Reviews



cover
Artist: Ekin Fil
Title: Maps
Format: 12" vinyl + Download
Label: The Helen Scarsdale Agency
Ekin Fil continues to expand her discography of soft, gentle near-ambient dream-pop with “Maps”. It’s a succinct, 9-track, 36-minute work that’s so consistent it’s often hard to notice where one track ends and the next begins, and it melds into one continuous piece of reverb-drenched keys, soft breathy vocal noises, warm ambiences and super-long echoes.

Fittingly for an album which describes itself as a reflection on small island life, we occasionally get waves, beach and running water noises to further enhance the mood, and it’s interesting to hear how this sometimes evolves towards white noise and develops an interesting counterpoint against the purity of the piano and key noises- a statement about the bustle of everyday life, perhaps. It’s invariably tinged with a tired melancholy throughout, that runs without any grounding in geography or specifics.

It’s an album with a clear vision, and certainly deserves a place on many people’s chill-out or go-to-sleep playlists.
Aug 15 2018
cover
Artist: Blastromen
Title: Cyberia
Format: CD
Label: Dominance Electricity
Rated: *****
Mika Rosenberg and Sami Koskivaara best known as the electro Finnish duo Blastromen, four years after their second album for Dominance Electricity are delivering for the same label their newest one, titled „Cyberia“. Available on CD and double 12“ (black or red plus poster) as well as digital (which contains the bonus track "Into The Void (Video Edit)"), „Cyberia“ contains ten new songs that somehow continue where „Reality Opens“ left. Conceptually the theme is like a story and this is the third chapter. Robots, humans, space travels and such are always the main thing although this time there’s a mysterious thing which involve „Cyberia“ and it’s what that is about. Blastromen write: „They call it awakening. It is now about to be born - the final invention of mankind. Perfect, limitless and able to raise beyond what its creator could ever forsee. It will remain after time has left humans. Cyberia“. So, what Cyberia is? A new city for cyborgs? A way to become a cyborg? That is unclear, but the cover graphic made by The Zonders let us think about something that went wrong. You can see a light coming off from what it seems a divinity. Who the people on the cover are? Some are looking like zombies, some others like experiments. The titles let the mystery opened for you to let your imagination run free. Here they are: Cyberia, Into The Void, Load Reload, Outsider (track that features Acid Hausmeister at the 303), Dream, Unite Arise, Signals, R.U.R, Light Traveler and Eternity. Musically, the album opens with three songs that are classic Blastromen tunes where vocoder, catchy synth melodies and haunting electro breakbeats are the key elements. Luckily, there are also tracks where the formula has been tweaked a bit and on tracks like „Outsider“ (more based on bass lines than on pads), „Dream“ (a short cinematic one with vocoder effected vocals where arpeggios and bass drum are upfront), „Unite Arise“ (another one focused on bass lines, drums and high pitched arpeggios), „Signals“ (these one have also little guitar like solos) and „R.U.R.“ are straight electro and less breakbeat and this is a nice counterpart to the other tracks. „Cyberia“ is an album to check for sure and the new influences are just great. A nice release brought to you again from Dominance Electricity!
https://soundcloud.com/dominance-electricity/de027
cover
Artist: Hilde Marie Holsen
Title: Lazuli
Format: CD & Vinyl
Label: Hubro
There’s certainly a distinctive character to Hilde Marie Holsen’s work in taking her own experimental trumpet performances, layering and processing them, deftly and extensively, to derive all the electronica tones on this downtempo and atmospheric release from them. As such it’s a remarkable production accomplishment but also a very engaging listen- one of the more brooding and soulful bits of electronica soundscaping I’ve heard in quite a while.

There’s a deep and sultry tone to some of the trumpet work that makes it sound more like saxophone, particularly on opener “Orpiment”, reminiscent of Rachel Edmondson’s “I Am Calm”. Conceptually there’s a strong connection to painting, with the track titles being minerals that are used to colour paint, and second track “Eskolaite” has an almost-rhythm that feels faintly like brush-strokes. “Lapis” is more faithful to the trumpet as the featured soloist, mostly leaving it sounding pure over a luxuriant warm drone. Finally the ‘main event’, the title track which makes up almost half of the 34-minute running time, is a broad multi-sectioned and quite cinematic work opening with industrial clarion calls, bubbling noise, dramatically strained metallic tones and a real sense of it being the full works, before settling down into more open plains that allow the trumpet to regain focus once more.

It’s a rich and focused mini-album that oozes character, and a virtuoso bit of performance that doesn’t end up being too self-indulgent either. Definitely worth a listen in a calm space.
cover
Artist: A Place Both Wonderful And Strange
Title: The City Smells Like Cat Spit EP
Format: Download Only (MP3 only)
Label: self-released
Distributor: Bandcamp
Rated: *****

BUY from  HERE
Elegant and whimsical but dark and uncomfortable at times..."occult electronic" and "doom gaze" are perhaps the terms closest to being appropriate for the Brooklyn duo, A Place Both Wonderful And Strange.

After a successful East Coast/Midwest tour, the band releases their new digital-only EP, The City Smells Like Cat Spit on August 24. The EP features one original track, "Kristae" and 3 re-worked live & studio tracks, "W*tch (Mevius Tour Version)," "Stone (Version)," and "Hex And The City (Resonata Remix)."

"Kristae" is a deeply haunting cut that evokes the image of a ghost-guided dusty LP, perhaps something out of Moby's worst nightmare. The standout track for us is "W*tch (Mevius Tour Version)." Musically haunting in the backdrop but guided by the heavenly vocals of Laura. "Stone" starts off with a cinematic female spoken narration and then moves to a whimsically-nuanced, fluid and moving track that ends before you know it or want it to. "Hex And the City (Resonata Remix)" is a bit of a layered, complex version of the song showing the band's unique mix of electronica and trip-hop.

"Wonderful" and "Strange" they are indeed. But the band is much more than that. They are simply one of the most original, un-classifiable electronic bands out there right now. I can't wait to see what they come up with next. For now, The City Smells Like Cat Spit is a perfect blend of electronica, darkwave and post-punk and then some....
cover
Artist: øjeRum (@)
Title: Stilhedens Strømmen I Fuglenes Blod
Format: CD
Label: KrysaliSound (@)
Rated: *****
The title "Stilhedens Strømmen I Fuglenes Blod" (it should be Danish for "the flow of silence in the blood of the birds") could fit to the sound you'll meet in this release by Danish visual artist (I guess he made the meaningful collage of the cover artwork) and musician Paw Grabowski aka øjeRum: initially issued in a very strictly limited edition of 30 self-made cassettes in 2016 and recently re-issued by Italian label KrysaliSound, which kept the hiss of the tape during the mastering, the sound gets unrolled over a one single 30 minutes lasting track, based on repetitive loops of a slightly pinched acoustic guitar, sparse elongated sounds, abstract field recordings and other evanescent resounding entities (including birds, of course!). Paw shows he learnt the minimalist lesson by the way he stacks identical chords through unperceivable (the tonal ones) or clearly (the length of the whole phrase or of single tones) listenable variations, but besides some insertion like the hits on glass (following the same speed of the guitar chords after 7-8 minutes), the fading of music overwhelmed by almost silent field recordings in the middle of the recording and an unexpected flooding of an ambient ghostly pad in the last minutes, the composition is quite flat. It can match a vague sense of loneliness, a romantic (in the authentic meaning of the word...) dazed melancholy or a merely hermetic detachment, but a mushrooming of this dark-tinged ambient-folk in the music (more or less independent) market is getting closer to those cliches, that should maybe have been antithetical in the guise of many musicians orbiting around these sonorities.
[ Next ] [ Previous ]

[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11...20] [21...30] [31...40] [41...50] [51...60] [61...70] [71...80] [81...90] [91...100] [101...110] [111...120] [121...130] [131...140] [141...150] [151...160] [161...170] [171...180] [181...190] [191...200] [201...210] [211...220] [221...230] [231...240] [241...250] [251...260] [261...270] [271...280] [281...290] [291...300] [301...310] [311...320] [321...330] [331...340] [341...350] [351...360] [361...370] [371...380] [381...390] [391...400] [401...410] [411...420] [421...430] [431...440] [441...450] [451...460] [461...470] [471...480] [481...490] [491...500] [501...510] [511...520] [521...530] [531...540] [541...550] [551...560] [561...570] [571...580] [581...590] [591...600] [601...610] [611...620] [621...630] [631...640] [641...650] [651...660] [661...670] [671...680] [681...690] [691...700] [701...710] [711...720] [721...730] [731...740] [741...750] [751...760] [761...770] [771...780] [781...790] [791...800] [801...810] [811...820] [821...830] [831...840] [841...850] [851...860] [861...870] [871...880] [881...890] [891...900] [901...910] [911...920] [921...930] [931...940] [941...950] [951...960] [961...970] [971...980] [981...990] [991...1000] [1001...1010] [1011...1020] [1021...1030] [1031...1040] [1041...1050] [1051...1060] [1061...1070] [1071...1080] [1081...1090] [1091...1100] [1101...1110] [1111...1120] [1121...1130] [1131...1140] [1141...1150] [1151...1160] [1161...1170] [1171...1180] [1181...1190] [1191...1200] [1201...1210] [1211...1220] [1221...1230] [1231...1240] [1241...1250] [1251...1260] [1261...1270] [1271...1280] [1281...1290] [1291...1300] [1301...1310] [1311...1320] [1321...1330] [1331...1340] [1341...1350] [1351...1360] [1361...1370] [1371...1380] [1381...1390] [1391...1400] [1401...1410] [1411...1420] [1421...1430] [1431...1440] [1441...1450] [1451...1460] [1461...1470] [1471...1480] [1481...1490] [1491...1500] [1501...1510] [1511...1520] [1521...1530] [1531...1540] [1541...1550] [1551...1560] [1561...1570] [1571...1580] [1581...1590] [1591...1600] [1601...1610] [1611...1620] [1621...1630] [1631...1640] [1641...1650] [1651...1660] [1661...1670] [1671...1680] [1681...1690] [1691...1700] [1701...1710] [1711...1720] [1721...1730] [1731...1740] [1741...1750] [1751...1760] [1761...1770] [1771...1780] [1781...1790] [1791...1800] [1801...1810] [1811...1820] [1821...1830] [1831...1840] [1841...1850] [1851...1860] [1861...1870] [1871...1880] [1881...1890] [1891...1900] [1901...1910] [1911...1920] [1921...1930] [1931...1940] [1941...1950] [1951...1960] [1961...1970] [1971...1980] [1981...1990] [1991...2000]


Search All Reviews:
[ Advanced Search ]

Chain D.L.K. design by Marc Urselli
Suffusion WordPress theme by Sayontan Sinha