Music Reviews



HenriFernand: The More I Learn

 Posted by Vito Camarretta (@)   Synth Pop / Electro Pop / Synth-Electronica
Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Aug 27 2015
cover
Artist: HenriFernand
Title: The More I Learn
Format: Download Only (MP3 + Lossless)
Label: Future Relics (@)
Rated: *****
The man behind HenriFernad is Ludovic Bordas, an "Has-Been" of the 90ies electro-trance French scene as it was one of the secret recipes of "Pills" alongside Anthony Sandor, whose debut album "Foundation" is still considered a masterpiece of that scene by many nostalgic lovers of those sonorities. Pills keeps on existing as a one-man band as Ludovic left it just before the release of their second album "Electrocaine" - it seems that divergent views related to artistic direction of this album caused the breaking of the artistic marriage between Bordas and Sandor - after having shaken French scene - they also performed at the very first public rave party in France alongside big names like 808 State, William Orbit and Underground Resistance - and his occasional appearances on some dance releases don't give the possibility to trace what he did after Pills experience. The sound that he explores on this release by a couple of nice tracks, a somewhat gloomy vocal electro-pop (the refrain "The more I learn/the less I know" got easily stored in listener's memory as well as the sneaking electro song of "I Feel Free"), could meet the tastes of followers of sonorities close to Trevor Jackson aka Playgroup and Bomb The Bass. Even if I'm not a fan of house music, Julien Lenoir remix is a quite good way of chewing original sounds, but I prefer Agaric's nine minutes lasting overstretched one by far.

Kolectiv / Survey: A Bunch of Notes / Circular Logic

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Aug 27 2015
cover
Artist: Kolectiv / Survey
Title: A Bunch of Notes / Circular Logic
Format: Download Only (MP3 + Lossless)
Label: Plasma Audio
Rated: *****
The fourth ring of Melbourne-based Plasma Audio keep on exploring deeper and more exprimental side of bass-driven music by a couple of awesome tunes. "A Bunch Of Notes", the one by Sam Midgley aka Kolectiv, is maybe not so fitted to dancehalls, but its somehow cinematic dark intro, the perfectly shaped bass knocks and its Tech-hey nuance make it an enjoyable listening experience; the second tune got signed by Survey, the Berlin-based appreciated duo by Hardy Schulz and Stephan Albrecht - I already introduced their good EP "Chop Chop" not so long time ago -, and I can't say they didn't sharpen sonic cutlery on the following "Circular Logic", a quite sinister - but really enjoyable at the same time - mid-tempo tune, which is going to swing many spines, asses, heads and nerves on dancehalls as well. Have a check.

Villem & Mcleod: Ain’t No Way / Make Tomorrow

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Aug 27 2015
cover
Artist: Villem & Mcleod
Title: Ain’t No Way / Make Tomorrow
Format: 12"
Label: Warm Communications (@)
Rated: *****
One of the highest-quality (musical) marriage of contemporary drum'n'bass scene is undoubtedly the one by Ipswich-born producers Andrew Wilson aka Villem and Sam Mcleod, who recently puts another drop of firing tunes on Warms Communications growing catalogue. Similarly to other recent stuff by this bicephalous entity, "Ain't No Way" got focused on a rich percussive palette and adventurous dynamics, so that the opening rocky start got enhanced when these guys get it into higher gear before getting a break and keeping on marching again faster and faster over a carpet of whops. My favourite tune of this release came on the flipside where they involved Totem on the fast-rolling liquid breaks and the protective sub-bass-enhanced embrace of "Make Tomorrow". An alternation of dimmer lights and crispy grinding beats drench "Saved You", which comes on digital as a bonus track. The first 100 copies are going to be printed on white and red marbled vinyl for the chromatic delight of more fetishistic djs.

Cutworks: Soulroot EP

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Aug 26 2015
cover
Artist: Cutworks
Title: Soulroot EP
Format: 12"
Label: NexGen (@)
Rated: *****
Stupid and not so far-sighted sanctions against Russia thankfully don't stop circulation of good music from that fascinating country, where there are a plenty of really skilled musicians who makes music in their home studio. Maxim Yudin, the guy behind Cutworks moniker, pushed some interesting stuff on Daniel Clarke's NexGen catalogue from Zheleznodorozhny, a small town nearby Moscow, and this awesome EP shows the brilliant way he manages to melt liquid funk, regular fit drum'n'bass movements and a series of funny sonic dodges to make his track more easy to reach listeners' memory. The noise of a fast running car on the initial "Away With You" is maybe not so original, but the way he shaped a likewise fast rolling track and some sonic embellishment is really good; the straight cuts of the following title-track "Soulroot" got wisely counterbalanced by an elegant jazzy sample, which makes it fitted to futuristic tabarins and could remind some similar amalgamations by some Brazilian and German d'n'b producers, which got hyped up in dancehalls in the first years of new millenium. The slower motions over lush synth pads on "Last Day Venus", my favourite track of the EP - it somehow brought my mind into the notorious ocean of Solaris by Tarkovsky -, and the amazing crossbreed between bouncing computational and vaguely bhangra-banging patterns of "Algorithm" complete this tidbit.

Atic: Tuff Times EP

 Posted by Vito Camarretta (@)   Techno / Trance / Goa / Drum'n'Bass / Jungle / Tribal / Trip-Hop
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Aug 07 2015
cover
Artist: Atic
Title: Tuff Times EP
Format: Download Only (MP3 + Lossless)
Label: Free Love Digi
Rated: *****
That's another good inoculation into Free Love Digi catalogue, the third one by Denver based producer Atic, if I include the freebie "Conspicuous" in his discography. He digs the more melodic side of drum'n'bass, but such a labelling doesn't mean it's not interesting and somehow futuristic as most of launched rockets from Quentin Hiatus' imprint base. The first shot by Atic winks at the Rastafarian community living on Jamaican Blue Mountains, which could be considered a sort of sacred place in between wonderful falls, caves, rivers and a really lush and fecund nature, which gives really delicious coffee among other things... the nervously electric breaksthat shuffle vocal parts of the track could let you imagine the dreadlocks of the long-haired members of the above-mentioned community are like wires where divine knowledge circulates faster than data on human fiber-optics lines. While Atic lets leak poisoned sounds from the clocking half time of "Flatapus" as if they were interior of slaughtered alien, he puts his feet down on the gas on the frenzy drum'n'bass movement of "Critical Sound" (featuring Kaset!) before inoculating solidly cemented clips and entrancing vocal clips into the gelatinous techstep of the following "Pyramid", speeding down a piano-driven simple melody on "Juil", the most liquid moment of the release, and the more alarming sets of "Slap", which features his mate Kaset again, the second leg of Critical Waves.


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