Music Reviews

Florestano: Noh

 Posted by Maurizio Pustianaz (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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May 05 2015
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Artist: Florestano
Title: Noh
Format: CD
Label: Kowloon
Distributor: Rubadub
Rated: *****
Available the next July on vinyl, CD and digital, "Noh" is the first release for Florestano's personal label Kowloon. Florestano is the producer and multi-instrumentalist Leonardo Salvaro. Originally from near Verona, Italy, he spent the last five years traveling nomadically through Asia, Europe and South America. The experience of finding himself alone for a lot of time, influenced his creative process and allowed him to focus on the emotions he wanted to express with his music. The album title "Noh", is underlining the fact that Leonardo wanted the listener to be freed from any influence as happen on the noh theatre, where emotions are primarily conveyed by stylized conventional gestures while the iconic masks represent the roles such as ghosts, women, children, and old people (thanks Wikipedia for that). Musically, the eight tracks of the album remember me a mix of CN, Dmx Krew and Aphex Twin with a pinch of German techno. Rhythm is the main element on the writing and often breakbeat textures are mixed with melodic synth patterns and cutups which intrigue the listener and help giving a melodic structure to the tracks which, by the way, are instrumentals. Florestano succeeds into stuffing the tracks with enough interesting elements which are capable to keep the listener cool about what he's listening to. Also, he's great at breaking the mechanic and apparently cold complex rhythm patterns with melodic bridges which help creating an intriguing atmosphere. Follow Florestano's website for further news!

Lars from Mars: Americanino

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
Experimental / Avantgarde / Weird & Wired / Glitch / Noise / Field Recording
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May 05 2015
Artist: Lars from Mars
Title: Americanino
Format: Download Only (MP3 + Lossless)
Label: clang (@)
Rated: *****
An interesting matching between minimal techno and mathematical functions - I wonder how some reviewers are still reluctant to accept the association of the adjective "intelligent" to the label "dance music" - came on Clang's catalogue from Danish producer, programmer and sonologist Lars Graugaard, whose passion for David Temperley's research into probabilistic melody generation (if you don't chew such a matter, have a look to his essay "Music and Probability" to have an idea what he means), musical rule systems and temporal morphing could let you think he's deepening mathematical knowledge on some digital sequencer or playing music by means of Matlab or Lisp while performing in real time - neither pre-packed phrases, grouping nor overdubs - on his laptop. The funny way by which he inoculates smartly crafted sounds and computational melodies stand out over the four track of this digital release. I particularly enjoyed the title-track "Americanino", whose twisting micro-techno groove sounds like trawling for resounding electrons in the thought of mad scientist, and "Drawn and Quartered", where a sort of embryonic break got blended into a crude "fruity loop"-like movement and free jazz-like synth-piano jam, but both "Later That Night" and "Decay and Slip" are nice specimen of the above-mentioned matching. Have a listen!

Netherworld: Zastrugi

 Posted by Andrea Piran (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Apr 26 2015
Artist: Netherworld
Title: Zastrugi
Format: CD
Label: Glacial Movements (@)
Rated: *****
This new release from Netherworld is classified as a 'techno glacial album' confirming the aesthetic focus of this label in an imaginary made out of polar landscape where iceberg is one of his icons.
The deep and dark drone of 'Mapsuk' opens this release and slowly evolves, rather than in an ambient track, in a techno track when the beat emerges and became the gravity centre of the track. 'Bergie Seltzer' is really close, in concept, to best moments of Biosphere while 'SÃérac' tries to eliminate, for a while, the beat for the construction of a subtler soundscape. 'Dry Andes' is a concentrate and fast track more focused on impact than the rest. 'Uikka' closes this release with a more complex rhythmic part closer to the first Autechre but without the details on timbre and with more vehemence.
This is not a easy release to rate as it has as obscure elements as remarkable ones; perhaps is a transition release. Fans will love it but the average listener of this genre will remain puzzled. It's worth a listen.

Glacial23: s/t

 Posted by Steve Mecca   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Apr 20 2015
Artist: Glacial23 (@)
Title: s/t
Format: 12"
Label: Savage Quality Recordings (@)
Rated: *****
Glacial23 is Sam Harmon from Cleveland, Ohio, an electronic music producer, instrument builder, noise explorer, etc., and this self-titled 12" is his vinyl debut, although I think he's previously done other things with Glacial23. The record is five tracks - two on the A side, three on the B side. The digital download gives you an extra three tracks, but if you like what I'm going to tell you about the record, you'd better not hesitate because the website says there are only five copies left. This is an entirely instrumental work. The album starts off with "...the last evenings of summer", a mid-tempo number with a repetetive bass line and fairly straightforward drum machine. Light filtered synth chords permeate the mix that seem more for atmosphere than melody. Burbling sequenced synth is also in evidence. It's a Kraftwerkian type of minimalism employed throughout. Very Euro. "Warning Star" picks up the pace a bit and has a typical German techno vibe, with claps in the forefront. Overtly sequenced minimal synth and a strong beat, a club-worthy track. "White Cloud" keeps up the beat and employs lighter echoed sequenced synth, then a complementary lower mid-range sequence. Snare-play appears occasionally, and so far, this is the breakout from minimalism in terms of texture; it's still pretty minimal as far as form goes. "Cheval de Frise" starts with kicks, hats and claps, then sequenced filtered bass. Synth chords provide a hint of melody, and other synth sounds arise to fill in the gaps. For some reason I'm reminded of Marty Rev's (1/2 of Suicide) solo recordings, although it's been quite a while since I've heard them. Last track on the record, "Laminar Techno" is Acid Techno, pure and simple, and that's all there is to say about that. For those more interested in the digital download, I might as well cover those tracks. "Down" keeps true to the style and form of what came before but is a bit more eerie. "taperunner" is a little under 2 minutes of thick, low, growling filtered synth, no beat, no rhythm. "Down (alternate AB-Version)" is a remix of the previous "Down" obviously, sounding even more ominous than the original, and slower, and consequently longer too. It's somewhat noisy, and I found the claps really annoying this go-round, mixed up, while the spooky synth was submerged. In my estimation, the extra track were a bit superfluous. If you like minimal Acid Techno or Acid House, go for the vinyl. Personally, I prefer music that has a bit more substance, and to me, this sounds just so 25 years ago, but for those of you feeling nostalgic, you might want to check this out.

Birdcage: Shogyomujo

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Apr 15 2015
Artist: Birdcage
Title: Shogyomujo
Format: Download Only (MP3 + Lossless)
Label: Shabu Recordings (@)
Rated: *****
Unlike most progressive techno producers, who are mainly digging into anxious or frightening emotional and spiritual territories in order to drain some inspiration, Sapporo-based Birdcage taps into "The Tales of the Heike" (13th century), the oldest known novel of unknown autorship. In particular, he tried to turn the concept of "Shogyo Mujo" (a Buddhist term which could be translated as "impermanence") into sound, an idea which was going to become a topical aspect of Japanese culture and got developed on the final part of the story of samurai Heike family. It sounds evoked by the gentle hovering of sonic elements after five minutes of bass-driven pressure - the genuine and proper stoic element of this release - on the initial "Shorea Robusta", a sort of hybrid between progressive techno and Gamelan music, as well as by the electronic whispers by which Birdcage gilds the wiggling jelly of "Atma"'s slightly distorted hypnotic basslines and the mid-tempo break of the granular techno tune "OP-88 Transience", whose unstable balance bites the dust after more and more anxiously chaotic swirls. The three reximes that got included in the release are more dancefloor-oriented so that the elements of "Shorea Robusta" got spin-dried on the stunning tribal blurs of "Alternate Version" and get closer to psychedelic trance bangers on the remix by Jesse 'Borealis' Somfay, while Scott 'Avus' Edwards, another esquire from Sharu stable, remove the nostalgic peel from the original version of "Atma" in order to highlight the dynamic and Acid-driven (I'm referring to the notorious music software) nature of the track on his remix.

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