With six tracks titled by the dichotomy between light and darkness in six different languages, "Mørke-lis" is indeed an album of contrasts and unexpected superimpositions. I can only guess at how it was recorded, since Matthews is listed as "electronic synthesis" and Zach at "percussion": maybe the former filtered the latter via max/msp or something similar, as the music comes out sharp and scabrous, with an almost mineral quality. Whichever tecnique they may have used, this is a strong duo performance of algid electronic fibres shattered by frantic gestures, reaching their chaotic peak in the sixth and last track "Ténèbres Lumière"; and Zach's splendid photographs are the perfect visuals for such a volcanic performance.