Music Reviews

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Artist: Giulio Aldinucci (@)
Title: Tarsia
Format: CD
Label: Nomadic Kids Republic
Distributor: Experimedia
Rated: *****
In an interview with the website Fluid Radio (fluidradio.co.uk) Italian composer described the origins of the title Tarsia, his first release under his own name.

"The term Tarsia (or Intarsia) denotes an ancient technique of wood inlaying. The first examples of this practice date back to the XIV century and come from the Siena region. I have chosen this title because I consider this technique similar to the that of a lot of contemporary electro-acoustic music. To make these wood inlays they used rare and carefully selected natural elements, which were then treated, and sometimes individually coloured, and subsequently placed next to each other in order to create complex patterns, which is what many musicians within this field tend to do."

It seems like the terms 'field recordings', 'modern classical', and 'soundscapes' could be interchangeable, so often are they found in the same sentence. It seems like every time an artist lays a cello or a piano to tape, it is accompanied by handheld tape recordings, the sounds of rippling brooks, and the ringing of churchbells. It is hard to stand out in this saturated field, but Giulio Aldinucci achieves this rare balance, by creating whole compositions, that don't merely sound like 'classical lite' with some voicemail pasted on top.

The composer achieves this effect by carefully mixng and balancing the sounds, creating a delicate interplay that suggests technical mastery and a sensitive ear. Most of the sounds are synthetic in nature, overlaid with pristine soundscapes: crystal running rivers, dogs barking, snippets of conversation. It seems like a memory of wandering the Italian countryside. Aldinucci's music may have originated in a soundcard or a circuit board, but they beautifully complement the acoustic recordings with masterful mixing, making a cohesive whole, like the wooden boxes Tarsia is named after.

Once upon a time, a record like this would be merely considered 'new age' and left at that, mainly due to the soothing synth ambiance that makes up most of this record. However, with synthesizer opuses making a heavy comeback for the last 10 years or so, perhaps we are ready to consider these electronic instruments on their own terms. I would like to amend the newage tag with 'heavenly' or dare i even say it, 'beautiful'.


Giulio Aldinucci, and the Nomadic Kids Republic that released this, are ones to watch out for, seemingly creating reams of gorgeous modern classicism. Physical copies of Tarsia are long gone, but you can stream or download copies from the label's bandcamp site.

Lovely stuff! Recommended.



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