Music Reviews

Artist: VV.AA. (@)
Title: Now It's Dark - David Lynch Tribute
Format: CD
Label: kultFRONT/Zhelezobeton (@)
Rated: *****
'Now It's Dark' the David Lynch Tribute is an album of 11 tracks by 11 Russian artists who explore the darker side of Lynch's oeuvre. I readily admit I'm a Lynch fan, but not a fanatic. The release of this album caused me to visit David Lynch's filmography, and I came to realize that I was more of a dilettante than a connoisseur of the Lynchian world. Sure, I've seen Eraserhead, The Elephant Man, Dune, Blue Velvet, Wild at Heart, Industrial Symphony No. 1, Twin Peaks - Fire Walk with me, Twin Peaks TV Series, Lost Highway, Mulholland Drive, The Straight Story, and even Inland Empire (yeah, I sat through the whole three hours of it, plus the bonus material) but Lynch's body of work extends even beyond that. Here, the emphasis is on DARK, not absurd, surreal, quirky, or merely strange. For the most part, these pieces are dark ambient industrial, but there is some variety. You won't be hearing any Angelo Badalmenti style noir jazz or Julee Cruise warblings (which is sort of a shame) on this album, but nevertheless, there is some interesting music. Light Collapse kicks it off with "Homunculus of Henry Spencer" (Eraserhead), a piece that juxtaposes chaotic industrial noise with struck ringing bellish tones. Dvory contributes "Dark Eye" in which sustained, mournful trumpet notes float over gloomy dark ambient drones. "Prelost" by Povarovo features sparse reverberated and echoed piano notes and chords with breathy saw-like ambience. DMT's "Lynch2712" is a lengthy, rich, industrial dark ambient track with deep, shuddering drones that goes through a variety of permutations to keep it interesting. Wonderblock's "U-Turn to Lost Highway" is a spooky, muted dark ambient track punctuated by a low, dull, percussion loop. Great atmosphere. Skripp introduces "Lynch Law" which consists of a thick wall of medium to high industrial drone over pounding heartbeat low percussion. Sal Solaris's "Garmonbonzia 2.0" begins with a factory machine loop, then a bell ringing over seething low drones. More diversified factory ambience presents itself until the track's conclusion. Relic Radiation mines some "Arrakis Cinnamon" (don't know why they didn't opt for Melange) in this Dune homage, which is the spaciest track on the album with cosmic synths and sequencer, reminding me a lot of the psy-trance genre. Actually, this one is sort of my favorite track on the album. "Mind in Motion" by Kryptogen Rundfunk starts out as menacing dark ambient, then introduces a Lynch-load of staticy noise, a manipulated sample of the Mentat Mantra from Dune- "It is by will alone that I set my mind in motion..." and a lot of other sonic effluvia. Reutoff calms it down (at first) with the seemingly meditative "Blue Room with No Doors" that morphs into a rhythmic industrial piece with an abstract bellish melody. Nice. It all ends with "Eraserhead's neighbors" by Arcuation, which relies heavily on muscular feedback, along with discreet percussive elements. Overly long and unpleasant.

No doubt this compilation has its highs and lows, and what appeals most to me may not to you, but it has some merit in its differences. As a David Lynch tribute though, I didn't find it completely satisfying, and thought it could have used some more traditionally musical, but equally dark contributions. It may however, bring to light darkside Russian artists who might not otherwise have gotten the exposure due to Lynch fans seeking out anything to do with him. The cover by the way is a fragment of a painting by Chris Mars titled "Special Agent Gordon Cole". Limited edition of 200 copies in a glossy six-panel digipak.

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