a brilliant screen-printed cover, this time featuring a sort of psychedelic skull belching poisonous industrial fumes. Besides that, this is more of the same in Chefkirk's discography: digital noise which is probably created by filtering various pre-recorded sounds through a series of plug-ins. It's hectic, fast but only occasionally interesting or engaging for my jaded ears, though more complex and elaborated tracks, like "Congenital insensitivity to anxiety, fear and depression" (by the way, Chefkirk always has some of the best titles), could be the backbone of more solid releases. As it is, I'm afraid it gets a bit lost in the global noise bunch.
Dec 12 2005
Ideally linked to their album "Feindflug [4.V.]" VOLK UND ARMEE ("Nation and Army...") brings, after three years since their last album "Hirnschlacht", the band towards a new chapter of their new industrial danceable instrumental music. The fourteen tracks of the album work like a personal musical comment to the facts of World War II. The tracks titles mainly deal with things that commonly make people think about the craziness and cruelty of a war (see "Ak47" or "Gulag") or recall images that are in everybody's mind (titles like "Neue sieger" - "New winners" or "Sperrfeuer" - "Defensive fire"). Musically the tracks are built around a core of industrial e.b.m./techno where simple melodic lines (played mostly by synth strings) are overwhelmed by distorted and saturated drums. If it wasn't for the cover and the titles I wouldn't think about war but if you use this CD along with a documentary about WWII it could work well.
Dec 12 2005
Right the other week I was watching a documentary on Canada and I've caught myself thinking what a paradise it should be for modern/contemporary music: Oral is from up there and their catalogue is already brilliant. Mr. Shmuck's Farm are coming from Berlin and you should write their name on the top of your want list in the section: "weirdness, drones and atmosphere". The three tracks (the shortest of which is fifteen minutes long!) of "Good sound" fuse a real passion for drones to an all german taste for contemporary music/art. There's a track in particular ("don't give up, what is death?) that reminded me of an old band repressed on Sonig: Hajsh. Hildur's cello is damn odd and played in a really dissonant manner but the result is nothing but excellent. This duo works really patiently on the natural evolution of every track, controlled feedbacks dueling with reverb echoes and soft noises, they also give many peak variation to each suite above all in "my favorite caucus airchamber". Lately I'm always glad to hear there's a wise use of reverb in a recording (sometime this effects kills a lot of frequencies) and this cd is the vivid proof of a mature work. That played by Mr. Schmuck's Farm is odd and drony music, but still music where something is happening differently from bands like Stars of the Lid that work a lot with stillness. I wish if I say that's interesting and psychedelic it makes sense.
Dec 12 2005
The new US label Mizukis Box sets a first strong exclamation mark with the release of the new and long-awaited DUBOK CD "Shiver". DUBOK, previously recording for the now defunct Tinman label, have found a new label home – a bit surprising, because I really thought they could enter a better known and longer active label after their highly recognized past releases on Tinman. But with more releases like this new "Shiver" CD, the label Mizukis Box will get worldwide attention and success. DUBOK go on in their special style, combining modern Synthpop anthems with danceable rhythms, while not forgetting some 80ies influences here and there. Almost all of the presented 10 tracks here can be called ear-catching and offer some nice melodic ideas while not sounding like often heard before. For the lyrics – well, some tracks here offer some heart-broken content about lost relations or never replied enthusiasms ("For the Throat", "Natalie’s Song"). These mentioned pieces I would call as the strongest moments here, as well as the ballad-like "Left Behind". Full of variations and emotions are also the very well placed vocals – another good point in the music of this 4-men act. This full-length CD is an outstanding release for the young label Mizukis box and a perfect continuing release in the discography of DUBOK. Well placed and produced Synthpop music with an intelligent note – this should easily enter some "best of the best 2005" Synthpop compilations. Get it and order this release directly from the labels’ website.