Music Reviews

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Artist: Luca Forcucci (@)
Title: Fog Horns
Format: CD
Label: Sub Rosa (@)
Rated: *****
The premise that half Italian half Swiss young sound artist Luca Forcucci made about this surreal release, the 14th chapter the prestigious Belgian label Sub Rosa added to his limited-edition Framework series, could let you surmise the initial title-track and the following two long lasting suites could belong to a sort of sonic document about sensorial hallucinations that tiredness could cause; he spoke about "twelve hours of flight and some sleep deprivation" before his landing in San Francisco. So Luca explained, "Because of or thanks to my state of consciousness, I heard a distinct and beautiful sound. It took me a while to understand if I was really hearing it or dreaming it: the sound of the fog horns". The field recordings of conversations by anonymous pedestrians, chirping birds, delayed noises of a train trip and other sonic clues intertwines with the sound of distant fog horns he listened after he landed in San Francisco in Spring 2011 and those fog horns have been turned into the cement of endoplasmic reticulum of sounds, including some hip-hop scratches by Le Gooster on "Fog Horns", which sound like unexpected reminiscences resurfacing from inner depths or frenzied parties, the occasional metallic hits of crockery, other hip-hop morsels and the mesmeric over-stretched cello by Michael Kott on the somehow disquieting and hallucinatory atmospheres of the final track "Winds". On the central track "L'Ecume des Jours", fog horns became the imaginary vertex of a mysterious building who got erected both in the spacial and the sonic dimension, whose architectural principles lay on the sound of crashing waves, puffed electric distortions and scorched reedy samples which chorally becames headier and headier by emphasizing the artistic metamorphosis of this device that warned vehicles of navigational hazards or boats of the presence of other vessels or other obstacles in foggy condition into a presence, which is both reassuring and unsettling as it succeeds in evoking an impending danger by means of his orotund heavy "voice" and his effect on sonic sphere which seems to be covered by a sort of camouflage mantle.



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