Music Reviews

Artist: Billy Roisz (@)
Title: Walking The Monkey
Format: 12"
Label: Mego (@)
Rated: *****
This solo debut album by Austrian experimental video and sound artist Billy Roisz, known for her talent to render experimental music into visual imagery, sounds like a sort of anarchic transposition of suprematist praecepts from plastics to electricity after yuppifying them by means of contemporary treatment of frequencies and an impressive weaponry of instruments and unstruments, i.e.remote-controlled instruments where a device (normally a computer) goes between instrument and performer, such as electric bass guitar, kakophonator, kluppe (a linux-only open source loop-player and recorder, developed by Dieter Kovacic aka dieb13, who already collaborated with Billy), Flower Electronics Jealous Heart (a small battery-powered modular synthesizer, which is quite good to produce chatic clashing sounds) and a set of audible video devices. On "Walking The Monkey", she manages to organize corrosive flow of noises by tantalizing vortexes of spooky mid-frequencies ("Blue Hairy Tongues"), progressive saturations over tonal curves which look like following hyperbolic trend ("Spinning The Ecstasy"), sonic peptic ulcers (the distant smooth jazzy excerpt on the incipit of the title-track "Walking The Monkey" could let you imagine the possible mishap of an heavy drinker after many drinks), fermentations of stunning drones ("Feeding The Monsters"), thunderous flashes of noises which broaden over the sonic sphere (particularly on the track "Wave Your Hand To Sleepy Land", whose title conveniently quotes Thomas Pynchon's "Gravity's Rainbow"...a possible reading which could match the listening of Roisz's sonic sculptures) and high-pitched sharpening death throes of sound ("Under The Influence"). If you appreciate modulations of noise and similar stuff, just give heed to this stuff.

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