Music Reviews

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Artist: Lynch Kingsley (@)
Title: Time-Lapse
Format: CD
Label: Beat Machine Records (@)
Rated: *****
'Time-Lapse' is the debut album by electronic music producer Lynch Kingsley from Italy. Kingsley works in the Future Bass, Juke, Footwork, Slowfast, Jungle, Drum'n'Bass genres and 'Time-Lapse' is characterized by reverberated voices lost in frenzy beats and sound patterns that recreate an atmosphere reminiscent of "Timeless" by Goldie. Truth be told, I've never been a big fan of this kind of stuff, but I'll give it a shot. First, if you don't much care for Jungle and D'n'B, you'd best move on. If you can get past the annoying as fuck opener, "I've Never Known You" with its manipulated sample of those words repeated endlessly over frenetic breakbeat, you just may be rewarded further down the line. "Eternal" (featuring Nefer) is better by far, and possibly the best on the album. The track has a swirling ethereal psychedelic ambience with samples of Nefer's sensual vocal (mostly "eternally, eternally...love") repeated periodically throughout with a less hyper rhythm track. An interesting foray into quasi-shoegazer territory with a siren's love call. "Arms Up" builds its theme around a manipulated sample of those words, and now the thematic pattern of these first few tracks clearly emerges- take a vocal sample, repeat it often, and build a track around it. The flaw is not in the structure or musical and rhythmic elements, but in the overuse of the theme-sample. The rest is rather good, but constant repetition of a vocal sample just wears one down and gets old fast, well before the track is concluded. "Enchained" is all over the map. Jungle drum track with a staccato snippet of a vocal sample ("eh") punched out like Morse code, swirling pads, other stray vocal samples interjected here and there, zizzing noise, dying down to chordal ambience and noise wash, picking up again with heavy D'n'B, scattered vocal hoots, and then it stops. What the hell was that? More D'n'B on "My Last Breath" with ersatz noise-breath breathing sounds, and electronic psychedelic atmosphere. A few minutes into it and something vaguely akin to a song takes form, albeit something so abstract and hallucinatory, I'm really not sure. That goes away, the frenetic D'n'B take over again. End of transmission. "Feel Me Now" starts out rather mellow and placid compared to everything else- an atmos buildup, wordless vocals in the background, some piano chords, a hint of a rhythm track, then the real rhythm kicks in, and so do sample of old-school jazz horns amidst other sonic effluvia. I keep waiting for the "feel me now" vocal sample to emerge but it never comes. "Hidden Light" is almost minimal compared to the rest. Kind of techno-trancey. It picks up 3/4 of the way through with a ferocious rhythm. A bit 90's but not bad overall. Last two tracks on the album are remixes - "Feel Me Now" by Go Dugong (aka Giulio Fonseca), and "Eternal" by SertOne of Liverpool, England. Go Dugong brings up the piano and the nearly buried vocal sample of the original,dispenses with the old jazz samples, utilizes a simpler rhythm programming making the track sound completely different, and almost like a regular song...almost. SertOne starts "Eternal" with the sound of scratchy vinyl, claps, an echoing synth-chord sample. You don't get Nefer's "eternally" sample until midway. Percussion up to this point has been minimal to non-existent, and when it does emerge is still pretty basic. Low-key and a bit disappointing. In conclusion, 'Time-Lapse' is an uneven trip that left me feeling ambivalent. There's no doubt Kingsley has skills, and perhaps on his next outing his compositions will rise to that level more consistently. I do love the CD artwork by Nucco Brain though.




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