Music Reviews

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Artist: Reutoff (@)
Title: No One's Lullabies
Format: CD
Label: Zhelezobeton (@)
Rated: *****
Reutoff is a trio of WoWa [BT], Arnold pR, and Mitya N, who all hail from a small suburb of Moscow called Reutov and decided to get together to make industrial music in 1998. For them, the town is inspiration. According to the band, they think that “there are plenty of unique, really magic places in the town and around, that forms a united sacral space which is able to stimulate creative activity like nothing else can.” So let’s see what the town inspired them to do. The album opens with “New World Disorder,” and absolutely gorgeous composition of complex, dark, droning synth melodies and percussion. There are a lot of layers here woven together into a beautiful tapestry of sound. Seriously, this track is worth the price of admission even if the rest of the album sucked (which, thankfully, it doesn’t). “Slumber Song” is, ironically, a bit noisier, but no less interesting. Next up, we have “Edge of Oblivion,” which reminds me a lot of Autopsia’s “Secret Christmas History,” with its minor key and plodding beat, but if there were some unintelligible buried Laibach vocals sampled for good measure. Dulcimer and bells combine with wind tunnel synth in “Dead Templar's Groove Manuscript,” and actually has a lullaby feel to it, although one that is meant to inspire dread rather than sleep – sort of how Grimm’s fairy tales were not just for children. “Ice in my Liver” is a jazzy number, with a good beat and a hallucinatory soundscape swirling around it. “Nameless Tune with No Fate” is more heavy, oppressive soundscape that has a claustrophobic feel to it. “Requiem for Android” is an otherworldly soundscape with a beat and synth lines that sound, at times, like the passage of time. “Stille Leuchtet in dem Dunkel” is a cinematic piece that sounds like the soundtrack to the showdown between the protagonist and antagonist with a beat practically designed for the trailer. No explosions though; they’re implied. Finally, “About the Stars (live in Heaven)” closes out the disc with a track that is a bit more raw than the others, which makes sense because it is live. The material on this album began life as a limited-edition tape of 80 copies on German label Sea State in 2014, then they added four more tracks to their Bandcamp page, before finally releasing it on CD with a live track added for good measure. I am glad that this material has received wider dissemination because it is excellent. Do yourself a favor and pick this one up. This is far and away the best thing I have heard from Zhelezobeton. This album weighs in at around 70 minutes.



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