Music Reviews

Artist: KMFDM (@)
Title: Kunst
Format: CD
Label: Metropolis (@)
Rated: *****
The dreadnought KMFDM is maybe the most long-lived industrial dance act even if they often spin self-referring subjects as it happens on the heavily beating initial title-track of their new assault to dancefloors, "Kunst" (their 25th album!), where they quotes some of their previous songs and references, a combustive browsing which connects dots like their imaginary guardian angel (Juke Joint Jezabel) they invoked in their album "Nihil" (1995), the drug against war they patented in "Angst" (1993), the son of a gun they conceived on "Xtort" (1996), supposedly from spit sperm of "Symbols" (1997) by some itchy bitchy mother, portrayed on "What Do You Know, Detschland?" (2007) after casual insemination by some pomaded tacker, who got worried after he knew KMFDM could similarly stand for a death warrant against cultural uniformity ("Kein Mehrheit fur die Mitleid", grammatically incorrect solution of KMFDM acronym meaning "No Majority For Pity", or "Kein Mitleid fur die Mehrheit", id est "No Pity For The Majority" ...) and their shepherds ("Kill MotherFucking Depeche Mode"). After this tracking shot/overview, they throw nine grenades: some of them could sound quite predictable for people who follow them from time immemorial, particularly when they highlight the metal constituent of their blend such as on "Ave Maria", a song which sounds like a parody of market-oriented blasphemy by Marilyn Manson (I don't think the resemblance of distorted guitar riff with the one on "Beutiful People" is fortuitous), "Pseudocide" or the mutating "Hello", even if the insertion of blunt electronic handholds tempers these hooks to more metal-oriented stuff. The most relevant aspect is the fact they managed to shield their iconoclastic attitude, which oozes from any semantic and stylistical orifices of this album: their blow torches point cultural market customs on "The Next Big Thing" ("Mutinous bastards on a treacherous sea/Popes and pastors full of lurid deeds/Whores and harlots spilling seed/pigs and fascists/The next big thing"), fraternize with Pussy Riot on the same titled song by means of contagious electro-metal grooves which sound like chainsaws ("Pussy riot/Hear us roar/An army of tits/Down for the cause/Mother daughter sister unite/rise out of silence/Stand up and fight" where the "dirty" second voice by Sascha Konietzko, whose persuading versatility demonstrates to be in excellent shape just like the talnted singer Lucia Cifarelli, could resemble past vocal roars by Trent Reznor) and moral turpitude of some stupid ethic codes. Their collaboration with Swedish industrial rock band Morlocks, "The Mess You Made", is a proper sonic jewel and the cherry on top in "Kunst", which will presumably enhance many electro-propelled clubs. Long life to KMFDM!

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