Music Reviews

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Artist: Hey Exit (@)
Title: Caudata
Format: Tape
Label: self-released
Rated: *****
Be careful if you decide to rise up the volume to catch the words by the disembodied voices, which seem to come out of a encrypted radiophonic transmission, while your mind is maybe getting ready to flow into the lulling stillness in the short opening track "Olm", as Brooklyn-based sound artist Brendan Landis aka Hey Exit will unexpectedly ignite a sonic blast that could let your eardrums bleed on the following "Irises", the harshest part of this excellent release, whose extreme and somehow magnetic virulence seems to be a preparatory storm to fertilize the listening soil for upcoming tunes. Residual electric charges and occasional muffled thunders fade out while the ambient layers, some chimes and a warming rising guitar tone begin to enfold listener in a soothing silent symphony on "But Is Not Consumed", a sort of anaesthetic following the previously described sonic fury. The metallic squeaking of sharpened blades and some scratches on scorched guitar chords are the elements that slightly disturb the static catalepsy of "So They Spoke", the track at the end of side A. The length of the last track I described is the same of "Small Burials", the almost ethereal mist which opens side B, leading to the catchy nostalgic sonorities of "Twin Moss", getting more and more "strangling" and estranging by the final short electric storm. The only moment where the listener can perceive a silent diving line is the one between these two tracks and the last "Lanterns, Chrysanthemum", the longest one where Hey Exit builds a sort of quiet cinematic drone over pulverised occasional resounding entities. In spite of the seasoned nuance of the sound rendered by the hissing of the tape, "Caudata" is a fascinating listening experience, including some field recording that Landis took in the desert of Arizona at the very end.



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