Music Reviews

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Artist: Ernesto Rodrigues, Katsura Yamauchi, Carlos Santos (@)
Title: Three Rushes
Format: CD
Label: Creative Sources (@)
Rated: *****
Ernesto Rodrigues on the harp, which sound played more like an object by sudden and unexpected strokes, whose strings are just occasionally played in the conventional way, as they sound more whacked (so that they sometimes give the impression of breaking springs) than plucked, Carlos Santos' sonic creatures from computer and piezos which sometimes goe up to the surface like imaginary sea serpents with their threatening eclat and subtle crimping, Katsura Yamauchi, whose technique on saxophone hit the headlines of more demanding lovers of the so-called reductionist movement by his album Salmo Sax and integrates into the ensemble with muffled breathing, which sometimes look like puffs in the bottleneck, and temporary stews of melodic glimmers, improvised this amazing and somewhat estranging three rushes on the borders between noise and silence. Some moments could let you imagine a narcotized emotional tension which explodes by means of abrupt rashes, while they gradually interlace thin torn mantles. I found particularly catching the central and second of three tracks (they call them scenes), "Cookie's Role", for the cliff-hanger they managed to set, even if the third one, "Cookie's Departure", is quite rich of funny flaky disfigurations of respective instruments without turning the "thespian" aspect down.



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