Music Reviews



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Artist: Ego Scene ft.Dj Lighta
Title: Hold On/Aiden's Tune
Format: 12"
Label: Horrific (@)
Rated: *****
After the banging blast-off by the signature of Notthingham-based bigwigs of dnb scene like Julian "Dramatic" Flowers and James "Dbaudio" Maltby, Dj Jess, the go-getter behind the newborn vinyl-only dnb label that has been established in Bethnal Green, London, mde up his mind in order to keep on flying high by putting the second Horrific knock in the hands of another bicephalous signature, the one from Mancunian Dj Lighta and Ego Scene. These guys from the vibrant Machester, which is gradually becoming the real lighthouse of dance music in UK, radiate a pleasing liquid tune, "Hold On", by blending warming tones, a booming bassline, an hypnotic female vocal sample and housey shimmering clot of piano and synth, but the real surprise is lying on the flipside, where they easily bring old school jungle as well as some T(ips)'N'T(ricks) from 90ies rave-breakcore scene such as splashing hi-hats, cartoon-like chipmunk voices and other funny mnemonics over a spotless Amen break on the nice "Aiden's Tune".
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Artist: Monty Adkins
Title: Rift Patterns
Format: Download + iBook
Label: Audiobulb (@)
Rated: *****
A couple of weeks ago, we introduced the enchanting suite "Residual Forms" - you can download it for free on Cronica website - by the appreciated composer Monty Adkins, whose sonic poetics has heavily influenced by the experimental method of investigation around urban environments, known as psychogeography, which was originally developed by Lettrism and precisely defined by Guy Debord as "the study of the precise laws and specific effects of the geographical environment, whether consciously organized or not, on the emotions and behaviour of individuals". On this new album for British label Audiobulb, who seems to prefer the definition that Wisconsin-based freelance writer and musician Joseph Hart gave on an article for Utne Reader ("'a whole toy box full of playful, inventive strategies for exploring cities '¦ just about anything that takes pedestrians off their predictable paths and jolts them into a new awareness of the urban landscape.'), Professor Monty keeps on focusing on "derive" or "drift", the main technique of "psychogeographists", by unrolling deeply emotional clumps of electric interferences, organic clusters, warm and sometimes gloomy piano melodies, tonal dissipations and smudges over eight intense tracks which seem to draw an arc-shaped emotional blueprint from the opening "Tender Light Rising" to the final "Tender Light Falling" where listeners could costrue as a proper soulmapping rather than a psychogeographic implementation. Monty decided to making this album more meaningful by dragging the writer Deborah Templeton, video artist Jason Payne and photographer and graphic designer Stephen Harvey in and their collaborative feedback/back-propagations to Monty's music resulted into an amazing interactive iBook which is going to be sold together with the enhanced 16bit or 24bit digital versions of the release.
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Artist: Yoshio Machida (@)
Title: Music from the SYNTHI
Format: CD
Label: Baskaru (@)
Rated: *****
Classical composers as well as many modern and contemporary musicians which are still devoted to single instruments often titled their composition with the name of the instruments that they play for a specific score and this is what happens with this release by inventive Japanese electronic musician Yoshio Machida, whose "Music From The Synthi", a collection of 13 extracts from a supposedly larger collection of tracks derived from a number of effected samples and loops from the legendary portable synth that Electronic Music Studios launched in the 70ies, which could be regarded as a proper classic composition by following generations of music lovers in a century or two. Such an act of devotion by Yoshio to Synthi, which was born in Putney in 1972 from the combination of the Synthi A, the portable version of notorious VCS3 synthesizer, and the KS keyboard leads listener over a sort of biopsy of this resounding machine and I'm not using the term "biopsy" by chance as you'll have the impression that this sonic dialogue between a man and his beloved synth stand on that somewhat controversial antinomy between organic and mechanical that often features such a kind of synth-driven music, where listeners sometimes could surmise that machine manages to translate complex emotions in a more concise way than any other human medium by means of "glitchey" sets of estranging whistles, bleeps, alien chirping, electric hiss, arrhythmic syncompations and bumps. All those listeners who are more familiar with synths will maybe appreciate the way how Yoshio manages to derive well-done oscillation from a sound machine, whose main imperfection is the difficulty in making oscillations indeed.
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Artist: Zero-EQ (@)
Title: Fall EP
Format: CD EP
Label: Space Race Records (@)
Distributor: Bandcamp
Rated: *****
This is an Italian Electropop-trio providing a first EP-release signed to the well-established Space Race Records, a sub-label to Italy's premiere Electro/Industrial resource EK Product. Zero-EQ has been founded in 2003 by Phenix (Andrea) and IO (Gianluca) and they started with an imaginary, unreleased album with the funny title 'Greatest Hits 2003/2004'. Some first tracks could successfully find free slots on some renowned compilations (for example 'Toy Box' / remixed by DJ Crow on 'Dance Family Vol.1', Antibes Music). They also can look back on a full-length album 'Bugged Karma' brought out by the US-based Synthpop No. 1-resource, A Different Drum, under their 'VIP series'. With live performances they started in early 2013 after the official addition of Tyler (Emiliano) as being the third full-time member. Zero-EQ has performed in the most important clubs in Rome and also during live radio shows. Now on return with this new EP, they provide us their colorful and diverse Synth-/ Electropop-outfit on 5 new tracks plus a few remix contributions by some of their label comrades. 'Erase' opens this EP with some nice integrated bass-line sequencer-loops and the clear sounding male vocal performance. Even though they have used some kind of auto-tuning effects on the vocals, which are quite popular in cheesy, Charts-storming Pop-music efforts, this kind here doesn't alter the good impression. Also 'Never Let You In' doesn't fall into musically nervousness and comes along with smooth, but also with edges in their Synthpop music-style. The title track adds more speed and some rawer sounding bass-lines to the mix. This track balances between the smoother and harder styles of Electropop / EBM and so does also 'Negative Changes', which draws some reminiscences to the deep influence of Pop/New Wave-music out of the 80s. 'Inside My Head' may suits perfectly for some live action as this one blends in some guitar works, but actually this one doesn't leave any further impression. Remix works are coming up next by Retrogramme, Public Domain Resource, Lost Area, and Klonavenus. But as usual I for the most part prefer original compositions. None of these contributions can actually rival with the quality of the original compositions, although each of them has some elements worth to check out. As for a whole release it is a quite fair produced EP on which I here and there miss a bit of a higher recognition value. But maybe this impression will change if they decide to bring out an all new full-length album'¦
Jun 18 2014
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Artist: XMH (@)
Title: In Your Face
Format: CD
Label: Alfa Matrix (@)
Distributor: Soulfood
Rated: *****
This Netherlands-based trio has been well in my memories with their last album "State Of Mind", released by Danse Macabre and later licensed to Nilaihah Records for North-American availability. Now newly signed to the Belgian Alfa Matrix label they present us a new 12-track long album full of their expected Harsh EBM/Hellectro sound outfit. "The Business" released earlier as a teaser track for this album already could enter quite good reactions from the audience and moreover from the club-junkies. This track also opens this album with its straight and sweat-driving Techno-like beat-work, the screaming synthesizer-leads and the usual cookie-monster-like growling of the vocalist. It's Hellectro, Baby, what else do you expect? Also some of the further tracks like "Product", 'Forever' (with lead vocalist performance by the female member Isa Garcia), or the title track don't allow any dancefloor-victims to get out alive, because this action-driven album doesn't take prisoners. And with "Stiere und Schwule" this album holds up an ideal club-hit right up to follow the success and prominence of "Komasaufen" available on the predecessor. "Stiere und Schwule" is a prominent voice-sample taken out of the German synchronization of the overused "Full Metal Jacket" movie, in the scene where the drill instructor asks Private Cowboy about his roots (Texas). Not very original to use those prominent samples you might say - yes, but with its straight beat- and rhythm-work this one is quite effective and will let the masses stomp!
Funny I found the sentence in their information sheet, that they "slightly leaving the agro tech path and moving to new directions." They actually do so? Well, they rather leave their harsh style in micrometer-like dimensions and are still and undoubting members of the Hellectro-camp. Good and quality-producing members, yes, but actually with a very small, nearly unrecognizable will to change their throughout successfully formula. Here comes the point where I find the hair in the soup: "In Your Face" is to me a bit too repetitive and a bit too obviously drilled to follow the success of "State Of Mind" in its kind, production and out-coming. The musically development of this "Oranje-team" and their course to reach new directions is still active and hopefully not ending herewith.
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