Music Reviews

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Artist: Slow Listener (@)
Title: The Long Rain
Format: Tape
Label: Exotic Pylon Records (@)
Rated: *****
An unaccostumed declension of darkest ambient comes from Robin Dickinson under his moniker Slow Listener on Exotic Pylon, the appreciated and quite eccentric label by Jonny Mugwump, whose unconvenionality for contemporary times is clear since its format: "The Long Rain" has not only been recorded entirely on tape, but the sound is so dirty and crackling that you could surmise the tape he used was overdubbed many times before getting so murky and was found in the forgotten archives of some abandoned loony bin. Sinister squeaks, pitched drones of claustrophobic extended bells, occasional field recordings, a disquieting mechanical meddling with metallic utensils on a sobbing engine and a job lot of other sonic incrustations playing over the somewhat obscure and periodic repetition of the expression "the light" (or was he meant to say "delight"?) by a male of voice before the deep breath of a sleeper on the first suite "And Nor Was He Mistaken" and the more abrasive and scraped drones, the "constipated" corrosions, the recording of a rain shower and unremittingly lo-fi loops and layering before the bizarre monologue on the second part of "Ondras Rising" depict a certain feeling of "enlighted" seclusion and alienation, which partially remind those cut-up stuff by various "esoteric" and majick-oriented industrial transmissions such as Coil's "How To Destroy Angels", Throbbing Gristle's "Hamburger Lady" or more recent dark ritual-ambient Psychick Warriors Ov Gaia's "Dust (At The Crossroads)". The association between the sound of "The Long Rain" and the weird atmospheres of William Hope Hodgson's "The Night Land" - a classic novel which traces the existence of survivors on a dystopian Planet Earth, living inside a huge metal pyramid after the Sun powered off and the only lights on Earth got produced by the glow of some active volcanoes - is quite guessed.



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