Music Reviews

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Artist: Ital Tek (@)
Title: Nebula Dance
Format: CD
Label: Planet Mu (@)
Rated: *****
"Nebula Dance" could be considered the best way for the new course dubstep should follow, according to Planet Mu's label manager Mike Paradinas and Brighton talented beat juggler Alan Myson, known as Ital Tek, one of the jewel in the crown of this appreciated imprint at least. To be honest, all those musicians, who dealt with dubstep, a style which was gradually depleting its possible combinations by getting a little bit too schematic, are mainly following two paths: the first one crosses the overcrowded realm of techno-trance, IDM and minimal, while the second exodus moves towards that Chicago-born style, known as footwork and closely related to juke or ghetto house, which normally accompanies on a style of street dance, based on fast movements of feet as well as a number of twists and turns, who startyed to be popular thanks to producer and djs such as Kavain Space aka R.P.Boo or Dude N Nem (their notorious clip "Watch My Feet" includes some figure at your fingertips!). I could almost say that Ital Tek is trying to go beyond this fork by paving the first junctions through tracks like the amazing 8-bit driven "Pixel Haze", the glimmering synth-oriented tracks "Dusk Beat" - including the typical soft toms which normally embellishes footwork stuff in order to make their voodoo-like sound even more swinging for feet -, "Steel Sky", "Solar Sail" or "Human Version" by adding drops of atmospheric synths and technoid mutations of bass tones to his frenzy rhythmical pattern and to his percussive freaks (I particularly enjoyed the glockenspiel-driven track "Glokk", the crossbreed between a sort of gong with conga on "Gonga" and the amazing alternation of accellerations and decelerations on the initial "Nebula Dance") or by accentuating the contrast between weightless sounds and weighty ground layers of sizzling basses ("In Motion", "Yesterday Tomorrow Today"), which got blended within the notorious fizzy sound by Ital Tek, who seems to trap both percussive elements and sounds within a pinball machine. I cannot imagine how many traffic jams are going to come when all roundabouts (and no through roads...) on the above-mentioned stylistical fork will be ready.



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