Music Reviews

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Artist: Chihei Hatakeyama
Title: Mirage
Format: 12" vinyl + Download
Label: Room40
Pitched as a non-academic study of how architecture has shaped music and vice versa, “Mirage” is a collection of nine gentle and relaxing ambient textures made up of slowly looping synthetic chords and subtle use of environmental found sound. It’s a very well established sonic style so it would be something of a challenge to bring anything new to the table, and sure enough, “Mirage” doesn’t, really. Being critical, this release severely lacks that distinctive element or polish that will make you remember it above the dozens of similar-sounding releases.

But, despite all that, it has to be said that it still works. As a slow and mellow wash of warm chords, it’s soporific and thoughtful. It’s an ideal background soundtrack to reflection or somnambulance. “Starlight And Black Echo” is the track that most epitomises this, while “Anatolia Mirage” is the track that comes closest to shattering it with a moderately unwelcome distorted glitch towards the end.

The found sound elements feel underplayed. “Bus Terminal In Konya” starts with purely environmental sound and shows more promise, but within a minute this culture and texture has almost entirely ebbed away, and the same gentle chords have meandered back.

The synth sound that forms the whole of “A Silence Of Day” is so reminiscent of the intro to Pet Shop Boys’ “Being Boring” that you keep wondering when the drum machine and wahwah guitar are going to kick in.

Rarely have I heard an ambient release that is so lacking in the singularity that might make you take it off the shelf, yet wanted to recommend it so highly for its relaxing qualities.



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