Music Reviews

Artist: Miracle (@)
Title: Mercury
Format: CD
Label: Planet Mu (@)
Rated: *****
It's not the first time I diagnose that there's love-in-the-air syndrome within esteemed Paradinas' label as Miracle could be considered the outcome of an artistic and musical love by American electronic composer Steve Moore and British multi-instumentalist Daniel O'Sullivan, which blossomed during a tour of respective bands: O'Sullivan used to be the leading voice and the "electronic" recipe of Guapo, whose excellent recent release "History Of The Visitation" on Cuneiform, the first which followed the departure of Daniel, has some trace of his visitation yet, while the skittish Steve Moore was touring with Anthony "Majeure" Paterra as a leg of Zombi. After their meeting, they kept on flirting on Internet by which they exchanged ideas and files and forged the tracks of this good album by adding arrangments and enhancements, which preceded the definitive studio recording, which can be reasonably considered a proper upgrade of 80ies synth-pop rather than a calque in spite of the more or less recognizable similarities and influences. A sort of exegesis of the title "Mercury" could be the pretext to show some features of Miracle's debut album: "Mercury" could be a reference to the smallest planet of Solar System as well as the closest to our star, whose proximity eminently conditions its magnetic shield and its visibility from our planet or to the notoriously Greek messenger of Gods due to his winged footwear and helmet. Both interpretations could be related to some features of their synth-driven sound, whose divine halo is unavoidably magnetic and seems to be derived by a lofty perception and a certain detahcment from human recurring dynamics, but I can guess the above-mentioned possible interpretations could refer to the audio equipment, or at least to a part of it, which paved they way for the lovely cosmic route they offer to the listeners, as I'm pretty sure Steve Moore could have used a Prophet 5 or maybe a Prophet 600 to notch the long sonic chains of each song - and phophets are commonly considered a messenger of gods just like Mercury... - and the lyrics of the title-track seem to run on such an ambivalence. Many reviewers insisted on the similarities between the sound of Miracle and the one by Depeche Mode, which can maybe be reminded by some tracks of the first part of the album - the initial "Good Love", "Neverending Arc 1" or "Falling Into The Night"- even if they could be remind more stuff by former Depeche Mode-collaborator Bomb Da Bass at most, but the strongest influences I can perceive are the ones by some cosmic knights of late 70ies and 80ies, italo-house or some scorer of horror and sci-fi movies such as Claudio Simonetti due to some resemblances on the synth-organ attacks, but I can ultimately say that the sterling and upright way Miracle pop astronauts up is somehow original and so intriguing that many listeners will wish for a follow-up of "Mercury".

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